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  1. Hollywood catwalk
    exploring costume and transformation in American film
    Erschienen: 2010
    Verlag:  I.B. Tauris, London

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0857713272; 1441676376; 1848850395; 1848850409; 9780857713278; 9781441676375; 9781848850392; 9781848850408
    Schriftenreihe: International library of cultural studies ; 12
    Schlagworte: PERFORMING ARTS / Film & Video / Reference; Costume; Costume / Psychological aspects; Psychologie; Costume; Costume; Mode <Motiv>; Film
    Umfang: 1 Online-Ressource (xii, 240 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 223-229) and index

    Filmography: pages 231-234

    Acknowledgements; List of Illustrations; Introduction; Section One: Costume and Film; Section Two: Tropes; Section Three: Case Studies; Conclusion; Notes; Bibliography; Filmography; Index

    The High School outsider takes off her glasses, puts on a dress, and becomes the Prom Queen; the dowdy woman has her hair done, buys some chic new clothes and starts to attract the men. Cinderella and Pygmalion stories still provide inspiration for the plots of Hollywood romantic comedies, dramas, and even action films. Their perennial use prompts a series of questions: is, for example, male agency necessary to effect the transformation, or can the woman change herself? Can she ever change him? Most pressingly, what do these images of change and transformation, of improvement and transcendence