Front Cover -- Title Page -- Copyright -- Half Title -- Contents -- Foreword by Marcus Verhagen -- Introduction -- Chapter 1: Disappearances/Spaces of Violence: Kuitca's Painting and Salcedo's Sculpture -- Chapter 2: Installation as Form: Sundaram's...
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Universitätsbibliothek der Eberhard Karls Universität
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Front Cover -- Title Page -- Copyright -- Half Title -- Contents -- Foreword by Marcus Verhagen -- Introduction -- Chapter 1: Disappearances/Spaces of Violence: Kuitca's Painting and Salcedo's Sculpture -- Chapter 2: Installation as Form: Sundaram's Memorial and Salcedo's Casa Viuda and Untitled -- Chapter 3: Installation in Urban Space: Salcedo, Noviembre 6 y 7, and Kentridge, Triumphs and Laments -- Chapter 4: The Shadow Play as Medium: Nalini Malani and William Kentridge -- Chapter 5: Traveling Trauma Tropes: Salcedo, Atrabiliarios, and Sundaram, 12 Bed Ward/Trash/The Ascension of Marian Hussain -- Chapter 6: Re-coding Museum Space: Salcedo, Shibboleth and Sundaram, History Project -- Chapter 7: Memory Museums: Santiago de Chile's Museo de la Memoria y los Derechos Humanos and Bogotá's Fragmentos -- Coda: Space/Time: Guzmán, Nostalgia de la luz and Kentridge, The Refusal of Time -- Afterword -- Notes -- Further reading -- Image credits -- Index.
