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  1. Artful breakdowns
    the comics of Art Spiegelman
    Beteiligt: Banita, Georgiana (HerausgeberIn); Konstantinou, Lee (HerausgeberIn)
    Erschienen: [2023]
    Verlag:  University Press of Mississippi, Jackson

    "Contributions by Georgiana Banita, Colin Beinecke, Harriet Earle, Ariela Freedman, Liza Futerman, Shawn Gilmore, Sarah Hamblin, Cara Koehler, Lee Konstantinou, Patrick S. Lawrence, Philip Smith, and Kent Worcester A carefully curated, wide-ranging... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 178062
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität Freiburg, Romanisches Seminar, Bibliothek
    Frei 23: La 19, 80 a
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    AP 88972 S755 B217
    keine Fernleihe

     

    "Contributions by Georgiana Banita, Colin Beinecke, Harriet Earle, Ariela Freedman, Liza Futerman, Shawn Gilmore, Sarah Hamblin, Cara Koehler, Lee Konstantinou, Patrick S. Lawrence, Philip Smith, and Kent Worcester A carefully curated, wide-ranging edited volume tracing Art Spiegelman's exceptional trajectory from underground rebellion to mainstream success, Artful Breakdowns: The Comics of Art Spiegelman reveals his key role in the rise of comics as an art form and of the cartoonist as artist. The collection grapples with Spiegelman's astonishing versatility, from his irreverent underground strips, influential avant-garde magazine RAW, the expressionist style of the comics classic Maus, the illustrations to the Jazz Age poem "The Wild Party," and his response to the September 11 terrorist attacks to his iconic cover art for the New Yorker, his children's books, and various cross-media collaborations. The twelve chapters cut across Spiegelman's career to document continuities and ruptures that the intense focus on Maus has obscured, yielding an array of original readings. Spiegelman's predilection for collage, improvisation, and the potent protest of silence shows his allegiance to modernist art. His cultural critique and anticapitalist, antimilitary positions shed light on his vocal public persona, while his deft intertextual strategies of mixing media archives, from comics to photography and film, amplify the poignance of his works. Developing new approaches to Spiegelman's comics-such as the publication history of Maus, the history of immigration and xenophobia, and the cartoonist's elevation of children's comics-the collection leaves no doubt that despite the accolades his accessible comics have garnered, we have yet to grasp the full range of Spiegelman's achievements in the realm of comics and beyond"--

     

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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Banita, Georgiana (HerausgeberIn); Konstantinou, Lee (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781496837516; 9781496837509
    RVK Klassifikation: AP 88972
    Schriftenreihe: Tom Inge series on comics artists
    Schlagworte: Cartoonists; Comic books, strips, etc; Comics criticism
    Weitere Schlagworte: Spiegelman, Art
    Umfang: viii, 313 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

    Appendix: Art Spiegelman´s primary works: Seite 290-296

    Georgiana Banita and Lee Konstantinou: Introduction: up from the underground: Art Spiegelman and the elevation of comics /

    Shawn Gilmore: Modernist disruptions: Art Spiegelman as experimenter, editor and critic /

    Ariela Freedman: A ragpicker's art: Spiegelman's jazz cosmopolitanism /

    Georgiana Banita: The modern void: Art Spiegelman's aesthetics of silence /

    Philip Smith: Exploding stereotypes: Spiegelman and transgression /

    Sarah Hamblin: RAW radicals: Art Spiegelman's comic politics /

    Kent Worcester: Art Spiegelman and 9/11 /

    Patrick Lawrence: Provisional equanimity: citation and solace in Art Spiegelman's "In the Shadow of No Towers" /

    Liza Futerman: Of mice and masks: photography as masking in Art Spiegelman's "Maus" /

    Harriet Earle: Art imitating life: traumatic affect in Art Spiegelman's "Maus" and Holocaust cinema /

    Colin Beineke: Who published "Maus"? /

    Cara Koehler: Ellis Island art: Art Spiegelman's place in the history of immigration comics /

    Lee Konstantinou: Art Spiegelman's Faustian bargain: TOON books and the invention of comics for kids /

  2. Artful breakdowns
    the comics of Art Spiegelman
    Erschienen: 2023
    Verlag:  University Press of Mississippi, Jackson

    Contributions by Georgiana Banita, Colin Beinecke, Harriet Earle, Ariela Freedman, Liza Futerman, Shawn Gilmore, Sarah Hamblin, Cara Koehler, Lee Konstantinou, Patrick Lawrence, Philip Smith, and Kent WorcesterA carefully curated, wide-ranging edited... mehr

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Contributions by Georgiana Banita, Colin Beinecke, Harriet Earle, Ariela Freedman, Liza Futerman, Shawn Gilmore, Sarah Hamblin, Cara Koehler, Lee Konstantinou, Patrick Lawrence, Philip Smith, and Kent WorcesterA carefully curated, wide-ranging edited volume tracing Art Spiegelman’s exceptional trajectory from underground rebellion to mainstream success, Artful Breakdowns: The Comics of Art Spiegelman reveals his key role in the rise of comics as an art form and of the cartoonist as artist. The collection grapples with Spiegelman’s astonishing versatility, from his irreverent underground strips, influential avant-garde magazine RAW, the expressionist style of the comics classic Maus, the illustrations to the Jazz Age poem "The Wild Party," and his response to the September 11 terrorist attacks to his iconic cover art for the New Yorker, his children’s books, and various cross-media collaborations. The twelve chapters cut across Spiegelman’s career to document continuities and ruptures that the intense focus on Maus has obscured, yielding an array of original readings. Spiegelman’s predilection for collage, improvisation, and the potent protest of silence shows his allegiance to modernist art. His cultural critique and anticapitalist, antimilitary positions shed light on his vocal public persona, while his deft intertextual strategies of mixing media archives, from comics to photography and film, amplify the poignance of his works. Developing new approaches to Spiegelman’s comics—such as the publication history of Maus, the history of immigration and xenophobia, and the cartoonist’s elevation of children’s comics—the collection leaves no doubt that despite the accolades his accessible comics have garnered, we have yet to grasp the full range of Spiegelman’s achievements in the realm of comics and beyond

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Beteiligt: Banita, Georgiana (Hrsg.); Konstantinou, Lee (Hrsg.); Banita, Georgiana (Hrsg.); Spiegelman, Art
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781496837516; 9781496837509
    RVK Klassifikation: AP 88972 ; EC 7120 ; HU 9800
    Schriftenreihe: Tom Inge series on comics artists
    Schlagworte: bicssc / Popular culture; bicssc / Comic book & cartoon art; bicssc / Graphic novels; bicssc / Anthologies (non-poetry); bicssc / The Holocaust; bisacsh; bisacsh; Comic
    Weitere Schlagworte: Spiegelman, Art (1948-)
    Umfang: viii, 313 Seiten, Illustrationen
    Bemerkung(en):

    53 b&w illustrations