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  1. Whiting up
    whiteface minstrels & stage Europeans in African American performance
    Autor*in: McAllister, Marvin Edward
    Erschienen: 2011
    Verlag:  The University of North Carolina Press, Chapel Hill

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0807835080; 0807869066; 1469602431; 9780807835081; 9780807869062; 9781469602431
    Schlagworte: Fine Arts; PERFORMING ARTS / Acting & Auditioning; SOCIAL SCIENCE / Ethnic Studies / African American Studies; African Americans in the performing arts; Minstrel shows; Geschichte; Minstrel shows; African Americans in the performing arts; Weiße <Motiv>; Schwarze; Schauspieler
    Umfang: 1 online resource (xiii, 330 pages), illustrations
    Bemerkung(en):

    Print version record

    In this work, McAllister defines and explores whiting up, a long tradition in which African American actors, comics, musicians, and even everyday people have assumed white racial identities in a performative context. Whether in 19th century minstrel shows, in stage European performances where black actors take on white roles on the conventional stage, in musicals and satires crafted by a variety of African American dramatists, or in one-person shows by artists like Anna Devere Smith, McAllister argues that this form of cross-racial play creates unexpected intercultural alliances even as it inc

    Introduction : whiting up work -- Chapter 1. Liberatory whiteness : early whiteface minstrels, enslaved and free -- Chapter 2. Imitation whiteness : James Hewlett's stage Europeans -- Chapter 3. Low-down whiteness : a trip to coontown -- Chapter 4. Trespassing on whiteness : Negro actors and the Nordic complex -- Chapter 5. Estranging whiteness : queens, clowns, and beasts in 1960s Black drama -- Chapter 6. White people be like-- : Black solo and racial difference -- Conclusion : problems and possibilities of whiting up
  2. Whiting up
    whiteface minstrels & stage Europeans in African American performance
    Autor*in: McAllister, Marvin Edward
    Erschienen: 2011
    Verlag:  University of North Carolina Press, Chapel Hill ; Oxford University Press, Oxford

    In the early 1890s, black performer Bob Cole turned blackface minstrelsy on its head with his nationally recognized whiteface creation, a character he called Willie Wayside. Just over a century later, hiphop star Busta Rhymes performed a whiteface... mehr

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    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Fernleihe:
    keine Fernleihe

     

    In the early 1890s, black performer Bob Cole turned blackface minstrelsy on its head with his nationally recognized whiteface creation, a character he called Willie Wayside. Just over a century later, hiphop star Busta Rhymes performed a whiteface supercop in his hit music video 'Dangerous'. This work explores the enduring tradition of 'whiting up', in which African American actors, comics, musicians, and even everyday people have studied and assumed white racial identities.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781469602431
    Weitere Identifier:
    Schlagworte: Schwarze; Schauspieler; Weiße <Motiv>; Minstrel shows; African Americans in the performing arts
    Umfang: 1 Online-Ressource (xiii, 330 p.), Ill.
    Bemerkung(en):

    Includes bibliographical references and index