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  1. Dion Boucicault
    Irish identity on stage
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge

    Deirdre McFeely presents the first book-length critical study of Dion Boucicault, placing his Irish plays in the context of his overall career. The book undertakes a detailed examination of the reception of the plays in the New York-London-Dublin... mehr

    Freie Universität Berlin, Universitätsbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Deirdre McFeely presents the first book-length critical study of Dion Boucicault, placing his Irish plays in the context of his overall career. The book undertakes a detailed examination of the reception of the plays in the New York-London-Dublin theatre triangle which Boucicault inhabited. Interpreting theatre history as a sociocultural phenomenon that closely approximates social history, McFeely examines the different social and political worlds in which the plays were produced, demonstrating that the complex politics of reception of the plays cannot be separated from the social and political implications of colonialism at that time. The study argues for a shift in focus from the politics of the plays, and their author, to the politics of the auditorium and the press, or the politics of reception. It is within that complex and shifting field of stage, theatre and public media that Boucicault's performance as playwright, actor and publicist is interpreted

     

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    Quelle: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139051743
    Weitere Identifier:
    Schlagworte: Boucicault, Dion;
    Weitere Schlagworte: Boucicault, Dion / 1820-1890 / Criticism and interpretation; Boucicault, Dion (1820-1890)
    Umfang: 1 Online-Ressource (ix, 218 Seiten), Illustrationen
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction -- 1. Becoming Boucicault; --2. Nationalism, race and class in The Colleen Bawn -- 3. Music, myth and censorship in Arrah-na-Pogue -- 4. Alternative readings: The Rapparee and Daddy O'Dowd -- 5. The politics of exile: The Shaughraun in New York -- 6. 'Audiences are not political assemblies': The Shaughraun in London -- 7. Supporting the Land League: The O'Dowd -- Conclusion: towards an Irish national drama

  2. Dion Boucicault
    Irish identity on stage
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge

    Deirdre McFeely presents the first book-length critical study of Dion Boucicault, placing his Irish plays in the context of his overall career. The book undertakes a detailed examination of the reception of the plays in the New York-London-Dublin... mehr

    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Deirdre McFeely presents the first book-length critical study of Dion Boucicault, placing his Irish plays in the context of his overall career. The book undertakes a detailed examination of the reception of the plays in the New York-London-Dublin theatre triangle which Boucicault inhabited. Interpreting theatre history as a sociocultural phenomenon that closely approximates social history, McFeely examines the different social and political worlds in which the plays were produced, demonstrating that the complex politics of reception of the plays cannot be separated from the social and political implications of colonialism at that time. The study argues for a shift in focus from the politics of the plays, and their author, to the politics of the auditorium and the press, or the politics of reception. It is within that complex and shifting field of stage, theatre and public media that Boucicault's performance as playwright, actor and publicist is interpreted

     

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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139051743
    Weitere Identifier:
    Schlagworte: Boucicault, Dion;
    Weitere Schlagworte: Boucicault, Dion / 1820-1890 / Criticism and interpretation; Boucicault, Dion (1820-1890)
    Umfang: 1 Online-Ressource (ix, 218 Seiten), Illustrationen
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction -- 1. Becoming Boucicault; --2. Nationalism, race and class in The Colleen Bawn -- 3. Music, myth and censorship in Arrah-na-Pogue -- 4. Alternative readings: The Rapparee and Daddy O'Dowd -- 5. The politics of exile: The Shaughraun in New York -- 6. 'Audiences are not political assemblies': The Shaughraun in London -- 7. Supporting the Land League: The O'Dowd -- Conclusion: towards an Irish national drama

  3. Dion Boucicault
    Irish Identity on Stage
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge

    BOUCICAULT AND THE IRISH LITERARY RENAISSANCECURTAIN-CALL; Appendix; DION BOUCICAULT'S OPEN LETTER TO THE BRITISH PRIME MINISTER, BENJAMIN DISRAELI, JANUARY 1876; Notes; INTRODUCTION; 1 BECOMING BOUCICAULT; 2 NATIONALISM, RACE AND CLASS IN THE... mehr

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    BOUCICAULT AND THE IRISH LITERARY RENAISSANCECURTAIN-CALL; Appendix; DION BOUCICAULT'S OPEN LETTER TO THE BRITISH PRIME MINISTER, BENJAMIN DISRAELI, JANUARY 1876; Notes; INTRODUCTION; 1 BECOMING BOUCICAULT; 2 NATIONALISM, RACE AND CLASS IN THE COLLEEN BAWN; 3 MUSIC, MYTH AND CENSORSHIP IN ARRAH-NA-POGUE; 4 ALTERNATIVE READINGS: THE RAPPAREE AND DADDY O'DOWD; 5 THE POLITICS OF EXILE: THE SHAUGHRAUN IN NEW YORK; 6 'AUDIENCES ARE NOT POLITICAL ASSEMBLIES': THE SHAUGHRAUN IN LONDON; 7 SUPPORTING THE LAND LEAGUE: THE O'DOWD; CONCLUSION: TOWARDS AN IRISH NATIONAL DRAMA; Bibliography. Cover; DION BOUCICAULT; Title; Copyright; Dedication; Contents; Illustrations; Acknowledgements; Introduction; CHAPTER 1: Becoming Boucicault; LONDON AND PARIS; AMERICA: SENSATIONALISING THE CONTEMPORARY; THE OCTOROON: THE MOST CONTEMPORARY OF ALL; CHAPTER 2: Nationalism, race and class in The Colleen Bawn; THE COLLEEN BAWN -- AN IRISH OCTOROON?; LONDON; DUBLIN; CONCLUSION; CHAPTER 3: Music, myth and censorship in Arrah-na-Pogue; A DUBLIN PREMIERE; COMMAND NIGHT AT THE THEATRE ROYAL; 'PLAYS ARE NOT WRITTEN; THEY ARE REWRITTEN'; 'THE WEARING OF THE GREEN'; LONDON, MARCH 1865. CHAPTER 6: 'Audiences are not political assemblies': The Shaughraun in LondonTHE SHAUGHRAUN AT THE THEATRE ROYAL, DRURY LANE; THE POLITICS OF THE DRAMA; BOUCICAULT'S LETTER TO DISRAELI: 'ONE WORD FOR THE FENIAN PRISONERS'; THE ENGLISH PRESS RESPONDS; THE IRISH RESPONSE; THE BOUCICAULT FUND; CONCLUSION; CHAPTER 7: Supporting the Land League: The O'Dowd; INTRODUCTION; RETURN TO THE LONDON STAGE; THE O'DOWD; STAGING A BOYCOTT; BOUCICAULT'S POLITICAL STATEMENT; RECEPTION: 'THIS IS TOO MUCH!'; WITHDRAWAL; CONCLUSION; ROBERT EMMET: A CODA; Conclusion: Towards an Irish national drama; FINAL YEARS. LONDON, 1867 AND 1868DUBLIN, NOVEMBER 1868; 'THE WEARING OF THE GREEN': IRELAND AND ABROAD; CONCLUSION; CHAPTER 4: Alternative readings: The Rapparee and Daddy O'Dowd; THE RAPPAREE, LONDON, SEPTEMBER 1870; SIGNIFICANCE OF THE TITLE; THE RAPPAREE, NEW YORK, NOVEMBER 1870; DADDY O'DOWD, NEW YORK, 1873; CONCLUSION; CHAPTER 5: The politics of exile: The Shaughraun in New York; THE POLITICS OF EXILE; CONSTRUCTING AN IMAGE OF IRELAND; POLITICAL 'SPICE AND FLAVOR'; THE 'IRISH OF IRELAND'; THE CATHOLIC PRIEST; BETWEEN TWO WORLDS; CONCLUSION. PRIMARY SOURCESSECONDARY SOURCES; Index. The first full critical study of Dion Boucicault, one of the most dynamic and influential figures in nineteenth-century theatre

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1139379844; 1139051741; 9781139379847; 9781139051743
    Schlagworte: Theater; DRAMA ; Continental European; DRAMA ; English, Irish, Scottish, Welsh; Theater; History
    Weitere Schlagworte: Boucicault, Dion (1820-1890); Boucicault, Dion
    Umfang: 1 Online-Ressource (230 pages)
    Bemerkung(en):

    Includes bibliographical references and index

  4. Dion Boucicault
    Irish identity on stage
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge

    Deirdre McFeely presents the first book-length critical study of Dion Boucicault, placing his Irish plays in the context of his overall career. The book undertakes a detailed examination of the reception of the plays in the New York-London-Dublin... mehr

    Universität Frankfurt, Elektronische Ressourcen
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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Deirdre McFeely presents the first book-length critical study of Dion Boucicault, placing his Irish plays in the context of his overall career. The book undertakes a detailed examination of the reception of the plays in the New York-London-Dublin theatre triangle which Boucicault inhabited. Interpreting theatre history as a sociocultural phenomenon that closely approximates social history, McFeely examines the different social and political worlds in which the plays were produced, demonstrating that the complex politics of reception of the plays cannot be separated from the social and political implications of colonialism at that time. The study argues for a shift in focus from the politics of the plays, and their author, to the politics of the auditorium and the press, or the politics of reception. It is within that complex and shifting field of stage, theatre and public media that Boucicault's performance as playwright, actor and publicist is interpreted.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139051743
    Weitere Schlagworte: Boucicault, Dion (1820-1890)
    Umfang: 1 Online-Ressource (ix, 218 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  5. Dion Boucicault
    Irish identity on stage
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge

    Deirdre McFeely presents the first book-length critical study of Dion Boucicault, placing his Irish plays in the context of his overall career. The book undertakes a detailed examination of the reception of the plays in the New York-London-Dublin... mehr

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    Deirdre McFeely presents the first book-length critical study of Dion Boucicault, placing his Irish plays in the context of his overall career. The book undertakes a detailed examination of the reception of the plays in the New York-London-Dublin theatre triangle which Boucicault inhabited. Interpreting theatre history as a sociocultural phenomenon that closely approximates social history, McFeely examines the different social and political worlds in which the plays were produced, demonstrating that the complex politics of reception of the plays cannot be separated from the social and political implications of colonialism at that time. The study argues for a shift in focus from the politics of the plays, and their author, to the politics of the auditorium and the press, or the politics of reception. It is within that complex and shifting field of stage, theatre and public media that Boucicault's performance as playwright, actor and publicist is interpreted Introduction -- 1. Becoming Boucicault; --2. Nationalism, race and class in The Colleen Bawn -- 3. Music, myth and censorship in Arrah-na-Pogue -- 4. Alternative readings: The Rapparee and Daddy O'Dowd -- 5. The politics of exile: The Shaughraun in New York -- 6. 'Audiences are not political assemblies': The Shaughraun in London -- 7. Supporting the Land League: The O'Dowd -- Conclusion: towards an Irish national drama

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139051743
    Weitere Identifier:
    Schlagworte: Boucicault, Dion ; 1820-1890 ; Criticism and interpretation
    Weitere Schlagworte: Boucicault, Dion (1820-1890)
    Umfang: 1 Online-Ressource (ix, 218 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)