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  1. Shakespeare and the Admiral's Men
    reading across repertories on the London stage, 1594-1600
    Autor*in: Rutter, Tom
    Erschienen: 2017
    Verlag:  Cambridge University Press, Cambridge

    For most of the 1590s, the Admiral's Men were the main competitors of Shakespeare's company in the London theatres. Not only did they stage old plays by dramatists such as Christopher Marlowe and Thomas Kyd: their playwrights invented the genres of... mehr

    Universitätsbibliothek Bamberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
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    For most of the 1590s, the Admiral's Men were the main competitors of Shakespeare's company in the London theatres. Not only did they stage old plays by dramatists such as Christopher Marlowe and Thomas Kyd: their playwrights invented the genres of humours comedy (with An Humorous Day's Mirth) and city comedy (with Englishmen for My Money), while other new plays such as A Knack to Know an Honest Man and The Downfall of Robert, Earl of Huntingdon were important influences on Shakespeare. This is the first book to read the Admiral's repertory against Shakespeare's plays of the 1590s, showing both how Shakespeare drew on their innovations and how his plays influenced Admiral's dramatists in turn. Shedding new light on well-known plays and offering detailed analysis of less familiar ones, it offers a fresh perspective on the dramatic culture of the 1590s

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139924870
    Weitere Identifier:
    RVK Klassifikation: HI 1266
    Schlagworte: Geschichte; Theatrical companies / England / London / History / 17th century; Theatrical companies / England / London / History / 16th century; Drama
    Weitere Schlagworte: Shakespeare, William / 1564-1616 / Stage history / To 1625; Shakespeare, William / 1564-1616 / Stage history / England / London; Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (ix, 226 pages)
    Bemerkung(en):

    Introduction -- How might we make a famous comedie: from A Knack to Know an Honest Man to The Merchant of Venice -- Hobgoblins abroad: from Doctor Faustus to A Midsummer Night's Dream -- I speak of Africa and golden joys: Henry IV and the Stukeley plays -- Sundrie variable and pleasing humors: new comedies, 1597-8 -- Nor pure religion by their lips profaned: Oldcastle, Robin Hood, and As You Like It -- Nor pure religion by their lips profaned: Oldcastle, Robin Hood, and As You Like It -- Conclusion

  2. Shakespeare and the Admiral's Men
    reading across repertories on the London stage, 1594-1600
    Autor*in: Rutter, Tom
    Erschienen: 2017
    Verlag:  Cambridge University Press, Cambridge

    For most of the 1590s, the Admiral's Men were the main competitors of Shakespeare's company in the London theatres. Not only did they stage old plays by dramatists such as Christopher Marlowe and Thomas Kyd: their playwrights invented the genres of... mehr

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    For most of the 1590s, the Admiral's Men were the main competitors of Shakespeare's company in the London theatres. Not only did they stage old plays by dramatists such as Christopher Marlowe and Thomas Kyd: their playwrights invented the genres of humours comedy (with An Humorous Day's Mirth) and city comedy (with Englishmen for My Money), while other new plays such as A Knack to Know an Honest Man and The Downfall of Robert, Earl of Huntingdon were important influences on Shakespeare. This is the first book to read the Admiral's repertory against Shakespeare's plays of the 1590s, showing both how Shakespeare drew on their innovations and how his plays influenced Admiral's dramatists in turn. Shedding new light on well-known plays and offering detailed analysis of less familiar ones, it offers a fresh perspective on the dramatic culture of the 1590s Introduction -- How might we make a famous comedie: from A Knack to Know an Honest Man to The Merchant of Venice -- Hobgoblins abroad: from Doctor Faustus to A Midsummer Night's Dream -- I speak of Africa and golden joys: Henry IV and the Stukeley plays -- Sundrie variable and pleasing humors: new comedies, 1597-8 -- Nor pure religion by their lips profaned: Oldcastle, Robin Hood, and As You Like It -- Nor pure religion by their lips profaned: Oldcastle, Robin Hood, and As You Like It -- Conclusion

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139924870
    Weitere Identifier:
    Schlagworte: Theatrical companies; Theatrical companies; Shakespeare, William ; 1564-1616 ; Stage history ; To 1625; Shakespeare, William ; 1564-1616 ; Stage history ; England ; London; Admiral's Men (Theater company) ; History; Theatrical companies ; England ; London ; History ; 17th century; Theatrical companies ; England ; London ; History ; 16th century
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (ix, 226 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 20 Mar 2017)

  3. Shakespeare and the Admiral's Men
    reading across repertories on the London stage, 1594-1600
    Autor*in: Rutter, Tom
    Erschienen: 2017
    Verlag:  Cambridge University Press, Cambridge

    For most of the 1590s, the Admiral's Men were the main competitors of Shakespeare's company in the London theatres. Not only did they stage old plays by dramatists such as Christopher Marlowe and Thomas Kyd: their playwrights invented the genres of... mehr

    Universität Frankfurt, Elektronische Ressourcen
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    Universitätsbibliothek Gießen
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    For most of the 1590s, the Admiral's Men were the main competitors of Shakespeare's company in the London theatres. Not only did they stage old plays by dramatists such as Christopher Marlowe and Thomas Kyd: their playwrights invented the genres of humours comedy (with An Humorous Day's Mirth) and city comedy (with Englishmen for My Money), while other new plays such as A Knack to Know an Honest Man and The Downfall of Robert, Earl of Huntingdon were important influences on Shakespeare. This is the first book to read the Admiral's repertory against Shakespeare's plays of the 1590s, showing both how Shakespeare drew on their innovations and how his plays influenced Admiral's dramatists in turn. Shedding new light on well-known plays and offering detailed analysis of less familiar ones, it offers a fresh perspective on the dramatic culture of the 1590s.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139924870
    Umfang: 1 Online-Ressource (ix, 226 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 20 Mar 2017)

  4. Shakespeare and the Admiral's Men
    reading across repertories on the London stage, 1594-1600
    Autor*in: Rutter, Tom
    Erschienen: 2017
    Verlag:  Cambridge University Press, Cambridge

    For most of the 1590s, the Admiral's Men were the main competitors of Shakespeare's company in the London theatres. Not only did they stage old plays by dramatists such as Christopher Marlowe and Thomas Kyd: their playwrights invented the genres of... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    For most of the 1590s, the Admiral's Men were the main competitors of Shakespeare's company in the London theatres. Not only did they stage old plays by dramatists such as Christopher Marlowe and Thomas Kyd: their playwrights invented the genres of humours comedy (with An Humorous Day's Mirth) and city comedy (with Englishmen for My Money), while other new plays such as A Knack to Know an Honest Man and The Downfall of Robert, Earl of Huntingdon were important influences on Shakespeare. This is the first book to read the Admiral's repertory against Shakespeare's plays of the 1590s, showing both how Shakespeare drew on their innovations and how his plays influenced Admiral's dramatists in turn. Shedding new light on well-known plays and offering detailed analysis of less familiar ones, it offers a fresh perspective on the dramatic culture of the 1590s Introduction -- How might we make a famous comedie: from A Knack to Know an Honest Man to The Merchant of Venice -- Hobgoblins abroad: from Doctor Faustus to A Midsummer Night's Dream -- I speak of Africa and golden joys: Henry IV and the Stukeley plays -- Sundrie variable and pleasing humors: new comedies, 1597-8 -- Nor pure religion by their lips profaned: Oldcastle, Robin Hood, and As You Like It -- Nor pure religion by their lips profaned: Oldcastle, Robin Hood, and As You Like It -- Conclusion

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139924870
    Weitere Identifier:
    Schlagworte: Theatrical companies; Theatrical companies; Shakespeare, William ; 1564-1616 ; Stage history ; To 1625; Shakespeare, William ; 1564-1616 ; Stage history ; England ; London; Admiral's Men (Theater company) ; History; Theatrical companies ; England ; London ; History ; 17th century; Theatrical companies ; England ; London ; History ; 16th century
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (ix, 226 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 20 Mar 2017)