Technische Universität Chemnitz, Universitätsbibliothek
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Cover page -- Halftitle page -- Title page -- Copyright page -- CONTENTS -- ILLUSTRATIONS -- CONTRIBUTORS -- FOREWORD: INTERRUPTING INTERRUPTION -- ACKNOWLEDGEMENTS -- 1 VISUAL CULTURE AND INTERRUPTION IN GLOBAL CITIES -- What is interruption? -- Visualizing interruption -- Note -- PART ONE CRISIS AND RUIN -- 2 WHY WE LOVE 'INTERRUPTION': URBAN RUINS, FOOD TRUCKS AND THE CULT OF DECAY -- What's wrong with dystopianism? -- The great inversion -- 'Interruption' meets the great inversion -- Meet the food truckers -- So when was interruption? -- Notes -- 3 RESCUING HISTORY FROM THE CITY: INTERRUPTION AND URBAN DEVELOPMENT IN BEIJING1 -- Soft powers -- Urban dreams -- Intervention -- Breaking -- Interruption -- Notes -- 4 INTERRUPTING NEW YORK: SLOWNESS AND THE HIGH LINE -- Slow New York -- Elevated street -- The High Line effect -- Slow street -- Heterotopia and retro- walking -- Note -- 5 SOUND, MEMORY AND INTERRUPTION: GHOSTS OF LONDON'S M11 LINK ROAD -- Traffic streams -- LINKED: Where are all those people now? -- Out of time, out of place -- Ghosts and the dislocation of time and space -- Conclusions -- Acknowledgements -- Notes -- PART TWO RESISTANCE AND RENEWAL -- 6 SUBURBIA, INTERRUPTED: STREET ART AND THE POLITICS OF PLACE IN THE PARIS BANLIEUES1 -- The image of the Cité : building consensus in the banlieues -- Interrupting art -- Conclusion -- Notes -- 7 LOOKING AT DIGITAL VISUALIZATIONS OF URBAN REDEVELOPMENT PROJECTS: DIMMING THE SCINTILLATING GLOW OF UNWORK -- What sort of image is a digital visualization? -- Conclusion -- Acknowledgements -- Notes -- 8 'HERE WE ARE NOW': AMSTERDAM'S NORTH-SOUTH METRO LINE AND THE EMERGENCE OF A NETWORKED PUBLIC -- Lessons from the past -- Here we are now: from tunnel vision to open house -- Conclusion: in defence of crisis -- Notes -- 9 POP-UP SHOPS AS INTERRUPTIONS IN(POST-)RECESSIONAL LONDON.
