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the loss of selfhood in the plays of Marina Carr

Autor*in: Trench, Rhona

Erschienen: c2010

Verlag: Peter Lang, Bern

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Quelle:	Verbundkataloge
Sprache:	Englisch
Medientyp:	Ebook
Format:	Online
ISBN:	9783039119646; 3039119648; 9783035300703
Schlagworte:	Self in literature; Self-destructive behavior in literature; Abjection in literature; Selbstdestruktion <Motiv>; Drama; Selbstentfremdung <Motiv>
Weitere Schlagworte:	Carr, Marina (1964-); Carr, Marina (1964-)
Umfang:	viii, 319 p
Bemerkung(en):	Includes bibliographical references (p. [293]-307) and index Introduction -- Unnatural blood -- Coagulated blood, congealed blood and mixed blood -- The one blood -- Sacrificial blood -- New blood -- Conclusion

The Loss of Selfhood in the Plays of Marina Carr

Autor*in: Trench, Rhona

Verlag: Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern

Standort:

Bayerische Staatsbibliothek

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uneingeschränkte Fernleihe, Kopie und Ausleihe

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Volltext (URL des Erstveröffentlichers)

Quelle:	Verbundkataloge
Sprache:	Englisch
Medientyp:	Ebook
Format:	Online
ISBN:	9783035300703
Weitere Identifier:	doi: 10.3726/978-3-0353-0070-3 9783035300703
RVK Klassifikation:	HN 9990
Auflage/Ausgabe:	1st, New ed
Schlagworte:	Drama; Selbstdestruktion <Motiv>; Selbstentfremdung <Motiv>
Weitere Schlagworte:	Carr, Marina (1964-)
Umfang:	1 Online-Ressource (327 Seiten)
Bemerkung(en):	Online resource; title from title screen (viewed June 10, 2019) This book deals with the process of negotiation with the past in the present through the plays of Marina Carr. The title frames the work, connoting the path towards destruction and the sense of lethargy acquired along the way. The book offers an in-depth and extensive reading of Carr's plays. In doing so, it surveys some of the destructive issues represented in the works and provides a series of social and cultural contexts to which the concerns in the works are related. Carr is best known for her trilogy, The Mai, Portia Coughlan and By the Bog of Cats..., and more recently Woman and Scarecrow, The Cordelia Dream and Marble. The plays are regularly concerned with notions of identity in the context of self-destruction, self-estrangement and displacement. This book applies Julia Kristeva's theory of abjection to Carr's plays in an effort to structure the loss the author identifies in the works. Themes of memory, history and myth are examined in the context of these concerns in provocative and confrontational ways

the loss of selfhood in the plays of Marina Carr

Autor*in: Trench, Rhona

Erschienen: c2010

Verlag: Peter Lang, Bern

Export in Literaturverwaltung

Hinweise zum Inhalt

Volltext

Quelle:	Verbundkataloge
Sprache:	Englisch
Medientyp:	Ebook
Format:	Online
ISBN:	9783035300703; 3035300704
Schriftenreihe:	Reimagining Ireland ; v. 20
Schlagworte:	Self in literature; Self-destructive behavior in literature; Abjection in literature; DRAMA / English, Irish, Scottish, Welsh; Abjection in literature / (OCoLC)fst01896029; Self-destructive behavior in literature / (OCoLC)fst01111609; Self in literature / (OCoLC)fst01111462; Carr, Marina / Criticism and interpretation; Carr, Marina, 1964- / Criticism and interpretation
Weitere Schlagworte:	Carr, Marina / 1964- / Criticism and interpretation; Carr, Marina / 1964- / (OCoLC)fst00376410
Umfang:	1 online resource (viii, 319 p.)
Bemerkung(en):	Description based on print version record Includes bibliographical references (p. [293]-307) and index Introduction -- Unnatural blood -- Coagulated blood, congealed blood and mixed blood -- The one blood -- Sacrificial blood -- New blood -- Conclusion

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