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  1. Art and subjecthood
    the return of the human figure in semiocapitalism
    Beteiligt: Graw, Isabelle (Hrsg.)
    Erschienen: 2011
    Verlag:  Sternberg-Press, Berlin

    Many contemporary artworks evoke the human figure: consider the omnipresence of the mannequin in current installations of artists like John Miller, Thomas Hirschhorn, Heimo Zobernig, or David Lieske. Or consider the revival of a minimalist... mehr

    Standort:
    Universitäts- und Landesbibliothek Bonn
    Signatur:
    2012/2193
    Fernleihe:
    Ausleihe von Bänden möglich, keine Kopien

    Standort:
    Kunsthistorisches Institut, Abteilung Allgemeine Kunstgeschichte, Bibliothek
    Signatur:
    428/EE12/60
    Fernleihe:
    keine Fernleihe

     

    Many contemporary artworks evoke the human figure: consider the omnipresence of the mannequin in current installations of artists like John Miller, Thomas Hirschhorn, Heimo Zobernig, or David Lieske. Or consider the revival of a minimalist vocabulary, which embraces anthropomorphism as in the works of Isa Genzken and Rachel Harrison. This book brings together contributions from the eponymous conference, all of which seek to speculate on the reasons as to why, since the turn of the millennium, we have encountered so many artworks that tend to reconcile Minimalism with suggestions of the human figure. It proposes that this new artistic convention becomes rather questionable when discussed in the light of Franco Berardi's theory of semiocapitalism-a power technology that aims squarely at our human resources. The participants of this conference were asked to offer possible explanations for this wide acceptance of anthropomorphism could it be that this is a manifestation ofthe increasingly desperate desire for art to have agency?

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Beteiligt: Graw, Isabelle (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781934105757; 1934105759
    RVK Klassifikation: LH 65880
    Schlagworte: Ästhetik; Mensch <Motiv>
    Umfang: 98 S., Ill.
  2. Art and subjecthood
    the return of the human figure in semiocapitalism
    Beteiligt: Graw, Isabelle (Hrsg.); Birnbaum, Daniel (Hrsg.); Hirsch, Nikolaus (Hrsg.)
    Erschienen: 2011
    Verlag:  Sternberg Press, New York

    Many contemporary artworks evoke the human figure: consider the omnipresence of the mannequin in current installations of artists like John Miller, Thomas Hirschhorn, Heimo Zobernig, or David Lieske. Or consider the revival of a minimalist... mehr

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    Many contemporary artworks evoke the human figure: consider the omnipresence of the mannequin in current installations of artists like John Miller, Thomas Hirschhorn, Heimo Zobernig, or David Lieske. Or consider the revival of a minimalist vocabulary, which embraces anthropomorphism as in the works of Isa Genzken and Rachel Harrison. This book brings together contributions from the eponymous conference, all of which seek to speculate on the reasons as to why, since the turn of the millennium, we have encountered so many artworks that tend to reconcile Minimalism with suggestions of the human figure. It proposes that this new artistic convention becomes rather questionable when discussed in the light of Franco Berardi's theory of semiocapitalism-a power technology that aims squarely at our human resources. The participants of this conference were asked to offer possible explanations for this wide acceptance of anthropomorphism could it be that this is a manifestation ofthe increasingly desperate desire for art to have agency?

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Graw, Isabelle (Hrsg.); Birnbaum, Daniel (Hrsg.); Hirsch, Nikolaus (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781934105757; 1934105759
    RVK Klassifikation: LH 65880
    Schlagworte: Ästhetik; Mensch <Motiv>
    Umfang: 98 S., Ill.
  3. Art and subjecthood
    the return of the human figure in semiocapitalism
    Erschienen: c 2011
    Verlag:  Sternberg Press, Berlin

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781934105757
    Schlagworte: Ästhetik; Mensch <Motiv>
    Umfang: 98 S., Ill., 19 cm
  4. Art and subjecthood
    the return of the human figure in semiocapitalism
    Beteiligt: Graw, Isabelle (Herausgeber)
    Erschienen: 2011
    Verlag:  Sternberg-Press, Berlin

    Many contemporary artworks evoke the human figure: consider the omnipresence of the mannequin in current installations of artists like John Miller, Thomas Hirschhorn, Heimo Zobernig, or David Lieske. Or consider the revival of a minimalist... mehr

    Standort:
    Universitäts- und Landesbibliothek Bonn
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Many contemporary artworks evoke the human figure: consider the omnipresence of the mannequin in current installations of artists like John Miller, Thomas Hirschhorn, Heimo Zobernig, or David Lieske. Or consider the revival of a minimalist vocabulary, which embraces anthropomorphism as in the works of Isa Genzken and Rachel Harrison. This book brings together contributions from the eponymous conference, all of which seek to speculate on the reasons as to why, since the turn of the millennium, we have encountered so many artworks that tend to reconcile Minimalism with suggestions of the human figure. It proposes that this new artistic convention becomes rather questionable when discussed in the light of Franco Berardi's theory of semiocapitalism-a power technology that aims squarely at our human resources. The participants of this conference were asked to offer possible explanations for this wide acceptance of anthropomorphism could it be that this is a manifestation ofthe increasingly desperate desire for art to have agency?

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Graw, Isabelle (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781934105757; 1934105759
    RVK Klassifikation: LH 65880
    Schlagworte: Ästhetik; Mensch <Motiv>
    Umfang: 98 S. : Ill.
  5. Art and subjecthood
    the return of the human figure in semiocapitalism
    Beteiligt: Graw, Isabelle (Hrsg.); Birnbaum, Daniel (Hrsg.); Hirsch, Nikolaus (Hrsg.)
    Erschienen: 2011
    Verlag:  Sternberg Press, New York

    Many contemporary artworks evoke the human figure: consider the omnipresence of the mannequin in current installations of artists like John Miller, Thomas Hirschhorn, Heimo Zobernig, or David Lieske. Or consider the revival of a minimalist... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Verbund der Öffentlichen Bibliotheken Berlins - VÖBB
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Many contemporary artworks evoke the human figure: consider the omnipresence of the mannequin in current installations of artists like John Miller, Thomas Hirschhorn, Heimo Zobernig, or David Lieske. Or consider the revival of a minimalist vocabulary, which embraces anthropomorphism as in the works of Isa Genzken and Rachel Harrison. This book brings together contributions from the eponymous conference, all of which seek to speculate on the reasons as to why, since the turn of the millennium, we have encountered so many artworks that tend to reconcile Minimalism with suggestions of the human figure. It proposes that this new artistic convention becomes rather questionable when discussed in the light of Franco Berardi's theory of semiocapitalism-a power technology that aims squarely at our human resources. The participants of this conference were asked to offer possible explanations for this wide acceptance of anthropomorphism could it be that this is a manifestation ofthe increasingly desperate desire for art to have agency?

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Philologische Bibliothek, FU Berlin
    Beteiligt: Graw, Isabelle (Hrsg.); Birnbaum, Daniel (Hrsg.); Hirsch, Nikolaus (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781934105757; 1934105759
    RVK Klassifikation: LH 65880
    Schlagworte: Ästhetik; Mensch <Motiv>
    Umfang: 98 S., Ill.
  6. Art and subjecthood
    the return of the human figure in semiocapitalism
    Beteiligt: Graw, Isabelle (Herausgeber)
    Erschienen: 2011
    Verlag:  Sternberg Press, New York

    Many contemporary artworks evoke the human figure: consider the omnipresence of the mannequin in current installations of artists like John Miller, Thomas Hirschhorn, Heimo Zobernig, or David Lieske. Or consider the revival of a minimalist... mehr

    Standort:
    Max-Planck-Institut für empirische Ästhetik, Bibliothek
    Signatur:
    LH 65880 gra 2011
    Fernleihe:
    keine Fernleihe

     

    Many contemporary artworks evoke the human figure: consider the omnipresence of the mannequin in current installations of artists like John Miller, Thomas Hirschhorn, Heimo Zobernig, or David Lieske. Or consider the revival of a minimalist vocabulary, which embraces anthropomorphism as in the works of Isa Genzken and Rachel Harrison. This book brings together contributions from the eponymous conference, all of which seek to speculate on the reasons as to why, since the turn of the millennium, we have encountered so many artworks that tend to reconcile Minimalism with suggestions of the human figure. It proposes that this new artistic convention becomes rather questionable when discussed in the light of Franco Berardi's theory of semiocapitalism-a power technology that aims squarely at our human resources. The participants of this conference were asked to offer possible explanations for this wide acceptance of anthropomorphism could it be that this is a manifestation ofthe increasingly desperate desire for art to have agency?

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Graw, Isabelle (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1934105759; 9781934105757
    RVK Klassifikation: LH 65880
    Schlagworte: Ästhetik; Mensch <Motiv>; Kunst
    Umfang: 98 Seiten, Illustrationen
    Bemerkung(en):

    Philosophical toys and psychoanalytic travesties : anthropomorphic avatars in Dada and at the Bauhaus / Hal Foster

    Response to Hal Foster / Stefan Deines

    Body doubles / Caroline Busta

    Response to Caroline Busta / Stefanie Heraeus

    Contemporary art, daily / Michael Sanchez

    Response to Michael Sanchez / Magdalena Nieslony

    Media animism : Rachel Harrison's living images / Ina Blom

    Response to Ina Blom / Oliver Brokel

    Mad garland / Jutta Koether
  7. Art and subjecthood
    the return of the human figure in semiocapitalism
    Beteiligt: Graw, Isabelle (Hrsg.)
    Erschienen: 2011
    Verlag:  Sternberg Press, New York

    Many contemporary artworks evoke the human figure: consider the omnipresence of the mannequin in current installations of artists like John Miller, Thomas Hirschhorn, Heimo Zobernig, or David Lieske. Or consider the revival of a minimalist... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2012:979:
    Fernleihe:
    keine Fernleihe

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatliche Hochschule für Bildende Künste, Städelschule, Bibliothek
    Signatur:
    14.35 2011
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Standort:
    Staatliche Hochschule für Bildende Künste, Städelschule, Bibliothek
    Signatur:
    14.35 2011
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Signatur:
    15-11637
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule für Gestaltung, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Hochschule Pforzheim / Fakultät Gestaltung, Bibliothek
    Signatur:
    KPH I 603
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Many contemporary artworks evoke the human figure: consider the omnipresence of the mannequin in current installations of artists like John Miller, Thomas Hirschhorn, Heimo Zobernig, or David Lieske. Or consider the revival of a minimalist vocabulary, which embraces anthropomorphism as in the works of Isa Genzken and Rachel Harrison. This book brings together contributions from the eponymous conference, all of which seek to speculate on the reasons as to why, since the turn of the millennium, we have encountered so many artworks that tend to reconcile Minimalism with suggestions of the human figure. It proposes that this new artistic convention becomes rather questionable when discussed in the light of Franco Berardi's theory of semiocapitalism-a power technology that aims squarely at our human resources. The participants of this conference were asked to offer possible explanations for this wide acceptance of anthropomorphism could it be that this is a manifestation ofthe increasingly desperate desire for art to have agency?

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Graw, Isabelle (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1934105759; 9781934105757
    RVK Klassifikation: LH 65880
    Schlagworte: Human figure in art; Anthropomorphism in art; Minimal art; Art and anthropology; Art and society; Art
    Umfang: 98 S, Ill
    Bemerkung(en):

    Hal Foster: Philosophical toys and psychoanalytic travesties : anthropomorphic avatars in Dada and at the Bauhaus

    Stefan Deines: Response to Hal Foster

    Caroline Busta: Body doubles

    Stefanie Heraeus: Response to Caroline Busta

    Michael Sanchez: Contemporary art, daily

    Magdalena Nieslony: Response to Michael Sanchez

    Ina Blom: Media animism : Rachel Harrison's living images

    Oliver Brokel: Response to Ina Blom

    Jutta Koether.: Mad garland