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  1. The short story and the First World War
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    The poetry of the First World War has come to dominate our understanding of its literature, while genres such as the short story, which are just as vital to the literary heritage of the era, have largely been neglected. In this study, Ann-Marie... mehr

    Universitätsbibliothek Bamberg
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    The poetry of the First World War has come to dominate our understanding of its literature, while genres such as the short story, which are just as vital to the literary heritage of the era, have largely been neglected. In this study, Ann-Marie Einhaus challenges deeply embedded cultural conceptions about the literature of the First World War using a corpus of several hundred short stories that, until now, have not undergone any systematic critical analysis. From early wartime stories to late twentieth-century narratives - and spanning a wide spectrum of literary styles and movements - Einhaus's work reveals a range of responses to the war through fiction, from pacifism to militarism. Going beyond the household names of Owen, Sassoon and Graves, Einhaus offers scholars and students unprecedented access to new frontiers in twentieth-century literary studies

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139814898
    Weitere Identifier:
    RVK Klassifikation: HM 1101 ; HM 1360
    Schlagworte: Weltkrieg (1914-1918); World War, 1914-1918 / Great Britain / Literature and the war; English fiction / 20th century / History and criticism; Short stories, English / History and criticism; War stories, English / History and criticism; Erster Weltkrieg <Motiv>; Kurzgeschichte; Englisch
    Umfang: 1 online resource (viii, 219 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Canon, genre, experience, and the implied reader -- The war in the magazines -- Post-war publication and anthologisation -- Negotiating disaster in popular forms -- Narrative rehearsals of moral and ideological alternatives -- Commemorative narratives and post-war stories

  2. The short story and the First World War
    Erschienen: 2013
    Verlag:  Cambridge University Press, New York

    Canon, genre, experience, and the implied reader -- The war in the magazines -- Post-war publication and anthologisation -- Negotiating disaster in popular forms -- Narrative rehearsals of moral and ideological alternatives -- Commemorative... mehr

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    Canon, genre, experience, and the implied reader -- The war in the magazines -- Post-war publication and anthologisation -- Negotiating disaster in popular forms -- Narrative rehearsals of moral and ideological alternatives -- Commemorative narratives and post-war stories. Covering a range of topics, settings and styles, the book offers the first comprehensive study of short fiction from the First World War

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1139814893; 1461939801; 9781139814898; 9781461939801
    Schlagworte: Short stories, English; War stories, English; World War, 1914-1918; English fiction; Short stories, English; War and literature; War stories, English; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh; English fiction; Criticism, interpretation, etc
    Umfang: 1 Online-Ressource (1 online resource)
    Bemerkung(en):

    Includes bibliographical references and index

  3. The short story and the First World War
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    The poetry of the First World War has come to dominate our understanding of its literature, while genres such as the short story, which are just as vital to the literary heritage of the era, have largely been neglected. In this study, Ann-Marie... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The poetry of the First World War has come to dominate our understanding of its literature, while genres such as the short story, which are just as vital to the literary heritage of the era, have largely been neglected. In this study, Ann-Marie Einhaus challenges deeply embedded cultural conceptions about the literature of the First World War using a corpus of several hundred short stories that, until now, have not undergone any systematic critical analysis. From early wartime stories to late twentieth-century narratives - and spanning a wide spectrum of literary styles and movements - Einhaus's work reveals a range of responses to the war through fiction, from pacifism to militarism. Going beyond the household names of Owen, Sassoon and Graves, Einhaus offers scholars and students unprecedented access to new frontiers in twentieth-century literary studies Canon, genre, experience, and the implied reader -- The war in the magazines -- Post-war publication and anthologisation -- Negotiating disaster in popular forms -- Narrative rehearsals of moral and ideological alternatives -- Commemorative narratives and post-war stories

     

    Export in Literaturverwaltung   RIS-Format
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    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139814898
    Weitere Identifier:
    RVK Klassifikation: HM 1360
    Schlagworte: Short stories, English; War stories, English; English fiction; World War, 1914-1918; World War, 1914-1918 ; Great Britain ; Literature and the war; English fiction ; 20th century ; History and criticism; Short stories, English ; History and criticism; War stories, English ; History and criticism
    Umfang: 1 Online-Ressource (viii, 219 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  4. The short story and the First World War
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    The poetry of the First World War has come to dominate our understanding of its literature, while genres such as the short story, which are just as vital to the literary heritage of the era, have largely been neglected. In this study, Ann-Marie... mehr

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    The poetry of the First World War has come to dominate our understanding of its literature, while genres such as the short story, which are just as vital to the literary heritage of the era, have largely been neglected. In this study, Ann-Marie Einhaus challenges deeply embedded cultural conceptions about the literature of the First World War using a corpus of several hundred short stories that, until now, have not undergone any systematic critical analysis. From early wartime stories to late twentieth-century narratives - and spanning a wide spectrum of literary styles and movements - Einhaus's work reveals a range of responses to the war through fiction, from pacifism to militarism. Going beyond the household names of Owen, Sassoon and Graves, Einhaus offers scholars and students unprecedented access to new frontiers in twentieth-century literary studies.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139814898
    RVK Klassifikation: HM 1360
    Schlagworte: Englisch; Kurzgeschichte; Erster Weltkrieg <Motiv>
    Umfang: 1 Online-Ressource (viii, 219 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  5. The short story and the First World War
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    The poetry of the First World War has come to dominate our understanding of its literature, while genres such as the short story, which are just as vital to the literary heritage of the era, have largely been neglected. In this study, Ann-Marie... mehr

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    The poetry of the First World War has come to dominate our understanding of its literature, while genres such as the short story, which are just as vital to the literary heritage of the era, have largely been neglected. In this study, Ann-Marie Einhaus challenges deeply embedded cultural conceptions about the literature of the First World War using a corpus of several hundred short stories that, until now, have not undergone any systematic critical analysis. From early wartime stories to late twentieth-century narratives - and spanning a wide spectrum of literary styles and movements - Einhaus's work reveals a range of responses to the war through fiction, from pacifism to militarism. Going beyond the household names of Owen, Sassoon and Graves, Einhaus offers scholars and students unprecedented access to new frontiers in twentieth-century literary studies Canon, genre, experience, and the implied reader -- The war in the magazines -- Post-war publication and anthologisation -- Negotiating disaster in popular forms -- Narrative rehearsals of moral and ideological alternatives -- Commemorative narratives and post-war stories

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139814898
    Weitere Identifier:
    RVK Klassifikation: HM 1360
    Schlagworte: Short stories, English; War stories, English; English fiction; World War, 1914-1918; World War, 1914-1918 ; Great Britain ; Literature and the war; English fiction ; 20th century ; History and criticism; Short stories, English ; History and criticism; War stories, English ; History and criticism
    Umfang: 1 Online-Ressource (viii, 219 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)