""Romanticism - and Byron"" is a book in two parts. In the first part, Dr Cochran examines ""Romanticism"" and shows that it is a word meaning anything, and therefore nothing. It is an academic construct created by academics, and has no basis in the writings of the early nineteenth century. Its continued use, argues Dr Cochran, is a modern marketing phenomenon solely. In the second part, Dr Cochran examines the life and work of Byron in the non-""romantic"" context of his contemporaries. He sho ..
Romanticism - and Byron
Erschienen:
2009
Verlag:
Cambridge Scholars Pub, Newcastle upon Tyne
""Romanticism - and Byron"" is a book in two parts. In the first part, Dr Cochran examines ""Romanticism"" and shows that it is a word meaning anything, and therefore nothing. It is an academic construct created by academics, and has no basis in the...
mehr
Universitätsbibliothek der Eberhard Karls Universität
Fernleihe:
keine Fernleihe
""Romanticism - and Byron"" is a book in two parts. In the first part, Dr Cochran examines ""Romanticism"" and shows that it is a word meaning anything, and therefore nothing. It is an academic construct created by academics, and has no basis in the writings of the early nineteenth century. Its continued use, argues Dr Cochran, is a modern marketing phenomenon solely. In the second part, Dr Cochran examines the life and work of Byron in the non-""romantic"" context of his contemporaries. He sho
Verlag:
Cambridge Scholars Pub, Newcastle upon Tyne, UK
""Romanticism - and Byron"" is a book in two parts. In the first part, Dr Cochran examines ""Romanticism"" and shows that it is a word meaning anything, and therefore nothing. It is an academic construct created by academics, and has no basis in the...
mehr
""Romanticism - and Byron"" is a book in two parts. In the first part, Dr Cochran examines ""Romanticism"" and shows that it is a word meaning anything, and therefore nothing. It is an academic construct created by academics, and has no basis in the writings of the early nineteenth century. Its continued use, argues Dr Cochran, is a modern marketing phenomenon solely. In the second part, Dr Cochran examines the life and work of Byron in the non-""romantic"" context of his contemporaries. He sho