Includes bibliographical references and index Frank Conway: Performance process, practice and space. The sound of one hand clapping Rhona Trench: A blend of Irish and European theatre process and practice: Blue Raincoat Theatre Company's production of W.B. Yeats' The cat and the moon (1926) Carmen Szabo: Place and non-place: discussing physicality and story in Barabbas Theatre Company's Circus (2007) Agnes Pallai: Cultural differences in staging Brian Friel's Translations in Romania Enrica Cerquoni: Theatre, text and performance. Ways of seeing and The Womb-Theatre: theatrical space and scenic presentation in Marina Carr's Ariel Virginie Privas-Braut: The actor's body as a heterotopic language in Bill Morrison's The marriage Caoileann Thompson: Irish theatre studies in the performance age: the case of Stewart Parker Eamonn Jordan: "It would never happen on The Waltons": Enda Walsh's The Walworth farce Eric Weitz: Performance, performers and audience. Sleight of frame: exploitations of comic feeling by two Irish playwrights Suzanne Colleary: "God's comic": narratives of performed identity of Irish stand-up comedian Tommy Tiernan Fiona Fearon: Decoding the audience: Enda Walsh's Chatroom (2008) Mary Caulfield: Performing memory, ritual and tradition. Fashion advice: Constance Markievicz's "Unmarked", "Mismarked" and "Remarkable" women Michael Jaros: Broken narratives, performing ruins: Yeats, Beckett and the dramatic landscape of catastrophe Christopher Collins: J.M. Synge, W.B. Yeats and The changeling of the Western World Shonagh Hill: Female self-Authorship and reperformance of the "Good death" in Marina Carr's Woman and scarecrow Aoife McGrath: Performing cultural identities. "The less you bump, the faster you go": staged scenes of Dissensus in CoisCim's Dodgems Steve Wilmer: Theatre and nation: performing statelessness in Ireland and abroad Holly Maples.: Performing cultural trauma: The 1980 "A Sense of Ireland" Festival |
