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  1. Reviewing Shakespeare
    Journalism and Performance from the Eighteenth Century to the Present
    Autor*in: Prescott, Paul
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    Paul Prescott presents an engaging account of the ways in which theatre critics have responded to Shakespeare over four centuries. mehr

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    Universität Frankfurt, Elektronische Ressourcen
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    Universitätsbibliothek Gießen
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    Paul Prescott presents an engaging account of the ways in which theatre critics have responded to Shakespeare over four centuries.

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781107021495; 9781107464834 (Sekundärausgabe)
    Umfang: 228 p.
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    Description based upon print version of record

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  2. Reviewing Shakespeare
    Journalism and Performance from the Eighteenth Century to the Present
    Autor*in: Prescott, Paul
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    Paul Prescott presents an engaging account of the ways in which theatre critics have responded to Shakespeare over four centuries mehr

    Standort:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    keine Fernleihe

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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Hochschulbibliothek Friedensau
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    Online-Ressource
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    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
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    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    Paul Prescott presents an engaging account of the ways in which theatre critics have responded to Shakespeare over four centuries

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781107021495
    Schlagworte: Shakespeare, William ; 1564-1616 ; Criticism and interpretation ; History; Shakespeare, William ; 1564-1616 ; Dramatic production; Shakespeare, William ; 1564-1616 ; Influence; Theater ; Reviews; Electronic books
    Umfang: Online-Ressource (228 p)
    Bemerkung(en):

    Description based upon print version of record

    Contents; Acknowledgements; Chapter One An introduction to the night-watch constable; Performance, print, memory: three preludes; Eunuchs in a harem: the cultural reputation of the critic; Night-watch constables, men of letters and domineering pedants; Critical conditions; Re-viewing the Shakespearean reviewer: precedents; Reviewing Shakespeare: the argument; Chapter Two Tradition and the individual talent; Macbeth and the ghost of success; 'Are you a man?' Macbeth, King David and the Irish Jew; Heroic assassin or common stabber? Class, masculinity and courage

    Mid century Macbeths: rivalry and riotingA domestic coward: Irving's Macbeth and the masculine estimate of man; 'Lay on': the Macbeth actor exits fighting; Chapter Three New Journalism, New Critics c.1890-1910; 'The climax and masterpiece of literary Jacobinism': the introduction of the signed article; 'Gentlemen, I am about to speak of myself à propos of Shakespeare': the critic and the play of personality; 'The best part of the circus': Shaw as New Critic; 'The plays as Shakespeare wrote them': Shaw and authenticity; 'He would buy me in the market like a rabbit': Shaw and incorruptibility

    'The hack work of genius': Beerbohm and Shakespeare in the Saturday ReviewChapter Four The reviewer in transition c.1920-1960; Prologue: another Shaw?; 'That modern nuisance': Agate, the producer and the death of the actor; Unchanging Cockaigne: Agate and the recuperation of tradition; 'Post-mortem on the egoist': style, paternity and the dynamics of succession; He That Plays the King: enter Tynan, stage right; 'When comes there such another?' Tynan, Olivier and Macbeth; Re-enter Tynan, stage left: anti-heroic Shakespeare and the possibility of radicalism; Conclusion: Roundheads and Cavaliers

    Chapter Five New contexts, new crises (1997-2012)'When comes there such another?' Tynan and belatedness; Matters of size and status: reviewing and post-Fleet Street journalism; A community of the same? The cultural biography of contemporary reviewers; Speak, memory: a misfortune of Macbeths 1995-6; Inheriting the Globe: the reception of Shakespearean audience and authenticity in contemporary reviewing; Damn Yankees: reviewing the Shakespearean audience; 'Arsenal/Tottenham': reviewing the Shakespearean space; 'Dear Mr Billington': the audience writes back

    The World Shakespeare Festival 2012: coverage, comment and the framer framed'Back to British business as usual': race, nation and regime change in Henry V at the Globe and Julius Caesar in Stratford; Epilogue: guarding the guardians, changing the guard; Notes; Works cited; Index