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  1. The Walking Muse
    Horace on the Theory of Satire
    Autor*in: Freudenburg, Kirk
    Erschienen: 1992; ©1992
    Verlag:  Princeton University Press, Princeton, N.J.

    Main description: In laying the groundwork for a fresh and challenging reading of Roman satire, Kirk Freudenburg explores the literary precedents behind the situations and characters created by Horace, one of Rome's earliest and most influential... mehr

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    Main description: In laying the groundwork for a fresh and challenging reading of Roman satire, Kirk Freudenburg explores the literary precedents behind the situations and characters created by Horace, one of Rome's earliest and most influential satirists. Critics tend to think that his two books of Satires are but trite sermons of moral reform--which the poems superficially claim to be--and that the reformer speaking to us is the young Horace, a naive Roman imitator of the rustic, self-made Greek philosopher Bion. By examining Horace's debt to popular comedy and to the conventions of Hellenistic moral literature, however, Freudenburg reveals the sophisticated mask through which the writer distances himself from the speaker in these earthy diatribes--a mask that enables the lofty muse of poetry to walk in satire's mundane world of adulterous lovers and quarrelsome neighbors. After presenting the speaker of the diatribes as a stage character, a version of the haranguing cynic of comedy and mime, Freudenburg explains the theoretical importance of such conventions in satire at large. His analysis includes a reinterpretation of Horace's criticisms of Lucilius, and ends with a theory of satire based on the several images of the satirist presented in Book One, which reveals the true depth of Horace's ethical and philosophical concerns.Originally published in 1992.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400852932
    Weitere Identifier:
    9781400852932
    Schlagworte: Verse satire, Latin; Comic, The, in literature; Latin wit and humor; Aesthetics, Ancient
    Umfang: Online-Ressource (284 S.)
    Bemerkung(en):

    FrontmatterContentsAcknowledgmentsChapter One. Horatian Satire and the Conventions of Popular DramaChapter Two. Aristotle and the Iambographic Tradition: The Theoretical Precedents of Horace's Satiric ProgramChapter Three. The Satires in the Context of Late Republican Stylistic TheoryChapter Four. Callimachean Aesthetics and the Noble MimeSelect BibliographyIndex LocorumGeneral Index.
  2. The Walking Muse
    Horace on the Theory of Satire
    Autor*in: Freudenburg, Kirk
    Erschienen: [1992]
    Verlag:  Princeton University Press, Princeton, N.J.

    Export in Literaturverwaltung   RIS-Format
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400852932
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    Schlagworte: Lateinische Literatur; Verse satire, Latin / History and criticism / Theory, etc; Latin wit and humor / History and criticism / Theory, etc; Comic, The, in literature; Aesthetics, Ancient; Latijn; Satires; Poésie satirique latine / Histoire et critique / Théorie, etc; Esthétique ancienne; Comique dans la littérature; Rome dans la littérature; POETRY / Ancient, Classical & Medieval; HISTORY / Ancient / Greece; Latein; Theorie; Satire; Latein
    Weitere Schlagworte: Horatius Flaccus, Quintus (v65-v8): Saturae
    Umfang: 1 Online-Ressource (284p.)
    Bemerkung(en):

    In laying the groundwork for a fresh and challenging reading of Roman satire, Kirk Freudenburg explores the literary precedents behind the situations and characters created by Horace, one of Rome's earliest and most influential satirists. Critics tend to think that his two books of Satires are but trite sermons of moral reform--which the poems superficially claim to be--and that the reformer speaking to us is the young Horace, a naive Roman imitator of the rustic, self-made Greek philosopher Bion. By examining Horace's debt to popular comedy and to the conventions of Hellenistic moral literature, however, Freudenburg reveals the sophisticated mask through which the writer distances himself from the speaker in these earthy diatribes--a mask that enables the lofty muse of poetry to walk in satire's mundane world of adulterous lovers and quarrelsome neighbors. After presenting the speaker of the diatribes as a stage character, a version of the haranguing cynic of comedy and mime, Freudenburg explains the theoretical importance of such conventions in satire at large. His analysis includes a reinterpretation of Horace's criticisms of Lucilius, and ends with a theory of satire based on the several images of the satirist presented in Book One, which reveals the true depth of Horace's ethical and philosophical concerns.Originally published in 1992.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905
  3. Walking Muse
    Horace on the Theory of Satire
    Autor*in: Freudenburg, Kirk
    Erschienen: 2014
    Verlag:  Princeton University Press, s.l.

    Cover -- Contents -- 1. Horatian Satire and the Conventions of Popular Drama -- 2. Aristotle and the Iambographic Tradition: The Theoretical Precedents of Horace's Satiric Program -- 3. The Satires in the Context of Late Republican Stylistic Theory... mehr

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    Hochschulbibliothek Friedensau
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    Cover -- Contents -- 1. Horatian Satire and the Conventions of Popular Drama -- 2. Aristotle and the Iambographic Tradition: The Theoretical Precedents of Horace's Satiric Program -- 3. The Satires in the Context of Late Republican Stylistic Theory -- 4. Callimachean Aesthetics and the Noble Mime

     
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1306988748; 9781400852932; 9781306988742
    Schriftenreihe: Princeton Legacy Library
    Umfang: Online-Ressource
    Bemerkung(en):

    Description based upon print version of record
  4. The Walking Muse
    Horace on the Theory of Satire
    Autor*in: Freudenburg, Kirk
    Erschienen: 2014
    Verlag:  Princeton University Press, Princeton ; ProQuest, Ann Arbor, Michigan

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    Universität Mainz, Zentralbibliothek
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    Sprache: Englisch
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    Format: Online
    ISBN: 9781400852932
    Schriftenreihe: Princeton Legacy Library
    Umfang: 1 Online-Ressource (0 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  5. The walking muse
    Horace on the theory of satire
    Autor*in: Freudenburg, Kirk
    Erschienen: 2011
    Verlag:  Princeton University Press, Princeton, N.J

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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0691031665; 0691601992; 1400852935; 9780691031668; 9780691601991; 9781400852932
    RVK Klassifikation: FX 181405
    Schriftenreihe: Princeton legacy library
    Schlagworte: Verse satire, Latin; Latin wit and humor; Comic, The, in literature; Aesthetics, Ancient
    Weitere Schlagworte: Horace: Satirae; Horace
    Umfang: 1 Online-Ressource (viii, 268 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 237-251) and indexes

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    Electronic reproduction

    Horatian Satire and the Conventions of Popular Drama -- Introductory Remarks: Ancient Rhetoric and the Persona Theory -- The Persona of the Diatribe Satires and the Influence of Bion -- Diatribe in the Age of Horace -- The Persona and Self-Parody -- Self-Parody and the Influence of the Comic Stage -- Comic Self-Definition in Satires 1.4 -- The Comic Persona and His Comic World -- The Subtlety and Depth of the Comic Analogy -- Aristotle and the Iambographic Tradition: The Theoretical Precedents of Horace's Satiric Program -- Introduction: The Theory of an Aristotelian Horace -- Aristotle's Theory of the Liberal Jest -- Aristotle on Old Comedy and the Iambic Idea -- The Advocates of the Iambic Idea: Old-Comedy, the Iambos, and Cynic Moralizing -- Libertas in the Age of Horace -- Aristotelian Theory in Satires 1.4 -- Horace's Theory of Satire and the Iambographic Tradition -- The Satires in the Context of Late Republican Stylistic Theory -- Horace's Literary Rivals in Satires 1.1-1.4 -- The Stylist of Satires 1.4: A Most Unusual Horace -- Simple Diction Artfully Arranged: Some Theoretical Precedents -- Dionysius's On Word Arrangement and the Stoic Theory of Natural Word Order -- Philodemus and Lucretius -- Answering the Extremists: A New Look at Satires 1.4 -- Lucilius and the Atticist Theory of a Rugged Style -- The Neoterics and Satires 1.10 -- Satires 1.10 and Lucilian Scholarship in the First Century B.C. -- Callimachean Aesthetics and the Noble Mime -- Morals and Aesthetics in the Satires.