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  1. Animating Black and Brown Liberation
    A Theory of American Literatures
    Erschienen: 2019
    Verlag:  State University of New York Press, Albany ; ProQuest, Ann Arbor, Michigan

    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    keine Fernleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781438473413
    Umfang: 1 Online-Ressource (126 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources

  2. Animating black and brown liberation
    a theory of American literatures
    Erschienen: [2019]
    Verlag:  State University of New York Press, Albany

    "Animating Black and Brown Liberation introduces a vital new tool for reading American literatures. Rooted in both ancient Egyptian ideas about life and cutting-edge theories of animacy, or levels of aliveness, this tool--ankhing--enables Datcher to... mehr

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    Hochschule Aalen, Bibliothek
    E-Book EBSCO
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    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
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    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    "Animating Black and Brown Liberation introduces a vital new tool for reading American literatures. Rooted in both ancient Egyptian ideas about life and cutting-edge theories of animacy, or levels of aliveness, this tool--ankhing--enables Datcher to examine the ways African American and Latinx literatures respond to and ultimately work to resist hegemonic forces of neoliberalism and state-sponsored oppression. Weaving together close readings and politically informed philosophical reflection, Datcher considers the work of writer-activists such as Toni Cade Bambara, Cherríe Moraga, Gloria Anzaldúa, June Jordan, Salvador Perez, and Ishmael Reed, in light of theoretical interventions by Jane Bennett, Mel Y. Chen, Bruno Latour, Michel Foucault, Paulo Freire, and Erica R. Edwards. How, he asks, can cultural production positively influence Black and Brown material conditions and mobilize collective action "off the page"? How can art-based counterpublics provide a foundation for Black and Brown community organizing? What emerges finally from Datcher's innovative analysis is a much-needed account of the links between embodied experiences of racialization, as well as a fresh vision of twentieth and twenty-first century American literature as a repository of emancipatory strategies with real-world applications" -- Introduction: Animacy Matters -- Chapter 1. A Matter of Body and Soul in The People of Paper and Mumbo Jumbo -- Chapter 2. Heroes and Hieroglyphics of the Flesh in The Salt Eaters and Heroes and Saints -- Chapter 3. Animating Anthologies and Firing the Canon in This Bridge Called My Back and June Jordan's Poetry for the People -- Chapter 4. Wanda Coleman and Kamau Daáood Sing the Blues for the Black Body -- Coda : The World Stage Moves.

     

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  3. Animating black and brown liberation
    a theory of American literatures
    Erschienen: [2019]
    Verlag:  State University of New York Press, Albany

    "Animating Black and Brown Liberation introduces a vital new tool for reading American literatures. Rooted in both ancient Egyptian ideas about life and cutting-edge theories of animacy, or levels of aliveness, this tool--ankhing--enables Datcher to... mehr

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    Aggregator (lizenzpflichtig)
    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Animating Black and Brown Liberation introduces a vital new tool for reading American literatures. Rooted in both ancient Egyptian ideas about life and cutting-edge theories of animacy, or levels of aliveness, this tool--ankhing--enables Datcher to examine the ways African American and Latinx literatures respond to and ultimately work to resist hegemonic forces of neoliberalism and state-sponsored oppression. Weaving together close readings and politically informed philosophical reflection, Datcher considers the work of writer-activists such as Toni Cade Bambara, Cherríe Moraga, Gloria Anzaldúa, June Jordan, Salvador Perez, and Ishmael Reed, in light of theoretical interventions by Jane Bennett, Mel Y. Chen, Bruno Latour, Michel Foucault, Paulo Freire, and Erica R. Edwards. How, he asks, can cultural production positively influence Black and Brown material conditions and mobilize collective action "off the page"? How can art-based counterpublics provide a foundation for Black and Brown community organizing? What emerges finally from Datcher's innovative analysis is a much-needed account of the links between embodied experiences of racialization, as well as a fresh vision of twentieth and twenty-first century American literature as a repository of emancipatory strategies with real-world applications" -- Introduction: Animacy Matters -- Chapter 1. A Matter of Body and Soul in The People of Paper and Mumbo Jumbo -- Chapter 2. Heroes and Hieroglyphics of the Flesh in The Salt Eaters and Heroes and Saints -- Chapter 3. Animating Anthologies and Firing the Canon in This Bridge Called My Back and June Jordan's Poetry for the People -- Chapter 4. Wanda Coleman and Kamau Daáood Sing the Blues for the Black Body -- Coda : The World Stage Moves.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format