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  1. Interventions into Modernist Cultures
    Poetry from Beyond the Empty Screen
    Autor*in: Parry, Amie Elizabeth; Parry, Amie Elizabeth
    Erschienen: [2007]; © 2007
    Verlag:  Duke University Press, Durham

    Interventions into Modernist Cultures is a comparative analysis of the cultural politics of modernist writing in the United States and Taiwan. Amie Elizabeth Parry argues that the two sites of modernism are linked by their representation or... mehr

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    Interventions into Modernist Cultures is a comparative analysis of the cultural politics of modernist writing in the United States and Taiwan. Amie Elizabeth Parry argues that the two sites of modernism are linked by their representation or suppression of histories of U.S. imperialist expansion, Cold War neocolonial military presence, and economic influence in Asia. Focusing on poetry, a genre often overlooked in postcolonial theory, she contends that the radically fragmented form of modernist poetic texts is particularly well suited to representing U.S. imperialism and neocolonial modernities.Reading various works by U.S. expatriates Ezra Pound and Gertrude Stein, Parry compares the cultural politics of U.S. canonical modernism with alternative representations of temporality, hybridity, erasure, and sexuality in the work of the Taiwanese writers Yü Kwang-chung and Hsia Yü and the Asian American immigrant author Theresa Hak Kyung Cha. Juxtaposing poems by Pound and Yü Kwang-chung, Parry shows how Yü's fragmented, ambivalent modernist form reveals the effects of neocolonialism while Pound denies and obscures U.S. imperialism in Asia, asserting a form of nondevelopmental universalism through both form and theme. Stein appropriates discourses of American modernity and identity to represent nonnormative desire and sexuality, and Parry contrasts this tendency with representations of sexuality in the contemporary experimental poetry of Hsia Yü. Finally, Parry highlights the different uses of modernist forms by Pound in his Cantos-which incorporate a multiplicity of decontextualized and ahistorical voices-and by Cha in her 1982 novel Dictee, a historicized, multilingual work. Parry's sophisticated readings provide a useful critical framework for apprehending how "minor modernisms" illuminate the histories erased by certain canonical modernist texts

     
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    Sprache: Englisch
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    Format: Online
    ISBN: 9780822389866
    Weitere Identifier:
    Schriftenreihe: Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe
    Schlagworte: LITERARY CRITICISM / Semiotics & Theory; American poetry; Chinese poetry; Comparative literature; Comparative literature; Modernism (Literature); Modernism (Literature)
    Umfang: 1 online resource (200 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020)
  2. Interventions into Modernist Cultures
    Poetry from Beyond the Empty Screen
    Autor*in: Parry, Amie Elizabeth; Parry, Amie Elizabeth
    Erschienen: [2007]
    Verlag:  Duke University Press, Durham

    Frontmatter -- Contents -- Acknowledgments -- Introduction. Canonical Modernisms, Minor Modernisms, and the Cultural Politics of Fragmentation -- One. The Historicity of the Fragment: Toward a Critical Comparativism -- Two. "Completely Painted Over... mehr

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    Frontmatter -- Contents -- Acknowledgments -- Introduction. Canonical Modernisms, Minor Modernisms, and the Cultural Politics of Fragmentation -- One. The Historicity of the Fragment: Toward a Critical Comparativism -- Two. "Completely Painted Over but Painted Full of Empty Spaces": Stein's American Allegories and the End of Progress -- Three. "Learning a Lesson in the Superficial Song Lyrics": Hsia Yü's "Underground" Poetry -- Four. "For the Other Overlapping Time": Pound's Ideogramic Universalism and Cha's Countermodernist Translation -- Conclusion. The Cultural Uses of an Interventionary Poetics -- Notes -- Works Cited -- Index Interventions into Modernist Cultures is a comparative analysis of the cultural politics of modernist writing in the United States and Taiwan. Amie Elizabeth Parry argues that the two sites of modernism are linked by their representation or suppression of histories of U.S. imperialist expansion, Cold War neocolonial military presence, and economic influence in Asia. Focusing on poetry, a genre often overlooked in postcolonial theory, she contends that the radically fragmented form of modernist poetic texts is particularly well suited to representing U.S. imperialism and neocolonial modernities.Reading various works by U.S. expatriates Ezra Pound and Gertrude Stein, Parry compares the cultural politics of U.S. canonical modernism with alternative representations of temporality, hybridity, erasure, and sexuality in the work of the Taiwanese writers Yü Kwang-chung and Hsia Yü and the Asian American immigrant author Theresa Hak Kyung Cha. Juxtaposing poems by Pound and Yü Kwang-chung, Parry shows how Yü's fragmented, ambivalent modernist form reveals the effects of neocolonialism while Pound denies and obscures U.S. imperialism in Asia, asserting a form of nondevelopmental universalism through both form and theme. Stein appropriates discourses of American modernity and identity to represent nonnormative desire and sexuality, and Parry contrasts this tendency with representations of sexuality in the contemporary experimental poetry of Hsia Yü. Finally, Parry highlights the different uses of modernist forms by Pound in his Cantos-which incorporate a multiplicity of decontextualized and ahistorical voices-and by Cha in her 1982 novel Dictee, a historicized, multilingual work. Parry's sophisticated readings provide a useful critical framework for apprehending how "minor modernisms" illuminate the histories erased by certain canonical modernist texts

     
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    Quelle: Verbundkataloge
    Beteiligt: Lowe, Lisa (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822389866
    Weitere Identifier:
    Schriftenreihe: Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe
    Schlagworte: American poetry; Chinese poetry; Comparative literature; Comparative literature; Modernism (Literature); Modernism (Literature); LITERARY CRITICISM / Semiotics & Theory
    Umfang: 1 Online-Ressource (200 p)
  3. Interventions into Modernist Cultures
    Poetry from Beyond the Empty Screen
    Autor*in: Parry, Amie Elizabeth; Parry, Amie Elizabeth
    Erschienen: [2007]; © 2007
    Verlag:  Duke University Press, Durham

    Interventions into Modernist Cultures is a comparative analysis of the cultural politics of modernist writing in the United States and Taiwan. Amie Elizabeth Parry argues that the two sites of modernism are linked by their representation or... mehr

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    uneingeschränkte Fernleihe, Kopie und Ausleihe

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    Interventions into Modernist Cultures is a comparative analysis of the cultural politics of modernist writing in the United States and Taiwan. Amie Elizabeth Parry argues that the two sites of modernism are linked by their representation or suppression of histories of U.S. imperialist expansion, Cold War neocolonial military presence, and economic influence in Asia. Focusing on poetry, a genre often overlooked in postcolonial theory, she contends that the radically fragmented form of modernist poetic texts is particularly well suited to representing U.S. imperialism and neocolonial modernities.Reading various works by U.S. expatriates Ezra Pound and Gertrude Stein, Parry compares the cultural politics of U.S. canonical modernism with alternative representations of temporality, hybridity, erasure, and sexuality in the work of the Taiwanese writers Yü Kwang-chung and Hsia Yü and the Asian American immigrant author Theresa Hak Kyung Cha. Juxtaposing poems by Pound and Yü Kwang-chung, Parry shows how Yü's fragmented, ambivalent modernist form reveals the effects of neocolonialism while Pound denies and obscures U.S. imperialism in Asia, asserting a form of nondevelopmental universalism through both form and theme. Stein appropriates discourses of American modernity and identity to represent nonnormative desire and sexuality, and Parry contrasts this tendency with representations of sexuality in the contemporary experimental poetry of Hsia Yü. Finally, Parry highlights the different uses of modernist forms by Pound in his Cantos-which incorporate a multiplicity of decontextualized and ahistorical voices-and by Cha in her 1982 novel Dictee, a historicized, multilingual work. Parry's sophisticated readings provide a useful critical framework for apprehending how "minor modernisms" illuminate the histories erased by certain canonical modernist texts

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Lowe, Lisa (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822389866
    Weitere Identifier:
    Schriftenreihe: Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe
    Schlagworte: LITERARY CRITICISM / Semiotics & Theory; American poetry; Chinese poetry; Comparative literature; Comparative literature; Modernism (Literature); Modernism (Literature)
    Umfang: 1 online resource (200 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020)
  4. Interventions into Modernist Cultures
    Poetry from Beyond the Empty Screen
    Autor*in: Parry, Amie Elizabeth
    Erschienen: 2007
    Verlag:  Duke University Press, North Carolina ; ProQuest, Ann Arbor, Michigan

    A comparative analysis of the cultural politics of modernist writing in Taiwan and the United States, as well as in immigrant Asian American writing. mehr

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    Universitätsbibliothek Gießen
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    A comparative analysis of the cultural politics of modernist writing in Taiwan and the United States, as well as in immigrant Asian American writing.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Lowe, Lisa
    Sprache: Englisch
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    ISBN: 9780822389866
    Auflage/Ausgabe: 1st ed.
    Schriftenreihe: Perverse Modernities Ser.
    Schlagworte: Modernism (Literature) - Taiwan
    Umfang: 1 Online-Ressource (202 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  5. Interventions into Modernist Cultures
    Poetry from Beyond the Empty Screen
    Autor*in: Parry, Amie Elizabeth
    Erschienen: 2007; ©2007
    Verlag:  Duke University Press, Durham ; Walter de Gruyter GmbH, Berlin

    Interventions into Modernist Cultures is a comparative analysis of the cultural politics of modernist writing in the United States and Taiwan. Amie Elizabeth Parry argues that the two sites of modernism are linked by their representation or... mehr

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    Interventions into Modernist Cultures is a comparative analysis of the cultural politics of modernist writing in the United States and Taiwan. Amie Elizabeth Parry argues that the two sites of modernism are linked by their representation or suppression of histories of U.S. imperialist expansion, Cold War neocolonial military presence, and economic influence in Asia. Focusing on poetry, a genre often overlooked in postcolonial theory, she contends that the radically fragmented form of modernist poetic texts is particularly well suited to representing U.S. imperialism and neocolonial modernities.Reading various works by U.S. expatriates Ezra Pound and Gertrude Stein, Parry compares the cultural politics of U.S. canonical modernism with alternative representations of temporality, hybridity, erasure, and sexuality in the work of the Taiwanese writers Yü Kwang-chung and Hsia Yü and the Asian American immigrant author Theresa Hak Kyung Cha. Juxtaposing poems by Pound and Yü Kwang-chung, Parry shows how Yü's fragmented, ambivalent modernist form reveals the effects of neocolonialism while Pound denies and obscures U.S. imperialism in Asia, asserting a form of nondevelopmental universalism through both form and theme. Stein appropriates discourses of American modernity and identity to represent nonnormative desire and sexuality, and Parry contrasts this tendency with representations of sexuality in the contemporary experimental poetry of Hsia Yü. Finally, Parry highlights the different uses of modernist forms by Pound in his Cantos-which incorporate a multiplicity of decontextualized and ahistorical voices-and by Cha in her 1982 novel Dictee, a historicized, multilingual work. Parry's sophisticated readings provide a useful critical framework for apprehending how "minor modernisms" illuminate the histories erased by certain canonical modernist texts.

     
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    ISBN: 9780822389866
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    Schriftenreihe: Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe : 20
    Umfang: 1 Online-Ressource (200 p.)
  6. Interventions into modernist cultures
    poetry from beyond the empty screen
    Autor*in: Parry, Amie Elizabeth
    Erschienen: 2007
    Verlag:  Duke University Press, Durham, NC

    A comparative analysis of the cultural politics of modernist writing in Taiwan and the United States, as well as in immigrant Asian American writing mehr

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    A comparative analysis of the cultural politics of modernist writing in Taiwan and the United States, as well as in immigrant Asian American writing

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 082238986X; 0822338033; 0822338181; 9780822389866; 9780822338031; 9780822338185
    Schriftenreihe: Perverse modernities
    Schlagworte: Chinese poetry; Comparative literature; Comparative literature; Modernism (Literature); Modernism (Literature); American poetry; Modernism (Literature) - Taiwan; Electronic books
    Weitere Schlagworte: Stein, Gertrude (1874-1946); Yu, Guangzhong (1928-); Xia, Yu (1956-); Pound, Ezra (1885-1972)
    Umfang: Online-Ressource (x, 188 p), 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. [171]-180) and index

    Electronic reproduction; Available via World Wide Web

    Contents; Acknowledgments; Introduction: Canonical Modernisms, Minor Modernisms, and the Cultural Politics of Fragmentation; One: The Historicity of the Fragment:Toward a Critical Comparativism; Two: "Completely Painted Over but Painted Full of Empty Spaces":Stein's American Allegories and the End of Progress; Three: "Learning a Lesson in the Superficial Song Lyrics": Hsia Yü's "Underground" Poetry; Four: "For the Other Overlapping Time": Pound's Ideogramic Universalism and Cha's Countermodernist Translation; Conclusion: The Cultural Uses of an Interventionary Poetics; Notes; Works Cited

    Index