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  1. Genre fission
    a new discourse practice for cultural studies
    Erschienen: ©2000
    Verlag:  University of Iowa Press, Iowa City

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0877457034; 1587292718; 9780877457039; 9781587292712
    Schlagworte: Roman américain / 20e siècle / Histoire et critique / Théorie, etc; Postmodernisme (Littérature) / États-Unis; Postmodernisme / États-Unis; Discours littéraire; Culture / Philosophie; Genres littéraires; LITERARY COLLECTIONS / Essays; Philosophie; Postmoderne; American fiction; Postmodernism (Literature); Postmodernism; Discourse analysis, Literary; Culture; Literary form; Kulturtheorie; Gattungstheorie; Postmoderne
    Umfang: 1 Online-Ressource (xviii, 272 pages)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 249-261) and index

    "The Grand Mix" or Who Wears the White Hats When the Barbie Liberation Organization Strikes Back? -- Private Lives: Peaceful Coexistences -- Bridging the Dead Father's Canonical Divide: Max Apple, Saul Bellow, Edgar Allan Poe, and Lynn Redgrave Form a Textual Cross-Dresser Support Group -- "All Good Things": The End of Star Trek: The Next Generation, the End of Camelot, and the End of the Tale about Woman as Handmaid to Patriarchy-as-Superman -- Shutting the Bestial Mouth: Confessions of Male Clones and Girl Gangs -- Public Displays: Sexed Spectacles -- Night Watch in Amsterdam's Red Light District: Prostitutes/Dutch Windows/Utopian and Dystopian Gazes -- Los York/New Angeles: "New York, New York, a Helluva Town" Sings "I Wish They All Could Be California Girls" -- American Middle-Class Males Mark the Moon: Retrospectively Reading the Apollo Program or Lorena Bobbitt vs. the Saturn -- Premier Discourses: First Times -- Women "Churtening" via the Cha Cha: Ursula K. Le Guin and Hispanic-American Authors Write to the Same Rhythm -- Wrapping the Reichstag vs. Rapping Racism or "A Colored Kind of White People": Black/White/Jew/Gentile -- Playing with Time: The Holocaust as "A Different Universe of Discourse" -- Epilogue: Discourse as Black Hole, and as Liberated Light

    What do Amsterdam prostitutes, NASA astronauts, cross-dressing texts, and Star Trek characters have in common? In Genre Fission, Marleen Barr wittily and eccentrically revitalizes cultural and literary theory by examining the points where such vastly different categories meet, converge, and reemerge as something new

  2. Genre fission
    a new discourse practice for cultural studies
    Erschienen: c2000
    Verlag:  University of Iowa Press, Iowa City

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780877457039
    RVK Klassifikation: HU 1075
    Schlagworte: Philosophie; American fiction; Postmodernism (Literature); Postmodernism; Discourse analysis, Literary; Culture; Literary form; Postmoderne; Gattungstheorie; Kulturtheorie
    Umfang: xviii, 272 p.
    Bemerkung(en):

    Includes bibliographical references (p. [249]-261) and index

  3. Genre Fission
    A New Discourse Practice for Culture Studies
    Erschienen: 1998
    Verlag:  University of Iowa Press, Iowa City

    What do Amsterdam prostitutes, NASA astronauts, cross-dressing texts, and Star Trek characters have in common? In Genre Fission, Marleen Barr wittily and eccentrically revitalizes cultural and literary theory by examining the points where such... mehr

    Hochschulbibliothek Friedensau
    Online-Ressource
    keine Fernleihe

     

    What do Amsterdam prostitutes, NASA astronauts, cross-dressing texts, and Star Trek characters have in common? In Genre Fission, Marleen Barr wittily and eccentrically revitalizes cultural and literary theory by examining the points where such vastly different categories meet, converge, and reemerge as something new

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780877457039
    Umfang: Online-Ressource (291 p.)
    Bemerkung(en):

    Description based upon print version of record

    Electronic reproduction

    Introduction "The Grand Mix" or Who Wears the White Hats When the Barbie Liberation Organization Strikes Back?; 1 Bridging the Dead father's canonical divide Max Apple, Saul Bellow, Edgar Allan Poe, and Lynn Redgrave Form a Textual Cross- Dresser Support Group; 2 "Sll good things" The End of "Star Trek: The Next Generation," the End of Camelot, and the End of the Tale about Woman as Handmaid to Patriarchyas- Superman; 3 Shutting the bestial mouth Confessions of Male Clones and Girl Gangs; 4 Night watch in amsterdam's red light district Prostitutes / Dutch Windows / Utopian and Dystopian Gazes

    5 Los York / New Angeles "New York, New York, a Helluva Town" Sings "I Wish They All Could Be California Girls"6 American middle-class males mark the moon Retrospectively Reading the Apollo Program or Lorena Bobbitt vs. the "Saturn 5"; 7 Women "churtening" via the cha cha Ursula K. Le Guin and Hispanic- American Authors Write to the Same Rhythm; 8 Wrapping the reichstag vs. rapping racism or "a colored kind of white people" Black /White / Jew / Gentile; 9 Playing with time The Holocaust as "A Different Universe of Discourse"; Epilogue: Discourse as Black Hole- and as Liberated Light; Notes

    Works CitedIndex;

  4. Genre Fission
    A New Discourse in Culture Studies
    Erschienen: 1998
    Verlag:  University of Iowa Press, Iowa City

    What do Amsterdam prostitutes, NASA astronauts, cross-dressing texts, and Star Trek characters have in common? In Genre Fission, Marleen Barr wittily and eccentrically revitalizes cultural and literary theory by examining the points where such... mehr

    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Duale Hochschule Baden-Württemberg Heidenheim, Bibliothek
    e-Book Academic Complete
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    Bibliothek LIV HN Sontheim
    ProQuest Academic Complete
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    Bibliothek LIV HN Sontheim
    ProQuest Academic Complete
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    Duale Hochschule Baden-Württemberg Stuttgart, Campus Horb, Bibliothek
    eBook ProQuest
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
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    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
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    Duale Hochschule Baden-Württemberg Mosbach, Bibliothek
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    Hochschulbibliothek Friedensau
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    Hochschulbibliothek Friedensau
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    Duale Hochschule Baden-Württemberg Ravensburg, Bibliothek
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    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Duale Hochschule Baden-Württemberg Villingen-Schwenningen, Bibliothek
    EBS ProQuest
    keine Fernleihe

     

    What do Amsterdam prostitutes, NASA astronauts, cross-dressing texts, and Star Trek characters have in common? In Genre Fission, Marleen Barr wittily and eccentrically revitalizes cultural and literary theory by examining the points where such vastly different categories meet, converge, and reemerge as something new

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780877457039
    Schlagworte: American fiction ; 20th century ; History and criticism ; Theory, etc; Culture ; Philosophy; Discourse analysis, Literary; Literary form; Postmodernism ; United States; Postmodernism (Literature) ; United States; United States ; Civilization ; 20th century; Electronic books
    Umfang: Online-Ressource (291 p)
    Bemerkung(en):

    Description based upon print version of record

    Introduction "The Grand Mix" or Who Wears the White Hats When the Barbie Liberation Organization Strikes Back?; 1 Bridging the Dead father's canonical divide Max Apple, Saul Bellow, Edgar Allan Poe, and Lynn Redgrave Form a Textual Cross- Dresser Support Group; 2 "Sll good things" The End of ""Star Trek: The Next Generation,"" the End of Camelot, and the End of the Tale about Woman as Handmaid to Patriarchyas- Superman; 3 Shutting the bestial mouth Confessions of Male Clones and Girl Gangs

    4 Night watch in amsterdam's red light district Prostitutes / Dutch Windows / Utopian and Dystopian Gazes5 Los York / New Angeles "New York, New York, a Helluva Town" Sings "I Wish They All Could Be California Girls"; 6 American middle-class males mark the moon Retrospectively Reading the Apollo Program or Lorena Bobbitt vs. the ""Saturn 5""; 7 Women "churtening" via the cha cha Ursula K. Le Guin and Hispanic- American Authors Write to the Same Rhythm; 8 Wrapping the reichstag vs. rapping racism or "a colored kind of white people" Black /White / Jew / Gentile

    9 Playing with time The Holocaust as "A Different Universe of Discourse"Epilogue: Discourse as Black Hole- and as Liberated Light; Notes; Works Cited; Index

    Introduction "The Grand Mix" or Who Wears the White Hats When the Barbie Liberation Organization Strikes Back?; 1 Bridging the Dead father's canonical divide Max Apple, Saul Bellow, Edgar Allan Poe, and Lynn Redgrave Form a Textual Cross- Dresser Support Group; 2 "Sll good things" The End of "Star Trek: The Next Generation," the End of Camelot, and the End of the Tale about Woman as Handmaid to Patriarchyas- Superman; 3 Shutting the bestial mouth Confessions of Male Clones and Girl Gangs; 4 Night watch in amsterdam's red light district Prostitutes / Dutch Windows / Utopian and Dystopian Gazes

    5 Los York / New Angeles "New York, New York, a Helluva Town" Sings "I Wish They All Could Be California Girls"6 American middle-class males mark the moon Retrospectively Reading the Apollo Program or Lorena Bobbitt vs. the "Saturn 5"; 7 Women "churtening" via the cha cha Ursula K. Le Guin and Hispanic- American Authors Write to the Same Rhythm; 8 Wrapping the reichstag vs. rapping racism or "a colored kind of white people" Black /White / Jew / Gentile; 9 Playing with time The Holocaust as "A Different Universe of Discourse"; Epilogue: Discourse as Black Hole- and as Liberated Light; Notes

    Works CitedIndex;