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  1. Class on screen
    the global working class in contemporary cinema
    Autor*in: Attfield, Sarah
    Erschienen: [2020]; © 2020
    Verlag:  palgrave macmillan, Cham, Switzerland

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9783030459000
    Schlagworte: Global/International Culture; Global Cinema and TV.; Culture; Motion pictures; Film; Arbeiter <Motiv>
    Umfang: ix, 213 Seiten
  2. Class on screen
    the global working class in contemporary cinema
    Autor*in: Attfield, Sarah
    Erschienen: [2020]; © 2020
    Verlag:  Palgrave Macmillan, Cham

    Universitäts- und Landesbibliothek Münster
    3L 27511
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9783030459000
    Schlagworte: Working class in motion pictures; Arbeiter <Motiv>; Film
    Umfang: ix, 213 Seiten, 21 cm
  3. Class on screen
    the global working class in contemporary cinema
    Autor*in: Attfield, Sarah
    Erschienen: [2020]; © 2020
    Verlag:  Palgrave Macmillan, Cham

    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9783030459000
    Schlagworte: Working class in motion pictures
    Umfang: ix, 213 Seiten, 21 cm
  4. Class on Screen
    the global working class in contemporary cinema
    Autor*in: Attfield, Sarah
    Erschienen: 2020
    Verlag:  Palgrave Macmillan, Cham

    Chapter 1: Introduction -- Chapter 2: Work and Unemployment -- Chapter 3: Working-Class Culture -- Chapter 4: Immigration and Diaspora -- Chapter 5: Gender and Sexualities -- Chapter 6: Race and Class in Australian Indigenous Film -- Chapter 7:... mehr

    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Chapter 1: Introduction -- Chapter 2: Work and Unemployment -- Chapter 3: Working-Class Culture -- Chapter 4: Immigration and Diaspora -- Chapter 5: Gender and Sexualities -- Chapter 6: Race and Class in Australian Indigenous Film -- Chapter 7: Afterword. This book provides an analysis of the global working class on film and considers the ways in which working-class experience is represented in film around the world. The book argues that representation is important because it shapes the way people understand working-class experience and can either reinforce or challenge stereotypical depictions. Film can shape and shift discussions of class, and this book provides an interdisciplinary study of the ways in which working-class experience is portrayed through this medium. It analyses the impact of contemporary films such as Sorry To Bother You, This is England and Le Harve that focus on working class life. Attfield demonstrates that the global working class are characterised by diversity of race, ethnicity, gender, religion and sexuality but that there are commonalities of experience despite geographical distance and cultural difference. The book is structured around themes such as work, culture, diasporas, gender and sexuality, and race

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9783030459000; 3030459004
    Schlagworte: Film; Arbeiter <Motiv>; Geschichte 2000-2019;
    Umfang: 213 Seiten
  5. Class on Screen
    the global working class in contemporary cinema
    Autor*in: Attfield, Sarah
    Erschienen: 2020
    Verlag:  Palgrave Macmillan, Cham

    Chapter 1: Introduction -- Chapter 2: Work and Unemployment -- Chapter 3: Working-Class Culture -- Chapter 4: Immigration and Diaspora -- Chapter 5: Gender and Sexualities -- Chapter 6: Race and Class in Australian Indigenous Film -- Chapter 7:... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 114302
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Chapter 1: Introduction -- Chapter 2: Work and Unemployment -- Chapter 3: Working-Class Culture -- Chapter 4: Immigration and Diaspora -- Chapter 5: Gender and Sexualities -- Chapter 6: Race and Class in Australian Indigenous Film -- Chapter 7: Afterword. This book provides an analysis of the global working class on film and considers the ways in which working-class experience is represented in film around the world. The book argues that representation is important because it shapes the way people understand working-class experience and can either reinforce or challenge stereotypical depictions. Film can shape and shift discussions of class, and this book provides an interdisciplinary study of the ways in which working-class experience is portrayed through this medium. It analyses the impact of contemporary films such as Sorry To Bother You, This is England and Le Harve that focus on working class life. Attfield demonstrates that the global working class are characterised by diversity of race, ethnicity, gender, religion and sexuality but that there are commonalities of experience despite geographical distance and cultural difference. The book is structured around themes such as work, culture, diasporas, gender and sexuality, and race

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9783030459000; 3030459004
    Schlagworte: Film; Arbeiter <Motiv>; Geschichte 2000-2019;
    Umfang: 213 Seiten