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  1. The Black radical tragic
    performance, aesthetics, and the unfinished Haitian Revolution
    Autor*in: Glick, Jeremy Matthew
    Erschienen: [2016]
    Verlag:  New York University Press, New York

    "As the first successful revolution emanating from a slave rebellion, the Haitian Revolution remains an inspired site of investigation for a remarkable range of artists and activist-intellectuals in the African Diaspora. In The Black Radical Tragic,... mehr

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    "As the first successful revolution emanating from a slave rebellion, the Haitian Revolution remains an inspired site of investigation for a remarkable range of artists and activist-intellectuals in the African Diaspora. In The Black Radical Tragic, Jeremy Matthew Glick examines twentieth-century performances engaging the revolution as laboratories for political thinking. Asking readers to consider the revolution less a fixed event than an ongoing and open-ended history resonating across the work of Atlantic world intellectuals, Glick argues that these writers use the Haitian Revolution as a watershed to chart their own radical political paths, animating, enriching, and framing their artistic and scholarly projects. Spanning the disciplines of literature, philosophy, and political thought, The Black Radical Tragic explores work from Lorraine Hansberry, Sergei Eisenstein, Edouard Glissant, Malcolm X, and others, ultimately enacting a speculative encounter between Bertolt Brecht and C.L.R. James to reconsider the relationship between tragedy and revolution. In its grand refusal to forget, The Black Radical Tragic demonstrates how the Haitian Revolution has influenced the ideas of freedom and self-determination that have propelled Black radical struggles throughout the modern era"-- Introduction: the Haitian Revolution as refusal and reuse -- Overture: Haiti against forgetting and the thermidorean present -- Haitian revolutionary encounters: Eugene O'Neill, Sergei Eisenstein, and Orson Welles -- Bringing in the chorus: the Haitian Revolution plays of C.L.R. James and Edouard Glissant -- Tragedy as mediation: the Black Jacobins -- Tshembe's choice: Lorraine Hansberry's pan-Africanist drama and Haitian revolution opera -- Conclusion: Malcolm X's enlistment of Hamlet and Spinoza -- Coda: Black radical tragic propositions.

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1479814857; 9781479814855
    Schriftenreihe: America and the long 19th century
    Schlagworte: Tragic, The, in literature; Blacks in literature; Radicalism in literature; Literatur; Haitianische Revolution; BIOGRAPHY & AUTOBIOGRAPHY ; Literary; Blacks in literature; Literature; Radicalism in literature; Tragic, The, in literature; Drama; History
    Umfang: 1 Online-Ressource (xiii, 266 pages), illustration
    Bemerkung(en):

    Includes bibliographical references (pages 223-253) and index
  2. The Black Radical Tragic
    Performance, Aesthetics, and the Unfinished Haitian Revolution
    Autor*in: Glick, Jeremy Matthew
    Erschienen: [2016]; © 2016
    Verlag:  New York University Press, New York, NY

    2017 Nicolás Guillén Outstanding Book Award presented by the Caribbean Philosophical AssociationAs the first successful revolution emanating from a slave rebellion, the Haitian Revolution remains an inspired site of investigation for a remarkable... mehr

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    2017 Nicolás Guillén Outstanding Book Award presented by the Caribbean Philosophical AssociationAs the first successful revolution emanating from a slave rebellion, the Haitian Revolution remains an inspired site of investigation for a remarkable range of artists and activist-intellectuals in the African Diaspora.In The Black Radical Tragic, Jeremy Matthew Glick examines twentieth-century performances engaging the revolution as laboratories for political thinking. Asking readers to consider the revolution less a fixed event than an ongoing and open-ended history resonating across the work of Atlantic world intellectuals, Glick argues that these writers use the Haitian Revolution as a watershed to chart their own radical political paths, animating, enriching, and framing their artistic and scholarly projects. Spanning the disciplines of literature, philosophy, and political thought, The Black Radical Tragic explores work from Lorraine Hansberry, Sergei Eisenstein, Edouard Glissant, Malcolm X, and others, ultimately enacting a speculative encounter between Bertolt Brecht and C.L.R. James to reconsider the relationship between tragedy and revolution. In its grand refusal to forget, The Black Radical Tragic demonstrates how the Haitian Revolution has influenced the ideas of freedom and self-determination that have propelled Black radical struggles throughout the modern era

     
    Export in Literaturverwaltung   RIS-Format
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    ISBN: 9781479814855
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    Schriftenreihe: America and the Long 19th Century ; 2
    Schlagworte: LITERARY CRITICISM / Semiotics & Theory; Blacks in literature; Radicalism in literature; Tragic, The, in literature
    Umfang: 1 online resource, 1 black and white illustrations
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  3. The Black Radical Tragic
    Performance, Aesthetics, and the Unfinished Haitian Revolution
    Autor*in: Glick, Jeremy Matthew
    Erschienen: [2016]
    Verlag:  New York University Press, New York, NY

    2017 Nicolás Guillén Outstanding Book Award presented by the Caribbean Philosophical AssociationAs the first successful revolution emanating from a slave rebellion, the Haitian Revolution remains an inspired site of investigation for a remarkable... mehr

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    2017 Nicolás Guillén Outstanding Book Award presented by the Caribbean Philosophical AssociationAs the first successful revolution emanating from a slave rebellion, the Haitian Revolution remains an inspired site of investigation for a remarkable range of artists and activist-intellectuals in the African Diaspora.In The Black Radical Tragic, Jeremy Matthew Glick examines twentieth-century performances engaging the revolution as laboratories for political thinking. Asking readers to consider the revolution less a fixed event than an ongoing and open-ended history resonating across the work of Atlantic world intellectuals, Glick argues that these writers use the Haitian Revolution as a watershed to chart their own radical political paths, animating, enriching, and framing their artistic and scholarly projects. Spanning the disciplines of literature, philosophy, and political thought, The Black Radical Tragic explores work from Lorraine Hansberry, Sergei Eisenstein, Edouard Glissant, Malcolm X, and others, ultimately enacting a speculative encounter between Bertolt Brecht and C.L.R. James to reconsider the relationship between tragedy and revolution. In its grand refusal to forget, The Black Radical Tragic demonstrates how the Haitian Revolution has influenced the ideas of freedom and self-determination that have propelled Black radical struggles throughout the modern era Frontmatter -- Contents -- Acknowledgments -- Introduction: The Haitian Revolution as Refusal and Reuse -- Overture: Haiti Against Forgetting and the Thermidorian Present -- 1. Haitian Revolutionary Encounters: Eugene O’Neill, Sergei Eisenstein, and Orson Welles -- 2. Bringing in the Chorus: The Haitian Revolution Plays of C.L.R. James and Edouard Glissant -- 3. Tragedy as Mediation: The Black Jacobins -- 4. Tshembe’s Choice: Lorraine Hansberry’s Pan-Africanist Drama and Haitian Revolution Opera -- Conclusion: Malcolm X’s Enlistment of Hamlet and Spinoza -- Coda: Black Radical Tragic Propositions -- Notes -- Index -- About the Author

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781479814855
    Weitere Identifier:
    Schriftenreihe: America and the Long 19th Century ; 2
    Schlagworte: Tragic, The, in literature; Blacks in literature; Radicalism in literature; LITERARY CRITICISM / Semiotics & Theory
    Umfang: 1 Online-Ressource, 1 black and white illustrations
  4. The Black Radical Tragic
    Performance, Aesthetics, and the Unfinished Haitian Revolution
    Autor*in: Glick, Jeremy Matthew
    Erschienen: [2016]; © 2016
    Verlag:  New York University Press, New York, NY

    2017 Nicolás Guillén Outstanding Book Award presented by the Caribbean Philosophical AssociationAs the first successful revolution emanating from a slave rebellion, the Haitian Revolution remains an inspired site of investigation for a remarkable... mehr

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    2017 Nicolás Guillén Outstanding Book Award presented by the Caribbean Philosophical AssociationAs the first successful revolution emanating from a slave rebellion, the Haitian Revolution remains an inspired site of investigation for a remarkable range of artists and activist-intellectuals in the African Diaspora.In The Black Radical Tragic, Jeremy Matthew Glick examines twentieth-century performances engaging the revolution as laboratories for political thinking. Asking readers to consider the revolution less a fixed event than an ongoing and open-ended history resonating across the work of Atlantic world intellectuals, Glick argues that these writers use the Haitian Revolution as a watershed to chart their own radical political paths, animating, enriching, and framing their artistic and scholarly projects. Spanning the disciplines of literature, philosophy, and political thought, The Black Radical Tragic explores work from Lorraine Hansberry, Sergei Eisenstein, Edouard Glissant, Malcolm X, and others, ultimately enacting a speculative encounter between Bertolt Brecht and C.L.R. James to reconsider the relationship between tragedy and revolution. In its grand refusal to forget, The Black Radical Tragic demonstrates how the Haitian Revolution has influenced the ideas of freedom and self-determination that have propelled Black radical struggles throughout the modern era

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781479814855
    Weitere Identifier:
    Schriftenreihe: America and the Long 19th Century ; 2
    Schlagworte: LITERARY CRITICISM / Semiotics & Theory; Blacks in literature; Radicalism in literature; Tragic, The, in literature
    Umfang: 1 online resource, 1 black and white illustrations
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  5. The Black Radical Tragic
    Performance, Aesthetics, and the Unfinished Haitian Revolution
    Autor*in: Glick, Jeremy Matthew
    Erschienen: [2016]
    Verlag:  New York University Press, New York, NY ; Walter de Gruyter GmbH, Berlin

    2017 Nicolás Guillén Outstanding Book Award presented by the Caribbean Philosophical AssociationAs the first successful revolution emanating from a slave rebellion, the Haitian Revolution remains an inspired site of investigation for a remarkable... mehr

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    2017 Nicolás Guillén Outstanding Book Award presented by the Caribbean Philosophical AssociationAs the first successful revolution emanating from a slave rebellion, the Haitian Revolution remains an inspired site of investigation for a remarkable range of artists and activist-intellectuals in the African Diaspora.In The Black Radical Tragic, Jeremy Matthew Glick examines twentieth-century performances engaging the revolution as laboratories for political thinking. Asking readers to consider the revolution less a fixed event than an ongoing and open-ended history resonating across the work of Atlantic world intellectuals, Glick argues that these writers use the Haitian Revolution as a watershed to chart their own radical political paths, animating, enriching, and framing their artistic and scholarly projects. Spanning the disciplines of literature, philosophy, and political thought, The Black Radical Tragic explores work from Lorraine Hansberry, Sergei Eisenstein, Edouard Glissant, Malcolm X, and others, ultimately enacting a speculative encounter between Bertolt Brecht and C.L.R. James to reconsider the relationship between tragedy and revolution. In its grand refusal to forget, The Black Radical Tragic demonstrates how the Haitian Revolution has influenced the ideas of freedom and self-determination that have propelled Black radical struggles throughout the modern era.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781479814855
    Weitere Identifier:
    Schriftenreihe: America and the Long 19th Century ; 2
    Umfang: 1 Online-Ressource, 1 black and white illustrations
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  6. The black radical tragic
    performance, aesthetics, and the unfinished Haitian Revolution
    Autor*in: Glick, Jeremy Matthew
    Erschienen: 2016
    Verlag:  New York University Press, New York ; Oxford University Press, Oxford

    As the first successful revolution emanating from a slave rebellion, the Haitian Revolution remains an inspired site of investigation for a remarkable range of artists and activist-intellectuals in the African diaspora. This volume examines... mehr

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    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    keine Fernleihe

     

    As the first successful revolution emanating from a slave rebellion, the Haitian Revolution remains an inspired site of investigation for a remarkable range of artists and activist-intellectuals in the African diaspora. This volume examines 20th-century performances engaging the revolution as a laboratory for political thinking. Considering the revolution less a fixed event than an ongoing and open-ended history resonating across the work of Atlantic world intellectuals, Jeremy Glick argues that such writers use it as a watershed to chart their own radical political paths, animating, enriching and framing their artistic and scholarly projects.

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781479814855
    Weitere Identifier:
    Schriftenreihe: America and the long 19th century
    Schlagworte: Blacks in literature; Radicalism in literature; Tragic, The, in literature
    Umfang: 1 Online-Ressource, Illustrations (black and white).
    Bemerkung(en):

    Includes bibliographical references and index