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Cover13; -- Contents -- Illustrations -- Acknowledgments -- Chronology, 14858211;1603 -- Map of England, Scotland, and Ireland in the sixteenth century -- Introduction -- Part I: Historical and Cultural Contexts -- 1: The Reformation, Lollardy, and Catholicism -- 2: Witchcraft in Tudor England and Scotland -- 3: The Tudor Experience of Islam -- 4: Protestantism, Profit, and Politics -- 5: International Influences and Tudor Music -- 6: Tudor Technology in Transition -- 7: Enclosing the Body -- Part II: Manuscript, Print, and Letters -- 8: Manuscripts in Tudor England -- 9: John Skelton and the State of Letters -- 10: The Henrician Courtier Writing in Manuscript and Print -- 11: Old Authors, Women Writers, and the New Print Technology -- 12: Printers of Interludes -- Part III: Literary Origins, Presences, Absences -- 13: Medievalism in English Renaissance Literature -- 14: The Tudor Origins of Medieval Drama -- 15: French Presences in Tudor England -- 16: Italian in Tudor England -- Part IV: Authors, Works, and Modes -- 17: More8217;s Utopia -- 18: The Literary Voices of Katherine Parr and Anne Askew -- 19: Reformation Satire, Scatology, and Iconoclastic Aesthetics in Gammer Gurton8217;s Needle -- 20: Bad Fun and Tudor Laughter -- 21: Perspective and Realism in the Renaissance -- 22: Seeing through Words in Theories of Poetry -- 23: Tudor Versification and the Rise of Iambic Pentameter -- 24: John Lyly8217;s Galatea -- 25: Sidney8217;s Arcadia, Romance, and the Responsive Woman Reader -- 26: Nature and Techn234; in Spenser8217;s Faerie Queene -- 27: 8220;In Poesie the mirrois of our Age8221; -- 28: 8220;Conceived of young Horatio his son8221; -- 29: West of England -- 30: The Real and the Unreal in Tudor Travel Writing -- 31: Jack and the City -- Index.
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