Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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Cover page -- Halftitle page -- Praise for Imaging Pilgrimage -- Title page -- Copyright page -- Contents -- Illustrations -- Acknowledgments -- Introduction: Pilgrimage as Art, Art as Pilgrimage -- Notes -- 1 Vashon Island → Spain1 A Backyard Camino -- From Cyrene to the Veranda: origins and continuities -- "I have a trail where I paint with mud": material culture of the backyard Camino -- Film as pilgrimage: a case study -- Conclusion-ends and beginnings . . . -- Notes -- 2 South Africa → Lourdes Souvenirs as Sites -- How and why an apparition was first "made material" -- Mary, materiality, and message: a pilgrimage through art -- Water, water everywhere! The Lourdes replica tradition -- Conclusion -- Notes -- 3 England → Jerusalem Rewilding Through Pilgrimage Song and Chant -- Songs of the Old Way -- Music as a healing relic: the songs of Godric, hermit saint of Finchale -- A pilgrimage for Jerusalem: "And did those feet"? -- Art along the Way -- Afterword: Bountiful, West Jordan, and Zion Park -- Notes -- 4 Oakland → Ecuador Haciendo marcas otra vez -Making Marks, Again -- Objects as sites of extratemporal communitas: Xbus, holy water, religious images -- Mapping the sacred landscape: Quechuan and Catholic contexts -- Widening the lens: religious art in the contemporary artworld -- Conclusion -- Notes -- 5 Los Altos → Everywhere "The End Is Where We Start From" -- Labyrinthine forms through culture and time -- The Ignatian imagination and the commissioning of labyrinths -- The commissioning of the Los Altos Labyrinth -- The compatibility of labyrinths with Ignatian spirituality -- Pilgrim experiences: faith embodied -- Labyrinths at other Ignatian retreat centers and universities: Boston College and Manresa Jesuit Centre for Spirituality, Dublin -- Conclusion -- Notes -- Toward a Conclusion: "As Far as the Eye Can Travel" -- Notes.
Hochschule für Wirtschaft und Umwelt Nürtingen-Geislingen, Bibliothek Nürtingen
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Cover page -- Halftitle page -- Praise for Imaging Pilgrimage -- Title page -- Copyright page -- Contents -- Illustrations -- Acknowledgments -- Introduction: Pilgrimage as Art, Art as Pilgrimage -- Notes -- 1 Vashon Island → Spain1 A Backyard Camino -- From Cyrene to the Veranda: origins and continuities -- "I have a trail where I paint with mud": material culture of the backyard Camino -- Film as pilgrimage: a case study -- Conclusion-ends and beginnings . . . -- Notes -- 2 South Africa → Lourdes Souvenirs as Sites -- How and why an apparition was first "made material" -- Mary, materiality, and message: a pilgrimage through art -- Water, water everywhere! The Lourdes replica tradition -- Conclusion -- Notes -- 3 England → Jerusalem Rewilding Through Pilgrimage Song and Chant -- Songs of the Old Way -- Music as a healing relic: the songs of Godric, hermit saint of Finchale -- A pilgrimage for Jerusalem: "And did those feet"? -- Art along the Way -- Afterword: Bountiful, West Jordan, and Zion Park -- Notes -- 4 Oakland → Ecuador Haciendo marcas otra vez -Making Marks, Again -- Objects as sites of extratemporal communitas: Xbus, holy water, religious images -- Mapping the sacred landscape: Quechuan and Catholic contexts -- Widening the lens: religious art in the contemporary artworld -- Conclusion -- Notes -- 5 Los Altos → Everywhere "The End Is Where We Start From" -- Labyrinthine forms through culture and time -- The Ignatian imagination and the commissioning of labyrinths -- The commissioning of the Los Altos Labyrinth -- The compatibility of labyrinths with Ignatian spirituality -- Pilgrim experiences: faith embodied -- Labyrinths at other Ignatian retreat centers and universities: Boston College and Manresa Jesuit Centre for Spirituality, Dublin -- Conclusion -- Notes -- Toward a Conclusion: "As Far as the Eye Can Travel" -- Notes.