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  1. Hollow Men
    Writing, Objects, and Public Image in Renaissance Italy
    Autor*in: Gaylard, Susan
    Erschienen: 2013
    Verlag:  Fordham University Press, US ; ProQuest, Ann Arbor, Michigan

    Analyzes texts and art objects from the 15th to the late 16th centuries to show that Renaissance theories of emulating classical heroes generated a deep skepticism about representation, as these theories forced men to construct a public image that... mehr

    Universität Frankfurt, Elektronische Ressourcen
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    Universitätsbibliothek Gießen
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    Analyzes texts and art objects from the 15th to the late 16th centuries to show that Renaissance theories of emulating classical heroes generated a deep skepticism about representation, as these theories forced men to construct a public image that seemed fixed but could adapt to changing circumstances.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823251759
    RVK Klassifikation: IU 2200
    Schlagworte: Humanismus; Kunst; Literatur; Selbstrepräsentation
    Umfang: 1 Online-Ressource (385 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources

  2. Hollow men
    writing, objects, and public image in Renaissance Italy
    Autor*in: Gaylard, Susan
    Erschienen: 2013
    Verlag:  Fordham University Press, New York

    Analyzes texts and art objects from the 15th to the late 16th centuries to show that Renaissance theories of emulating classical heroes generated a deep skepticism about representation, as these theories forced men to construct a public image that... mehr

    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Bibliothek LIV HN Sontheim
    ProQuest Academic Complete
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    Bibliothek LIV HN Sontheim
    ProQuest Academic Complete
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
    eBook ProQuest
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    Hochschulbibliothek Friedensau
    Online-Ressource
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    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    Analyzes texts and art objects from the 15th to the late 16th centuries to show that Renaissance theories of emulating classical heroes generated a deep skepticism about representation, as these theories forced men to construct a public image that seemed fixed but could adapt to changing circumstances. Cover -- Contents -- Acknowledgments -- I. MONUMENTS, IMITATION, AND THE NOBLE IDEAL IN EARLY RENAISSANCE ITALY -- Introduction: Reinventing Nobility? Artifacts and the Monumental Pose from Petrarch to Platina -- 1. How to Perform Like a Statue: Ghirlandaio, Pontano, and Exemplarity -- 2. From Castrated Statues to Empty Colossi: Emasculation vs. Monumentality in Bembo, Castiglione, and the Sala Paolina -- II. PRINT MONUMENTS, EXPOSURE, AND STRATEGIES OF CONCEALMENT -- 3. Banishing the Hollow Man: Print, Clothing, and Aretino's Emblems of Truth -- 4. Heroes with Damp Brains? Image vs. Text in Printed Portrait-Books -- 5. Silenus Strategies: The Failure of Personal Emblems -- Afterword -- Notes -- Works Cited -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823251759
    Auflage/Ausgabe: First edition
    Schlagworte: Art, Renaissance; Masculinity in literature; Masculinity in art; Renaissance; Italian literature; Italian language; Italian literature; Art, Renaissance - Italy - History; Electronic books
    Umfang: Online-Ressource
    Bemerkung(en):

    Description based upon print version of record

    ""Contents""; ""Acknowledgments""; ""Monuments, Imitation, and the Noble Ideal in Early Renaissance Italy""; ""Reinventing Nobility? Artifacts and the Monumental Pose from Petrarch to Platina""; ""How to Perform Like a Statue: Ghirlandaio, Pontano, and Exemplarity""; ""From Castrated Statues to Empty Colossi: Emasculation vs. Monumentality in Bembo, Castiglione, and the Sala Paolina""; ""Print Monuments, Exposure, and Strategies of Concealment""; ""Banishing the Hollow Man: Print, Clothing, and Aretino�s Emblems of Truth""

    ""Heroes with Damp Brains? Image vs. Text in Printed Portrait-Books""""Silenus Strategies: The Failure of Personal Emblems""; ""Afterword""; ""Notes""; ""Works Cited""; ""Index""