Cover -- Title -- Copyright -- Original Title -- Original Copyright -- Dedication -- Contents -- Acknowledgements -- Abbreviations -- Introduction: Why Should Brecht's Name be Mentioned? -- Part One: Dialectics and Drama -- 1. Dialectics in the...
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Cover -- Title -- Copyright -- Original Title -- Original Copyright -- Dedication -- Contents -- Acknowledgements -- Abbreviations -- Introduction: Why Should Brecht's Name be Mentioned? -- Part One: Dialectics and Drama -- 1. Dialectics in the Theatre -- 2. Dialectical Drama and a Changing World -- 3. A 'By No Means Undialectical' Epic Theatre: Brecht's Gestus -- 4. 'Only "Actually" is it Familiar': Brecht's Verfremdungseffekt -- Part Two: In and Above the Stream -- 5. 'Bad Time for Poetry' -- 6. Alienating Verse -- 7. 'The Art . . . of not Submitting' -- Part Three: Marxist Art and Critical Attitudes -- 8. 'A Conceivable Aesthetic' -- 9. A Choice of Critics -- 10. Lenin and/or Stalin: 'The Measures Mistaken' -- Part Four: The Marxist Artist in Socialist Berlin -- 11. He Who Says Yes and No -- 12. 'The Travails of the Plains' -- 13. Communist Ways and Days of the Commune -- Index
