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  1. Theatre censorship in contemporary Europe
    silence and protest
    Beteiligt: Etienne, Anne (Hrsg.); Megson, Christopher (Hrsg.)
    Erschienen: 2024
    Verlag:  University of Exeter Press, Exeter

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Cover (lizenzpflichtig)
    Quelle: Verbundkataloge
    Beteiligt: Etienne, Anne (Hrsg.); Megson, Christopher (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781804130513
    Schriftenreihe: Exeter Performance Studies
    Schlagworte: 21st century history: from c 2000 -; Ethical issues: censorship; Ethische Themen: Zensur; HISTORY / Social History; LITERARY CRITICISM / Drama; LITERARY CRITICISM / European / General; Literary studies: plays & playwrights; Literaturwissenschaft: Dramen und Dramatiker; PERFORMING ARTS / Theater / General; POLITICAL SCIENCE / Censorship; Social & cultural history; Sozial- und Kulturgeschichte; Theaterwissenschaft; Theatre studies
    Umfang: xi, 250 Seiten
    Bemerkung(en):

    Enthält Literaturangaben

    Acknowledgements Introduction Anne Etienne and Chris MegsonPART 1: FORMS AND SOURCES OF CENSORSHIP Intervention 1 - Vicki Ann Cremona and Marco Galea, Capturing Space: Crashing Down the Gates of the Maltese Utopia Chapter 1. Milena Dragicevic Sesic and Aleksandra Jovicevic, Voices from Semi-peripheries: Pressure, Self-censorship, and Micropolitics of Resistance in the Western Balkans Chapter 2. Alex Trustrum-Thomas, The Emperor s New Clothes: Ideology and Censorship in Contemporary Russian Theatre Chapter 3. Anne Etienne and Lisa Fitzpatrick, Risings and Cancelling: Implicit Censorship on a Free Irish Stage PART 2: GHOSTS OF THE PAST Intervention 2 - Andrea Tompa, Censorship in Hungary: Comedy, Silence, and Subversion Chapter 4. Denis Poniz, Nothing New on the Eastern Front: Censorship in Contemporary Slovenia Chapter 5. Agnieszka Jakimiak, Un-Divine Comedy. Remains and Self-Censorship as Work-In- Progress in Poland Chapter 6. Andrew Holden, Opera Censorship in Europe - Production, Circulation, and Reception in a Transnational Market Intervention 3 - Lonneke van Heugten, The Tenacity of Tradition: Performativity in the Dutch Black Pete Controversy PART 3: STAGING TABOOS Intervention 4 - Roaa Ali, Racialized Censorship in the Age of Culture Wars Chapter 7. Chris Megson, Images of Protest: Religion, Theatre, and Censorship Chapter 8. Olga Kolokytha, Yulia Belinskaya, and Matina Magkou, Religion and Politics:Silencing Greek Theatre in the Twenty-First Century Chapter 9. Duncan Wheeler, Booing and Banning:Freedom and Prohibition in Spain s National Fiesta Intervention 5 - Hannah Probst, Play on the Periphery: Irrational Queerness as Resistance to Censorship in Gestalta s Shibari Performance Art
  2. Theatre Censorship in Contemporary Europe
    Silence and Protest
    Beteiligt: Etienne, Anne (HerausgeberIn); Megson, Chris (HerausgeberIn)
    Erschienen: 2024
    Verlag:  University of Exeter Press, Exeter

    With contributions from an international range of scholars, this ground-breaking study explores the forms, contexts, and impacts of theatre censorship in twenty-first-century Europe mehr

    Standort:
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    Fernleihe:
    keine Fernleihe

     

    With contributions from an international range of scholars, this ground-breaking study explores the forms, contexts, and impacts of theatre censorship in twenty-first-century Europe

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Cover (lizenzpflichtig)
    Quelle: Verbundkataloge
    Beteiligt: Etienne, Anne (HerausgeberIn); Megson, Chris (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781804130513
    Schriftenreihe: Exeter Performance Studies
    Schlagworte: 21st century history: from c 2000 -; Ethical issues: censorship; Ethische Themen: Zensur; HISTORY / Social History; LITERARY CRITICISM / Drama; LITERARY CRITICISM / European / General; Literary studies: plays & playwrights; Literaturwissenschaft: Dramen und Dramatiker; PERFORMING ARTS / Theater / General; POLITICAL SCIENCE / Censorship; Social & cultural history; Sozial- und Kulturgeschichte; Theaterwissenschaft; Theatre studies
    Umfang: 266 Seiten
    Bemerkung(en):

    Acknowledgements Introduction Anne Etienne and Chris MegsonPART 1: FORMS AND SOURCES OF CENSORSHIP Intervention 1 - Vicki Ann Cremona and Marco Galea, Capturing Space: Crashing Down the Gates of the Maltese Utopia Chapter 1. Milena Dragicevic Sesic and Aleksandra Jovicevic, Voices from Semi-peripheries: Pressure, Self-censorship, and Micropolitics of Resistance in the Western Balkans Chapter 2. Alex Trustrum-Thomas, The Emperor s New Clothes: Ideology and Censorship in Contemporary Russian Theatre Chapter 3. Anne Etienne and Lisa Fitzpatrick, Risings and Cancelling: Implicit Censorship on a Free Irish Stage PART 2: GHOSTS OF THE PAST Intervention 2 - Andrea Tompa, Censorship in Hungary: Comedy, Silence, and Subversion Chapter 4. Denis Poniz, Nothing New on the Eastern Front: Censorship in Contemporary Slovenia Chapter 5. Agnieszka Jakimiak, Un-Divine Comedy. Remains and Self-Censorship as Work-In- Progress in Poland Chapter 6. Andrew Holden, Opera Censorship in Europe - Production, Circulation, and Reception in a Transnational Market Intervention 3 - Lonneke van Heugten, The Tenacity of Tradition: Performativity in the Dutch Black Pete Controversy PART 3: STAGING TABOOS Intervention 4 - Roaa Ali, Racialized Censorship in the Age of Culture Wars Chapter 7. Chris Megson, Images of Protest: Religion, Theatre, and Censorship Chapter 8. Olga Kolokytha, Yulia Belinskaya, and Matina Magkou, Religion and Politics:Silencing Greek Theatre in the Twenty-First Century Chapter 9. Duncan Wheeler, Booing and Banning:Freedom and Prohibition in Spain s National Fiesta Intervention 5 - Hannah Probst, Play on the Periphery: Irrational Queerness as Resistance to Censorship in Gestalta s Shibari Performance Art