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  1. The Poetics of Imitation in the Italian Theatre of the Renaissance
    Autor*in: Di Maria, Salvatore
    Erschienen: [2017]; © 2013
    Verlag:  University of Toronto Press, Toronto

    The theatre of the Italian Renaissance was directly inspired by the classical stage of Greece and Rome, and many have argued that the former imitated the latter without developing a new theatre tradition. In this book, Salvatore DiMaria investigates... mehr

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    The theatre of the Italian Renaissance was directly inspired by the classical stage of Greece and Rome, and many have argued that the former imitated the latter without developing a new theatre tradition. In this book, Salvatore DiMaria investigates aspects of innovation that made Italian Renaissance stage a modern, original theatre in its own right. He provides important evidence for creative imitation at work by comparing sources and imitations – incuding Machiavelli’s Mandragola and Clizia, Cecchi’s Assiuolo, Groto’s Emilia, and Dolce’s Marianna – and highlighting source elements that these playwrights chose to adopt, modify, or omit entirely.DiMaria delves into how playwrights not only brought inventive new dramaturgical methods to the genre, but also incorporated significant aspects of the morals and aesthetic preferences familiar to contemporary spectators into their works. By proposing the theatre of the Italian Renaissance as a poetic window into the living realities of sixteenth-century Italy, he provides a fresh approach to reading the works of this period

     
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    Medientyp: Ebook
    Format: Online
    ISBN: 9781442667334
    Weitere Identifier:
    Schlagworte: DISCOUNT-B.; Classical drama; Imitation in literature; Italian drama; Adaption <Literatur>; Antike; Drama; Theater
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 13. Sep 2017)
  2. The Poetics of Imitation in the Italian Theatre of the Renaissance
    Autor*in: Di Maria, Salvatore
    Erschienen: 2013
    Verlag:  University of Toronto Press, Toronto ; ProQuest, Ann Arbor, Michigan

    DiMaria delves into how playwrights not only brought inventive new dramaturgical methods to the genre, but also incorporated significant aspects of the morals and aesthetic preferences familiar to contemporary spectators into their works. mehr

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    Universität Mainz, Zentralbibliothek
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    keine Fernleihe

     

    DiMaria delves into how playwrights not only brought inventive new dramaturgical methods to the genre, but also incorporated significant aspects of the morals and aesthetic preferences familiar to contemporary spectators into their works.

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442667334
    Schriftenreihe: Toronto Italian Studies
    Umfang: 1 Online-Ressource (233 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  3. The poetics of imitation in the Italian theatre of the Renaissance
    Autor*in: Di Maria, Salvatore
    Erschienen: 2013
    Verlag:  University of Toronto Press, Toronto

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1442647124; 1442667338; 9781442647121; 9781442667334
    Schriftenreihe: Toronto Italian studies
    Schlagworte: Drama; Italienisch; Nachahmung; DRAMA / Continental European; DRAMA / Ancient & Classical; Italian drama; Imitation in literature; Classical drama; Drama; Theater; Antike; Adaption <Literatur>
    Umfang: 1 online resource (x, 222 pages)
    Bemerkung(en):

    Description based on print version record

    Chapter I. Imitation: The link between past and present -- 1. The Humanists turn to the Ancients -- 2. From the Classical stage to the theater of Renaissance -- 3. The poetics of the new theater -- Chapter II. Machiavelli's Mandragola -- 1. The characters: imitation vs. source -- 2. New characters -- 3. Machiavellian morality -- Chapter III. Clizia. Form stage to stage -- 1. The sons -- 2. The fathers -- 3. The wives -- 4. A Machiavellian perspective -- Chapter IV. Cecchi's Assiuolo: An apian imitation -- 1. A contaminatio of sources -- 2. Ambrogio: An original amator senex -- 3. Oretta's immorality as a reflection of the times -- Chapter V. Groto's Emilia: Fiction meets reality -- 1. From the sources to the adaptation -- 2. The stage pretense of realism undermined -- 3. Erifila: a Venetian courtesan. -- Chapter VI. Gli duoi fratelli rivali. Della Porta adapts Bandello's prose narrative to the stage -- 1. The source's King vs. the play's Viceroy -- 2. Eufranone vs. Lionato -- 3. The women -- 4. New characters and the comic element -- Chapter VII. Orbecche: Giraldi's imitation of his own prose narrative -- 1. The plot -- 2. Orbecche and the question of womanhood -- 3. Sulmone vs. Malecche: The debate on kingly prerogatives -- 4. Machiavellian princeship anchored to religious morality -- Chapter VIII. Dolce's Marianna: From history to the stage -- 1. The historical source -- 2. Josephus' Herod vs. Dolce's Erode -- 3. Mariamme vs Marianna -- 4. Erode and the theater audience

    "The theatre of the Italian Renaissance was directly inspired by the classical stage of Greece and Rome, and many have argued that the former imitated the latter without developing a new theatre tradition. In this book, Salvatore DiMaria investigates aspects of innovation that made Italian Renaissance stage a modern, original theatre in its own right. He provides important evidence for creative imitation at work by comparing sources and imitations - incuding Machiavelli's Mandragola and Clizia, Cecchi's Assiuolo, Groto's Emilia, and Dolce's Marianna - and highlighting source elements that these playwrights chose to adopt, modify, or omit entirely

    DiMaria delves into how playwrights not only brought inventive new dramaturgical methods to the genre, but also incorporated significant aspects of the morals and aesthetic preferences familiar to contemporary spectators into their works. By proposing the theatre of the Italian Renaissance as a poetic window into the living realities of sixteenth-century Italy, he provides a fresh approach to reading the works of this period."--pub. desc
  4. The Poetics of Imitation in the Italian Theatre of the Renaissance
    Autor*in: Di Maria, Salvatore
    Erschienen: [2017]; © 2013
    Verlag:  University of Toronto Press, Toronto

    The theatre of the Italian Renaissance was directly inspired by the classical stage of Greece and Rome, and many have argued that the former imitated the latter without developing a new theatre tradition. In this book, Salvatore DiMaria investigates... mehr

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Standort:
    Universitätsbibliothek Passau
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The theatre of the Italian Renaissance was directly inspired by the classical stage of Greece and Rome, and many have argued that the former imitated the latter without developing a new theatre tradition. In this book, Salvatore DiMaria investigates aspects of innovation that made Italian Renaissance stage a modern, original theatre in its own right. He provides important evidence for creative imitation at work by comparing sources and imitations – incuding Machiavelli’s Mandragola and Clizia, Cecchi’s Assiuolo, Groto’s Emilia, and Dolce’s Marianna – and highlighting source elements that these playwrights chose to adopt, modify, or omit entirely.DiMaria delves into how playwrights not only brought inventive new dramaturgical methods to the genre, but also incorporated significant aspects of the morals and aesthetic preferences familiar to contemporary spectators into their works. By proposing the theatre of the Italian Renaissance as a poetic window into the living realities of sixteenth-century Italy, he provides a fresh approach to reading the works of this period

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442667334
    Weitere Identifier:
    Schlagworte: DISCOUNT-B.; Classical drama; Imitation in literature; Italian drama; Adaption <Literatur>; Antike; Drama; Theater
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 13. Sep 2017)
  5. The poetics of imitation in the Italian theatre of the Renaissance
    Erschienen: 2013
    Verlag:  University of Toronto Press, Toronto

    "The theatre of the Italian Renaissance was directly inspired by the classical stage of Greece and Rome, and many have argued that the former imitated the latter without developing a new theatre tradition. In this book, Salvatore DiMaria investigates... mehr

    Zugang:
    Aggregator (lizenzpflichtig)

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    Hochschule Aalen, Bibliothek
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    E-Book EBSCO
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    Hochschule Esslingen, Bibliothek
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    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
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    "The theatre of the Italian Renaissance was directly inspired by the classical stage of Greece and Rome, and many have argued that the former imitated the latter without developing a new theatre tradition. In this book, Salvatore DiMaria investigates aspects of innovation that made Italian Renaissance stage a modern, original theatre in its own right. He provides important evidence for creative imitation at work by comparing sources and imitations - incuding Machiavelli's Mandragola and Clizia, Cecchi's Assiuolo, Groto's Emilia, and Dolce's Marianna - and highlighting source elements that these playwrights chose to adopt, modify, or omit entirely DiMaria delves into how playwrights not only brought inventive new dramaturgical methods to the genre, but also incorporated significant aspects of the morals and aesthetic preferences familiar to contemporary spectators into their works. By proposing the theatre of the Italian Renaissance as a poetic window into the living realities of sixteenth-century Italy, he provides a fresh approach to reading the works of this period."--pub. desc

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442667334; 1442667338
    Schriftenreihe: Toronto Italian studies
    Schlagworte: Italian drama; Classical drama; Imitation in literature; Classical drama; Italian drama; DRAMA ; Continental European; DRAMA ; Ancient & Classical; Imitation in literature; Italian drama; Drama; Italienisch; Nachahmung; Criticism, interpretation, etc
    Umfang: Online Ressource (x, 222 pages)
    Bemerkung(en):

    Includes bibliographical references (pages [199]-212) and index. - Description based on print version record
  6. The poetics of imitation in the Italian theatre of the Renaissance
    Autor*in: Di Maria, Salvatore
    Erschienen: 2013
    Verlag:  University of Toronto Press, Toronto

    DiMaria delves into how playwrights not only brought inventive new dramaturgical methods to the genre, but also incorporated significant aspects of the morals and aesthetic preferences familiar to contemporary spectators into their works "The theatre... mehr

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    DiMaria delves into how playwrights not only brought inventive new dramaturgical methods to the genre, but also incorporated significant aspects of the morals and aesthetic preferences familiar to contemporary spectators into their works "The theatre of the Italian Renaissance was directly inspired by the classical stage of Greece and Rome, and many have argued that the former imitated the latter without developing a new theatre tradition. In this book, Salvatore DiMaria investigates aspects of innovation that made Italian Renaissance stage a modern, original theatre in its own right. He provides important evidence for creative imitation at work by comparing sources and imitations - incuding Machiavelli's Mandragola and Clizia, Cecchi's Assiuolo, Groto's Emilia, and Dolce's Marianna - and highlighting source elements that these playwrights chose to adopt, modify, or omit entirely DiMaria delves into how playwrights not only brought inventive new dramaturgical methods to the genre, but also incorporated significant aspects of the morals and aesthetic preferences familiar to contemporary spectators into their works. By proposing the theatre of the Italian Renaissance as a poetic window into the living realities of sixteenth-century Italy, he provides a fresh approach to reading the works of this period."--pub. desc

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1442667338; 9781442667334
    Schriftenreihe: Toronto Italian studies
    Schlagworte: Imitation in literature; Italian drama; Classical drama
    Umfang: Online-Ressource (x, 222 pages)
    Bemerkung(en):

    Includes bibliographical references (pages [199]-212) and index

    Chapter I. Imitation: The link between past and present1. The Humanists turn to the Ancients -- 2. From the Classical stage to the theater of Renaissance -- 3. The poetics of the new theater -- Chapter II. Machiavelli's Mandragola -- 1. The characters: imitation vs. source -- 2. New characters -- 3. Machiavellian morality -- Chapter III. Clizia. Form stage to stage -- 1. The sons -- 2. The fathers -- 3. The wives -- 4. A Machiavellian perspective -- Chapter IV. Cecchi's Assiuolo: An apian imitation -- 1. A contaminatio of sources -- 2. Ambrogio: An original amator senex -- 3. Oretta's immorality as a reflection of the times -- Chapter V. Groto's Emilia: Fiction meets reality -- 1. From the sources to the adaptation -- 2. The stage pretense of realism undermined -- 3. Erifila: a Venetian courtesan. -- Chapter VI. Gli duoi fratelli rivali. Della Porta adapts Bandello's prose narrative to the stage -- 1. The source's King vs. the play's Viceroy -- 2. Eufranone vs. Lionato -- 3. The women -- 4. New characters and the comic element -- Chapter VII. Orbecche: Giraldi's imitation of his own prose narrative -- 1. The plot -- 2. Orbecche and the question of womanhood -- 3. Sulmone vs. Malecche: The debate on kingly prerogatives -- 4. Machiavellian princeship anchored to religious morality -- Chapter VIII. Dolce's Marianna: From history to the stage -- 1. The historical source -- 2. Josephus' Herod vs. Dolce's Erode -- 3. Mariamme vs Marianna -- 4. Erode and the theater audience.
  7. The Poetics of Imitation in the Italian Theatre of the Renaissance
    Autor*in: Di Maria, Salvatore
    Erschienen: 2017; ©2013
    Verlag:  University of Toronto Press, Toronto

    The theatre of the Italian Renaissance was directly inspired by the classical stage of Greece and Rome, and many have argued that the former imitated the latter without developing a new theatre tradition. In this book, Salvatore DiMaria investigates... mehr

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    Hochschule für Gesundheit, Hochschulbibliothek
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    Initiative E-Books.NRW
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    The theatre of the Italian Renaissance was directly inspired by the classical stage of Greece and Rome, and many have argued that the former imitated the latter without developing a new theatre tradition. In this book, Salvatore DiMaria investigates aspects of innovation that made Italian Renaissance stage a modern, original theatre in its own right. He provides important evidence for creative imitation at work by comparing sources and imitations – incuding Machiavelli’s Mandragola and Clizia, Cecchi’s Assiuolo, Groto’s Emilia, and Dolce’s Marianna – and highlighting source elements that these playwrights chose to adopt, modify, or omit entirely.DiMaria delves into how playwrights not only brought inventive new dramaturgical methods to the genre, but also incorporated significant aspects of the morals and aesthetic preferences familiar to contemporary spectators into their works. By proposing the theatre of the Italian Renaissance as a poetic window into the living realities of sixteenth-century Italy, he provides a fresh approach to reading the works of this period.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442667334
    Weitere Identifier:
    Schlagworte: Italian drama; Classical drama; Imitation in literature; Classical drama.; Imitation in literature.; Italian drama.; DISCOUNT-B.
    Umfang: 1 Online-Ressource
  8. The Poetics of Imitation in the Italian Theatre of the Renaissance
    Autor*in: Di Maria, Salvatore
    Erschienen: [2013]
    Verlag:  University of Toronto Press, Toronto ; Walter de Gruyter GmbH, Berlin

    The theatre of the Italian Renaissance was directly inspired by the classical stage of Greece and Rome, and many have argued that the former imitated the latter without developing a new theatre tradition. In this book, Salvatore DiMaria investigates... mehr

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    Universitätsbibliothek Gießen
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    The theatre of the Italian Renaissance was directly inspired by the classical stage of Greece and Rome, and many have argued that the former imitated the latter without developing a new theatre tradition. In this book, Salvatore DiMaria investigates aspects of innovation that made Italian Renaissance stage a modern, original theatre in its own right. He provides important evidence for creative imitation at work by comparing sources and imitations – incuding Machiavelli’s Mandragola and Clizia, Cecchi’s Assiuolo, Groto’s Emilia, and Dolce’s Marianna – and highlighting source elements that these playwrights chose to adopt, modify, or omit entirely.DiMaria delves into how playwrights not only brought inventive new dramaturgical methods to the genre, but also incorporated significant aspects of the morals and aesthetic preferences familiar to contemporary spectators into their works. By proposing the theatre of the Italian Renaissance as a poetic window into the living realities of sixteenth-century Italy, he provides a fresh approach to reading the works of this period.

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442667334
    Weitere Identifier:
    Umfang: 1 Online-Ressource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 13. Sep 2017)