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  1. Inceptions
    literary beginnings and contingencies of form
    Autor*in: Ohi, Kevin
    Erschienen: 2021; ©2021
    Verlag:  Fordham University Press, New York

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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
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    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823294657; 082329465X; 9780823294640; 0823294641
    Auflage/Ausgabe: First edition
    Schlagworte: Openings (Rhetoric); American literature; English literature
    Umfang: 1 Online-Ressource
    Bemerkung(en):

    Includes bibliographical references and index

    Exordium -- Potentiality and gesture. Revision, origin, and the courage of truth : Henry James's New York Edition prefaces -- "First love" : gesture and the emergence of desire in Eudora Welty -- Novels and the beginnings of character. Robinson Crusoe and the inception of speech -- The clock finger at nought : Daniel Deronda and the positing of perspective -- Proto-reading and the positing of character in Our mutual friend -- Our stony ancestry. Ovid and Orpheus -- Wallace Stevens and the temporalities of inception and embodiment -- Solitude and queer origins. "Epitaph, the idiom of man" : imaginings of the beginning -- Etiology, solitude, and queer incipience.
  2. Inceptions
    Literary Beginnings and Contingencies of Form
    Autor*in: Ohi, Kevin
    Erschienen: [2021]
    Verlag:  Fordham University Press, New York, NY

    Frontmatter -- Contents -- Exordium -- PART I. POTENTIALITY AND GESTURE -- PART II. NOVELS AND THE BEGINNINGS OF CHARACTER -- PART III. OUR STONY ANCESTRY -- PART IV. SOLITUDE AND QUEER ORIGINS -- Acknowledgments -- Notes -- Index The beginning is... mehr

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    Hochschule für Gesundheit, Hochschulbibliothek
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    Frontmatter -- Contents -- Exordium -- PART I. POTENTIALITY AND GESTURE -- PART II. NOVELS AND THE BEGINNINGS OF CHARACTER -- PART III. OUR STONY ANCESTRY -- PART IV. SOLITUDE AND QUEER ORIGINS -- Acknowledgments -- Notes -- Index The beginning is both internal and external to the text it initiates, and that noncoincidence points to the text’s vexed relation with its outside. Hence the nontrivial self-reflexivity of any textual beginning, which must bear witness to the self-grounding quality of the literary work— its inability either to comprise its inception or to externalize it in an authorizing exteriority. In a different but related way, the fact that they must begin renders our lives and our desires opaque to us; what Freud called “latency” marks not only sexuality but human thought with a self-division shaped by asynchronicity.From Henry James’s New York Edition prefaces to George Eliot’s epigraphs, from Ovid’s play with meter to Charles Dickens’s thematizing of the ex nihilo emergence of character, from Wallace Stevens’s abstract consideration of poetic origins to James Baldwin’s, Carson McCullers’s, and Eudora Welty’s descriptions of queer childhood, writers repeatedly confront the problem of inception. Inception introduces a fundamental contingency into texts and psyches alike: in the beginning, all could have been otherwise.For Kevin Ohi, the act of inception, and the potential it embodies, enables us to see making and unmaking coincide within the mechanism of creation. In this sense, Inceptions traces an ethics of reading, the possibility of perceiving, in the ostensibly finished forms of lives and texts, the potentiality inherent in their having started forth

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823294657
    Weitere Identifier:
    Schlagworte: American literature; English literature; Openings (Rhetoric); LITERARY CRITICISM / Semiotics & Theory
    Weitere Schlagworte: Beginnings; Ovid; beginnings; birth; contingency; literary form; origins; potentiality
    Umfang: 1 Online-Ressource (336 p)
  3. Inceptions
    literary beginnings and contingencies of form
    Autor*in: Ohi, Kevin
    Erschienen: 2021; © 2021
    Verlag:  Fordham University Press, New York

    The beginning is both internal and external to the text it initiates, and that noncoincidence points to the text's vexed relation with its outside. Hence the nontrivial self-reflexivity of any textual beginning, which must bear witness to the... mehr

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    The beginning is both internal and external to the text it initiates, and that noncoincidence points to the text's vexed relation with its outside. Hence the nontrivial self-reflexivity of any textual beginning, which must bear witness to the self-grounding quality of the literary work- its inability either to comprise its inception or to externalize it in an authorizing exteriority. In a different but related way, the fact that they must begin renders our lives and our desires opaque to us; what Freud called "latency" marks not only sexuality but human thought with a self-division shaped by asynchronicity.From Henry James's New York Edition prefaces to George Eliot's epigraphs, from Ovid's play with meter to Charles Dickens's thematizing of the ex nihilo emergence of character, from Wallace Stevens's abstract consideration of poetic origins to James Baldwin's, Carson McCullers's, and Eudora Welty's descriptions of queer childhood, writers repeatedly confront the problem of inception. Inception introduces a fundamental contingency into texts and psyches alike: in the beginning, all could have been otherwise.For Kevin Ohi, the act of inception, and the potential it embodies, enables us to see making and unmaking coincide within the mechanism of creation. In this sense, Inceptions traces an ethics of reading, the possibility of perceiving, in the ostensibly finished forms of lives and texts, the potentiality inherent in their having started forth

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823294657
    Weitere Identifier:
    Auflage/Ausgabe: First edition
    Schlagworte: LITERARY CRITICISM / Semiotics & Theory; American literature; English literature; Openings (Rhetoric)
    Umfang: 1 Online-Ressource (292 Seiten)
  4. Inceptions
    Literary Beginnings and Contingencies of Form
    Autor*in: Ohi, Kevin
    Erschienen: [2021]
    Verlag:  Fordham University Press, New York, NY

    Frontmatter -- Contents -- Exordium -- PART I. POTENTIALITY AND GESTURE -- PART II. NOVELS AND THE BEGINNINGS OF CHARACTER -- PART III. OUR STONY ANCESTRY -- PART IV. SOLITUDE AND QUEER ORIGINS -- Acknowledgments -- Notes -- Index The beginning is... mehr

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    Universität Potsdam, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Frontmatter -- Contents -- Exordium -- PART I. POTENTIALITY AND GESTURE -- PART II. NOVELS AND THE BEGINNINGS OF CHARACTER -- PART III. OUR STONY ANCESTRY -- PART IV. SOLITUDE AND QUEER ORIGINS -- Acknowledgments -- Notes -- Index The beginning is both internal and external to the text it initiates, and that noncoincidence points to the text’s vexed relation with its outside. Hence the nontrivial self-reflexivity of any textual beginning, which must bear witness to the self-grounding quality of the literary work— its inability either to comprise its inception or to externalize it in an authorizing exteriority. In a different but related way, the fact that they must begin renders our lives and our desires opaque to us; what Freud called “latency” marks not only sexuality but human thought with a self-division shaped by asynchronicity.From Henry James’s New York Edition prefaces to George Eliot’s epigraphs, from Ovid’s play with meter to Charles Dickens’s thematizing of the ex nihilo emergence of character, from Wallace Stevens’s abstract consideration of poetic origins to James Baldwin’s, Carson McCullers’s, and Eudora Welty’s descriptions of queer childhood, writers repeatedly confront the problem of inception. Inception introduces a fundamental contingency into texts and psyches alike: in the beginning, all could have been otherwise.For Kevin Ohi, the act of inception, and the potential it embodies, enables us to see making and unmaking coincide within the mechanism of creation. In this sense, Inceptions traces an ethics of reading, the possibility of perceiving, in the ostensibly finished forms of lives and texts, the potentiality inherent in their having started forth

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823294657
    Weitere Identifier:
    Schlagworte: American literature; English literature; Openings (Rhetoric); LITERARY CRITICISM / Semiotics & Theory
    Weitere Schlagworte: Beginnings; Ovid; beginnings; birth; contingency; literary form; origins; potentiality
    Umfang: 1 Online-Ressource (336 p)
  5. Inceptions
    literary beginnings and contingencies of form
    Autor*in: Ohi, Kevin
    Erschienen: 2021; © 2021
    Verlag:  Fordham University Press, New York

    The beginning is both internal and external to the text it initiates, and that noncoincidence points to the text's vexed relation with its outside. Hence the nontrivial self-reflexivity of any textual beginning, which must bear witness to the... mehr

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The beginning is both internal and external to the text it initiates, and that noncoincidence points to the text's vexed relation with its outside. Hence the nontrivial self-reflexivity of any textual beginning, which must bear witness to the self-grounding quality of the literary work- its inability either to comprise its inception or to externalize it in an authorizing exteriority. In a different but related way, the fact that they must begin renders our lives and our desires opaque to us; what Freud called "latency" marks not only sexuality but human thought with a self-division shaped by asynchronicity.From Henry James's New York Edition prefaces to George Eliot's epigraphs, from Ovid's play with meter to Charles Dickens's thematizing of the ex nihilo emergence of character, from Wallace Stevens's abstract consideration of poetic origins to James Baldwin's, Carson McCullers's, and Eudora Welty's descriptions of queer childhood, writers repeatedly confront the problem of inception. Inception introduces a fundamental contingency into texts and psyches alike: in the beginning, all could have been otherwise.For Kevin Ohi, the act of inception, and the potential it embodies, enables us to see making and unmaking coincide within the mechanism of creation. In this sense, Inceptions traces an ethics of reading, the possibility of perceiving, in the ostensibly finished forms of lives and texts, the potentiality inherent in their having started forth

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823294657
    Weitere Identifier:
    Auflage/Ausgabe: First edition
    Schlagworte: LITERARY CRITICISM / Semiotics & Theory; American literature; English literature; Openings (Rhetoric)
    Umfang: 1 Online-Ressource (292 Seiten)
  6. Inceptions
    Literary Beginnings and Contingencies of Form
    Autor*in: Ohi, Kevin
    Erschienen: [2021]; ©2021
    Verlag:  Fordham University Press, New York, NY ; Walter de Gruyter GmbH, Berlin

    The beginning is both internal and external to the text it initiates, and that noncoincidence points to the text’s vexed relation with its outside. Hence the nontrivial self-reflexivity of any textual beginning, which must bear witness to the... mehr

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    The beginning is both internal and external to the text it initiates, and that noncoincidence points to the text’s vexed relation with its outside. Hence the nontrivial self-reflexivity of any textual beginning, which must bear witness to the self-grounding quality of the literary work— its inability either to comprise its inception or to externalize it in an authorizing exteriority. In a different but related way, the fact that they must begin renders our lives and our desires opaque to us; what Freud called “latency” marks not only sexuality but human thought with a self-division shaped by asynchronicity.From Henry James’s New York Edition prefaces to George Eliot’s epigraphs, from Ovid’s play with meter to Charles Dickens’s thematizing of the ex nihilo emergence of character, from Wallace Stevens’s abstract consideration of poetic origins to James Baldwin’s, Carson McCullers’s, and Eudora Welty’s descriptions of queer childhood, writers repeatedly confront the problem of inception. Inception introduces a fundamental contingency into texts and psyches alike: in the beginning, all could have been otherwise.For Kevin Ohi, the act of inception, and the potential it embodies, enables us to see making and unmaking coincide within the mechanism of creation. In this sense, Inceptions traces an ethics of reading, the possibility of perceiving, in the ostensibly finished forms of lives and texts, the potentiality inherent in their having started forth.

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823294657
    Weitere Identifier:
    Schlagworte: American literature; English literature; Openings (Rhetoric); LITERARY CRITICISM / Semiotics & Theory
    Weitere Schlagworte: Baldwin, James; Beginnings; Defoe, Daniel; Dickens, Charles; Eliot, George; Friedrich, Su; James, Henry; McCullers, Carson; Milton, John; Oppen, George; Ovid; Shakespeare, William; Stevens, Wallace; Welty, Eudora; Wordsworth, William; beginnings; birth; contingency; literary form; origins; potentiality
    Umfang: 1 Online-Ressource (336 p.)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mai 2021)