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  1. The feeling of letting die
    necroeconomics and Victorian fiction
    Erschienen: [2023]; © 2023
    Verlag:  The Ohio State University Press, Columbus

    Klappentext: In 'The Feeling of Letting Die', Jennifer MacLure explores how Victorian novels depict the feelings that both fuel and are produced by an economic system that lets some people die in service of the free market. MacLure argues that... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Klappentext: In 'The Feeling of Letting Die', Jennifer MacLure explores how Victorian novels depict the feelings that both fuel and are produced by an economic system that lets some people die in service of the free market. MacLure argues that Victorian authors present capitalism's death function as a sticking point, a series of contradictions, and a problem to solve as characters grapple with systems that allow, demand, and cause the deaths of their less fortunate fellows. Utilizing Achille Mbembe's theorization of necropolitics, MacLure uses the term "necroeconomics," positioning Victorian authors - even those who were deeply committed to liberal capitalism - as hyperaware of capitalism's death function. Examining both canonical and lesser-known works by Elizabeth Gaskell, Harriet Martineau, Charles Dickens, William Morris, and George Eliot, The Feeling of Letting Die shows capitalism as not straightforwardly imposed via economic policy but instead as a system functioning through the emotions and desires of the human beings who enact it. In doing so, MacLure reveals how emotion functions as both the legitimating epistemic mode of capitalism and its most salient threat.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780814214855; 0814214851
    Schlagworte: English fiction; Capitalism in literature; Capitalism and literature; Economics
    Weitere Schlagworte: Gaskell, Elizabeth Cleghorn (1810-1865); Martineau, Harriet (1802-1876); Dickens, Charles (1812-1870); Morris, William (1834-1896); Eliot, George (1819-1880)
    Umfang: viii, 177 Seiten, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Inhaltsverzeichnis: Introduction: Death by invisible hand -- How to let die: Malthusian medicine in Martineau and Marcus -- Making ill: pathoeconomics in Gaskell's industrial novels -- Letting die slowly: necroeconomic pleasure in Dickens's Bleak house -- Unfeeling capitalism, future and past: Middlemarch, Felix Holt, and news from nowhere -- Afterword: Our necroeconomic present.

  2. The feeling of letting die
    necroeconomics and Victorian fiction
    Erschienen: [2023]; © 2023
    Verlag:  The Ohio State University Press, Columbus

    Klappentext: In 'The Feeling of Letting Die', Jennifer MacLure explores how Victorian novels depict the feelings that both fuel and are produced by an economic system that lets some people die in service of the free market. MacLure argues that... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 177764
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    A 2024/206
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Brechtbau-Bibliothek
    NJ 462.256
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Klappentext: In 'The Feeling of Letting Die', Jennifer MacLure explores how Victorian novels depict the feelings that both fuel and are produced by an economic system that lets some people die in service of the free market. MacLure argues that Victorian authors present capitalism's death function as a sticking point, a series of contradictions, and a problem to solve as characters grapple with systems that allow, demand, and cause the deaths of their less fortunate fellows. Utilizing Achille Mbembe's theorization of necropolitics, MacLure uses the term "necroeconomics," positioning Victorian authors - even those who were deeply committed to liberal capitalism - as hyperaware of capitalism's death function. Examining both canonical and lesser-known works by Elizabeth Gaskell, Harriet Martineau, Charles Dickens, William Morris, and George Eliot, The Feeling of Letting Die shows capitalism as not straightforwardly imposed via economic policy but instead as a system functioning through the emotions and desires of the human beings who enact it. In doing so, MacLure reveals how emotion functions as both the legitimating epistemic mode of capitalism and its most salient threat.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780814214855; 0814214851
    Schlagworte: English fiction; Capitalism in literature; Capitalism and literature; Economics
    Weitere Schlagworte: Gaskell, Elizabeth Cleghorn (1810-1865); Martineau, Harriet (1802-1876); Dickens, Charles (1812-1870); Morris, William (1834-1896); Eliot, George (1819-1880)
    Umfang: viii, 177 Seiten, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Inhaltsverzeichnis: Introduction: Death by invisible hand -- How to let die: Malthusian medicine in Martineau and Marcus -- Making ill: pathoeconomics in Gaskell's industrial novels -- Letting die slowly: necroeconomic pleasure in Dickens's Bleak house -- Unfeeling capitalism, future and past: Middlemarch, Felix Holt, and news from nowhere -- Afterword: Our necroeconomic present.