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  1. Lyrical strains
    liberalism and women's poetry in nineteenth-century America
    Erschienen: 2020
    Verlag:  The University of North Carolina Press, Chapel Hill

    Lyrical subjects and liberal publics -- The poetess and the politics of profession -- Elizabeth Oakes Smith's lyrical activism -- Frances Ellen Watkins Harper's two-body problem -- Making the modernist poetess: Edna St. Vincent Millay -- E. Pauline... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Lyrical subjects and liberal publics -- The poetess and the politics of profession -- Elizabeth Oakes Smith's lyrical activism -- Frances Ellen Watkins Harper's two-body problem -- Making the modernist poetess: Edna St. Vincent Millay -- E. Pauline Johnson's poetics acts. "In this book, Elissa Zellinger analyzes both political philosophy and poetic theory in order to chronicle the consolidation of the modern lyric and the liberal subject across the long nineteenth century. In the nineteenth-century United States, both liberalism and lyric sought self-definition by practicing techniques of exclusion. Liberalism was a political philosophy whose supposed universals were limited to white men and created by omitting women, the enslaved, and Native peoples. The conventions of poetic reception only redoubled the sense that liberal selfhood defined its boundaries by refusing raced and gendered others. Yet Zellinger argues that it is precisely the poetics of the excluded that offer insights into the dynamic processes that came to form the modern liberal and lyric subjects"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781469659817; 9781469659800
    Schlagworte: American poetry; Lyric poetry; Liberalism; Politics and literature
    Umfang: xiii, 256 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 227-238

  2. Lyrical strains
    liberalism and women's poetry in nineteenth-century America
    Erschienen: 2020
    Verlag:  The University of North Carolina Press, Chapel Hill

    Lyrical subjects and liberal publics -- The poetess and the politics of profession -- Elizabeth Oakes Smith's lyrical activism -- Frances Ellen Watkins Harper's two-body problem -- Making the modernist poetess: Edna St. Vincent Millay -- E. Pauline... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 130433
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Thüringer Universitäts- und Landesbibliothek
    AMK:MF:325:Zel::2020
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Lyrical subjects and liberal publics -- The poetess and the politics of profession -- Elizabeth Oakes Smith's lyrical activism -- Frances Ellen Watkins Harper's two-body problem -- Making the modernist poetess: Edna St. Vincent Millay -- E. Pauline Johnson's poetics acts. "In this book, Elissa Zellinger analyzes both political philosophy and poetic theory in order to chronicle the consolidation of the modern lyric and the liberal subject across the long nineteenth century. In the nineteenth-century United States, both liberalism and lyric sought self-definition by practicing techniques of exclusion. Liberalism was a political philosophy whose supposed universals were limited to white men and created by omitting women, the enslaved, and Native peoples. The conventions of poetic reception only redoubled the sense that liberal selfhood defined its boundaries by refusing raced and gendered others. Yet Zellinger argues that it is precisely the poetics of the excluded that offer insights into the dynamic processes that came to form the modern liberal and lyric subjects"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781469659817; 9781469659800
    Schlagworte: American poetry; Lyric poetry; Liberalism; Politics and literature
    Umfang: xiii, 256 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 227-238

  3. Lyrical strains
    liberalism and women's poetry in nineteenth-century America
    Erschienen: [2020]; © 2020
    Verlag:  The University of North Carolina Press, Chapel Hill

    "In this book, Elissa Zellinger analyzes both political philosophy and poetic theory in order to chronicle the consolidation of the modern lyric and the liberal subject across the long nineteenth century. In the nineteenth-century United States, both... mehr

    Universität Mainz, Zentralbibliothek
    297.753
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "In this book, Elissa Zellinger analyzes both political philosophy and poetic theory in order to chronicle the consolidation of the modern lyric and the liberal subject across the long nineteenth century. In the nineteenth-century United States, both liberalism and lyric sought self-definition by practicing techniques of exclusion. Liberalism was a political philosophy whose supposed universals were limited to white men and created by omitting women, the enslaved, and Native peoples. The conventions of poetic reception only redoubled the sense that liberal selfhood defined its boundaries by refusing raced and gendered others. Yet Zellinger argues that it is precisely the poetics of the excluded that offer insights into the dynamic processes that came to form the modern liberal and lyric subjects"

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781469659817
    RVK Klassifikation: HR 1761 ; HR 1732
    Schlagworte: Lyrikerin; Liberalismus; Politische Philosophie; Literaturtheorie; Ausgrenzung
    Umfang: xiii, 256 Seiten, Illustrationen, 25 cm