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  1. Face forms in life-writing of the interwar years
    Autor*in: Bruś, Teresa
    Erschienen: 2023
    Verlag:  Palgrave Macmillan, Cham ; Springer Nature Switzerland

    This book is an interdisciplinary study of the engagement with and representation of the face across literature, photography, and theatre. It looks at how the face is an active agent, closely connected with the history of the media and the social... mehr

    Standort:
    Universitätsbibliothek Eichstätt-Ingolstadt
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    This book is an interdisciplinary study of the engagement with and representation of the face across literature, photography, and theatre. It looks at how the face is an active agent, closely connected with the history of the media and the social interactions reflected in media images. Focusing on the dynamic period of the interwar years, it explores a range of case studies in Poland, UK, and the US, and examines artists like Stanisław Ignacy Witkiewicz (Witkacy), Virginia Woolf, Debora Vogel, Sir Cecil Beaton, Theodore Władysław Benda, and Edward Gordon Craig. Teresa Bruś argues that these writers and photographers defended the face against threats from modern life – not least, the media. She focuses on transformations of the face in life writing across a range of media and draws attention to the artists’ autobiographical narratives. Teresa Bruś is Associate Professor in the Institute of English Studies at Wrocław University, Poland. She has published on various aspects of life writing and photography in journals, including Biography, European Journal of Life Writing, Prose Studies, and Connotations. She is the author of Life Writing as Self-Collecting in the 1930s: Cecil Day Lewis and Louis MacNeice (2012).

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783031368998
    Weitere Identifier:
    RVK Klassifikation: EC 5187
    Schriftenreihe: Palgrave studies in life writing
    Schlagworte: Autobiografische Literatur; Gesicht <Motiv>
    Weitere Schlagworte: Witkiewicz, Stanisław Ignacy (1885-1939); Benda, Władysław Teodor (1873-1948); Woolf, Virginia (1882-1941); Beaton, Cecil Walter Hardy (1904-1980); Fogel, Devorah (1900-1942); Craig, Edward Gordon (1872-1966); European literature.; Literature, Modern; Photography.
    Umfang: 1 Online-Ressource (xvi, 256 Seiten), Illustrationen
    Bemerkung(en):

    Chapter 1: Commitment to Face -- Chapter 2: Stanisław Ignacy Witkiewicz: The Increase and Excess of Facial Expression -- Chapter 3: Virginia Woolf and Debora Vogel: A Season of Fragments -- Chapter 4: False Faces of Władysław Teodor Benda and Edward Gordon Craig. -- Chapter 5: Sir Cecil Beaton and the Art of Modern Façade -- Chapter 6: Massification of Faces in Lilliput and Picture Post -- Chapter 7 Conclusions.
  2. Face Forms in Life-Writing of the Interwar Years
    Autor*in: Bruś, Teresa
    Erschienen: 2023
    Verlag:  Springer Nature Switzerland, Cham ; Imprint: Palgrave Macmillan

    This book is an interdisciplinary study of the engagement with and representation of the face across literature, photography, and theatre. It looks at how the face is an active agent, closely connected with the history of the media and the social... mehr

     

    This book is an interdisciplinary study of the engagement with and representation of the face across literature, photography, and theatre. It looks at how the face is an active agent, closely connected with the history of the media and the social interactions reflected in media images. Focusing on the dynamic period of the interwar years, it explores a range of case studies in Poland, UK, and the US, and examines artists like Stanisław Ignacy Witkiewicz (Witkacy), Virginia Woolf, Debora Vogel, Sir Cecil Beaton, Theodore Władysław Benda, and Edward Gordon Craig. Teresa Bruś argues that these writers and photographers defended the face against threats from modern life – not least, the media. She focuses on transformations of the face in life writing across a range of media and draws attention to the artists’ autobiographical narratives. Teresa Bruś is Associate Professor in the Institute of English Studies at Wrocław University, Poland. She has published on various aspects of life writing and photography in journals, including Biography, European Journal of Life Writing, Prose Studies, and Connotations. She is the author of Life Writing as Self-Collecting in the 1930s: Cecil Day Lewis and Louis MacNeice (2012)

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook; Datenträger
    Format: Online
    ISBN: 9783031368998
    Weitere Identifier:
    Auflage/Ausgabe: 1st ed. 2023
    Schriftenreihe: Palgrave Studies in Life Writing
    Schlagworte: European literature; Literature, Modern; Photography; European Literature; Twentieth-Century Literature; Photography
    Umfang: 1 Online-Ressource (XVI, 256 Seiten), 16 Illustrationen, 9 Illustrationen
    Bemerkung(en):

    Chapter 1: Commitment to Face -- Chapter 2: Stanisław Ignacy Witkiewicz: The Increase and Excess of Facial Expression -- Chapter 3: Virginia Woolf and Debora Vogel: A Season of Fragments -- Chapter 4: False Faces of Władysław Teodor Benda and Edward Gordon Craig. -- Chapter 5: Sir Cecil Beaton and the Art of Modern Façade -- Chapter 6: Massification of Faces in Lilliput and Picture Post -- Chapter 7 Conclusions
  3. Face forms in life-writing of the interwar years
    Autor*in: Bruś, Teresa
    Erschienen: 2023
    Verlag:  Palgrave Macmillan, Cham ; Springer Nature Switzerland

    This book is an interdisciplinary study of the engagement with and representation of the face across literature, photography, and theatre. It looks at how the face is an active agent, closely connected with the history of the media and the social... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book is an interdisciplinary study of the engagement with and representation of the face across literature, photography, and theatre. It looks at how the face is an active agent, closely connected with the history of the media and the social interactions reflected in media images. Focusing on the dynamic period of the interwar years, it explores a range of case studies in Poland, UK, and the US, and examines artists like Stanisław Ignacy Witkiewicz (Witkacy), Virginia Woolf, Debora Vogel, Sir Cecil Beaton, Theodore Władysław Benda, and Edward Gordon Craig. Teresa Bruś argues that these writers and photographers defended the face against threats from modern life – not least, the media. She focuses on transformations of the face in life writing across a range of media and draws attention to the artists’ autobiographical narratives. Teresa Bruś is Associate Professor in the Institute of English Studies at Wrocław University, Poland. She has published on various aspects of life writing and photography in journals, including Biography, European Journal of Life Writing, Prose Studies, and Connotations. She is the author of Life Writing as Self-Collecting in the 1930s: Cecil Day Lewis and Louis MacNeice (2012).

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783031368998
    Weitere Identifier:
    RVK Klassifikation: EC 5187
    Schriftenreihe: Palgrave studies in life writing
    Schlagworte: Autobiografische Literatur; Gesicht <Motiv>
    Weitere Schlagworte: Witkiewicz, Stanisław Ignacy (1885-1939); Benda, Władysław Teodor (1873-1948); Woolf, Virginia (1882-1941); Beaton, Cecil Walter Hardy (1904-1980); Fogel, Devorah (1900-1942); Craig, Edward Gordon (1872-1966); European literature.; Literature, Modern; Photography.
    Umfang: 1 Online-Ressource (xvi, 256 Seiten), Illustrationen
    Bemerkung(en):

    Chapter 1: Commitment to Face -- Chapter 2: Stanisław Ignacy Witkiewicz: The Increase and Excess of Facial Expression -- Chapter 3: Virginia Woolf and Debora Vogel: A Season of Fragments -- Chapter 4: False Faces of Władysław Teodor Benda and Edward Gordon Craig. -- Chapter 5: Sir Cecil Beaton and the Art of Modern Façade -- Chapter 6: Massification of Faces in Lilliput and Picture Post -- Chapter 7 Conclusions.
  4. Face Forms in Life-Writing of the Interwar Years
    Autor*in: Bruś, Teresa
    Erschienen: 2023
    Verlag:  Springer Nature Switzerland, Cham ; Springer International Publishing AG

    Zugang:

    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783031368998; 3031368991
    Weitere Identifier:
    Auflage/Ausgabe: 1st ed. 2023
    Schriftenreihe: Palgrave Studies in Life Writing
    Schlagworte: European literature; Literature, Modern; Photography; European Literature; Twentieth-Century Literature; Photography
    Umfang: 1 Online-Ressource (XVI, 256 Seiten), 16 illus., 9 illus. in color.
  5. Face Forms in Life-Writing of the Interwar Years
    Autor*in: Bruś, Teresa
    Erschienen: 2023; ©2023
    Verlag:  Palgrave Macmillan, Cham

    Intro -- Preface -- Contents -- List of Figures -- 1 Commitment to Face -- 1.1 Introduction -- 1.2 Face in Its Cultural Context -- 1.3 The Culture of Face -- References -- 2 Stanisław Ignacy Witkiewicz: The Increase and Excess of Facial Expression --... mehr

    Zugang:
    Aggregator (lizenzpflichtig)

     

    Intro -- Preface -- Contents -- List of Figures -- 1 Commitment to Face -- 1.1 Introduction -- 1.2 Face in Its Cultural Context -- 1.3 The Culture of Face -- References -- 2 Stanisław Ignacy Witkiewicz: The Increase and Excess of Facial Expression -- 2.1 Introduction -- 2.2 Increase -- 2.3 Excess in the Close-Up -- 2.4 Resemblance and Difference -- References -- 3 Virginia Woolf and Debora Vogel: A Season of Fragments -- 3.1 Virginia Woolf: Splintering and Pullulating -- 3.2 Debora Vogel: Cross-Sectioning and Transforming -- References -- 4 False Faces of Władysław Theodor Benda and Edward Gordon Craig -- 4.1 Introduction -- 4.2 The Face on the Mask -- 4.3 Benda the Face Former -- 4.4 Craig the Face Re/former -- 4.5 Ficta Facies -- References -- 5 Sir Cecil Beaton and the Art of Modern Façade -- 5.1 Faces as Forms of Allure -- 5.2 Dividual Face -- References -- 6 Massification of Faces in Lilliput and Picture Post -- 6.1 Introduction -- 6.2 Photography -- 6.3 Illusionism and Realism -- 6.4 Faces Re/framed -- References -- 7 Conclusions -- References -- Index.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783031368998
    Auflage/Ausgabe: 1st ed.
    Schriftenreihe: Palgrave Studies in Life Writing Series
    Umfang: 1 online resource (266 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources