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  1. Mad Mädchen
    feminism and generational conflict in recent German literature and film
    Autor*in: McCarthy, Margaret
    Erschienen: 2019
    Verlag:  Berghahn, New York

    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Signatur:
    ger 803 fem DH 6826
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Stuttgart
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781789204995; 9781785335693
    Auflage/Ausgabe: First paperback edition
    Schlagworte: German literature; Women in literature; German literature; Feminism and literature; Motion pictures; Women in motion pictures; Feminism and motion pictures; Motion pictures
    Umfang: xi, 258 Seiten, Illustrationen
  2. Mad Mädchen
    feminism and generational conflict in recent German literature and film
    Autor*in: McCarthy, Margaret
    Erschienen: 2019
    Verlag:  Berghahn, New York

    The last two decades have been transformational, often discordant ones for German feminism, as a new cohort of activists has come of age and challenged many of the movement’s strategic and philosophical orthodoxies. Mad Mädchen offers an incisive... mehr

    Standort:
    Universitätsbibliothek Dortmund
    Signatur:
    C 31258
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The last two decades have been transformational, often discordant ones for German feminism, as a new cohort of activists has come of age and challenged many of the movement’s strategic and philosophical orthodoxies. Mad Mädchen offers an incisive analysis of these trans-generational debates, identifying the mother-daughter themes and other tropes that have defined their representation in German literature, film, and media. Author Margaret McCarthy investigates female subjectivity as it processes political discourse to define itself through both differences and affinities among women. Ultimately, such a model suggests new ways of re-imagining feminist solidarity across generational, ethnic, and racial lines.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781785335693; 9781789204995
    Weitere Identifier:
    9781789204995
    Weitere Schlagworte: Literatursoziologie, Gender Studies; Deutsche Literatur; Filmtheorie, Filmanalyse; analysis of trans generational debates;german feminism;new cohort of activists;mother daughter themes;representation in german literature;re imagining feminist solidarity;differences and affinities among women;ethnic and racial lines;female subjectivity
    Umfang: xi, 258 Seiten, Illustrationen
    Bemerkung(en):

    List of Illustrations; Acknowledgments; Introduction; Chapter 1. German Feminism in the 2000s: Brains, Bodies, and Bridges; Chapter 2. Lost Objects, Monsters, and Melancholia in Zöe Jenny’s The Pollen Room (1999), Alexa Hennig von Lange’s Relax (1999), and Elke Naters’ Lies (1999); Chapter 3. Dialogical and Borderline Selfhood in Charlotte Roche’s Wetlands (2008) and Wrecked (2011); Chapter 4. Girls Gone Wild: Ulrike Meinhof, Uschi Obermeier, and Feminist Fantasies of ‘68; Chapter 5. Counter-Cinema, Crossing Bridges, and Future Feminisms: Christian Petzold’s The State I Am In (2000) and Fatih Akin’s The Edge of Heaven (2007); Chapter 6. Mutable Mädchen: on Screen and in the Streets; Bibliograhpy; Index;  ;
  3. Mad Mädchen
    feminism and generational conflict in recent German literature and film
    Autor*in: McCarthy, Margaret
    Erschienen: 2019
    Verlag:  Berghahn, New York

    The last two decades have been transformational, often discordant ones for German feminism, as a new cohort of activists has come of age and challenged many of the movement’s strategic and philosophical orthodoxies. Mad Mädchen offers an incisive... mehr

    Standort:
    Universitätsbibliothek Dortmund
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The last two decades have been transformational, often discordant ones for German feminism, as a new cohort of activists has come of age and challenged many of the movement’s strategic and philosophical orthodoxies. Mad Mädchen offers an incisive analysis of these trans-generational debates, identifying the mother-daughter themes and other tropes that have defined their representation in German literature, film, and media. Author Margaret McCarthy investigates female subjectivity as it processes political discourse to define itself through both differences and affinities among women. Ultimately, such a model suggests new ways of re-imagining feminist solidarity across generational, ethnic, and racial lines

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781789204995; 9781785335693
    Weitere Identifier:
    9781789204995
    Schlagworte: analysis of trans generational debates;german feminism;new cohort of activists;mother daughter themes;representation in german literature;re imagining feminist solidarity;differences and affinities among women;ethnic and racial lines;female subjectivity
    Weitere Schlagworte: Literatursoziologie, Gender Studies; Deutsche Literatur; Filmtheorie, Filmanalyse
    Umfang: xi, 258 Seiten, Illustrationen
    Bemerkung(en):

    List of Illustrations; Acknowledgments; Introduction; Chapter 1. German Feminism in the 2000s: Brains, Bodies, and Bridges; Chapter 2. Lost Objects, Monsters, and Melancholia in Zöe Jenny’s The Pollen Room (1999), Alexa Hennig von Lange’s Relax (1999), and Elke Naters’ Lies (1999); Chapter 3. Dialogical and Borderline Selfhood in Charlotte Roche’s Wetlands (2008) and Wrecked (2011); Chapter 4. Girls Gone Wild: Ulrike Meinhof, Uschi Obermeier, and Feminist Fantasies of ‘68; Chapter 5. Counter-Cinema, Crossing Bridges, and Future Feminisms: Christian Petzold’s The State I Am In (2000) and Fatih Akin’s The Edge of Heaven (2007); Chapter 6. Mutable Mädchen: on Screen and in the Streets; Bibliograhpy; Index;  ;