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  1. Dislocating Race and Nation
    Episodes in Nineteenth-Century American Literary Nationalism
    Autor*in: Levine, Robert S
    Erschienen: 2008; ©2008.
    Verlag:  The University of North Carolina Press, Chapel Hill

    American literary nationalism is traditionally understood as a cohesive literary tradition developed in the newly independent United States that emphasized the unique features of America and consciously differentiated American literature from British... mehr

    Zugang:

    Standort:
    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    keine Fernleihe

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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Standort:
    Bibliothek LIV HN Sontheim
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    ProQuest Academic Complete
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    Standort:
    Bibliothek LIV HN Sontheim
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    ProQuest Academic Complete
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
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    eBook ProQuest
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    Standort:
    Hochschulbibliothek Friedensau
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    Online-Ressource
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    keine Fernleihe

    Standort:
    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
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    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    American literary nationalism is traditionally understood as a cohesive literary tradition developed in the newly independent United States that emphasized the unique features of America and consciously differentiated American literature from British literature. Robert S. Levine challenges this assessment by exploring the conflicted, multiracial, and contingent dimensions present in the works of late eighteenth- and nineteenth-century American and African American writers. Conflict and uncertainty, not consensus, Levine argues, helped define American literary nationalism during this period. Levine emphasizes the centrality of both inter- and intra-American conflict in his analysis of four illuminating "episodes" of literary responses to questions of U.S. racial nationalism and imperialism. He examines Charles Brockden Brown and the Louisiana Purchase; David Walker and the debates on the Missouri Compromise; Nathaniel Hawthorne, Herman Melville, and Hannah Crafts and the blood-based literary nationalism and expansionism of the mid-nineteenth century; and Frederick Douglass and his approximately forty-year interest in Haiti. Levine offers critiques of recent developments in whiteness and imperialism studies, arguing that a renewed attention to the place of contingency in American literary history helps us to better understand and learn from writers trying to make sense of their own historical moments. Contents -- Acknowledgments -- Prologue: Undoings -- CHAPTER 1. Charles Brockden Brown, Louisiana, and the Contingencies of Empire -- CHAPTER 2. Circulating the Nation: David Walker, the Missouri Compromise, and the Appeals of Black Literary Nationalism -- CHAPTER 3. Genealogical Fictions: Melville and Hannah Crafts in Hawthorne's House -- CHAPTER 4. Frederick Douglass's Hemispheric Nationalism, 1857-1893 -- Epilogue: Undoings Redux -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z.

     
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  2. Dislocating Race and Nation
    Episodes in Nineteenth-Century American Literary Nationalism
    Autor*in: Levine, Robert S
    Erschienen: 2008; ©2008.
    Verlag:  The University of North Carolina Press, Chapel Hill

    American literary nationalism is traditionally understood as a cohesive literary tradition developed in the newly independent United States that emphasized the unique features of America and consciously differentiated American literature from British... mehr

    Zugang:

    Standort:
    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    American literary nationalism is traditionally understood as a cohesive literary tradition developed in the newly independent United States that emphasized the unique features of America and consciously differentiated American literature from British literature. Robert S. Levine challenges this assessment by exploring the conflicted, multiracial, and contingent dimensions present in the works of late eighteenth- and nineteenth-century American and African American writers. Conflict and uncertainty, not consensus, Levine argues, helped define American literary nationalism during this period. Levine emphasizes the centrality of both inter- and intra-American conflict in his analysis of four illuminating "episodes" of literary responses to questions of U.S. racial nationalism and imperialism. He examines Charles Brockden Brown and the Louisiana Purchase; David Walker and the debates on the Missouri Compromise; Nathaniel Hawthorne, Herman Melville, and Hannah Crafts and the blood-based literary nationalism and expansionism of the mid-nineteenth century; and Frederick Douglass and his approximately forty-year interest in Haiti. Levine offers critiques of recent developments in whiteness and imperialism studies, arguing that a renewed attention to the place of contingency in American literary history helps us to better understand and learn from writers trying to make sense of their own historical moments. Contents -- Acknowledgments -- Prologue: Undoings -- CHAPTER 1. Charles Brockden Brown, Louisiana, and the Contingencies of Empire -- CHAPTER 2. Circulating the Nation: David Walker, the Missouri Compromise, and the Appeals of Black Literary Nationalism -- CHAPTER 3. Genealogical Fictions: Melville and Hannah Crafts in Hawthorne's House -- CHAPTER 4. Frederick Douglass's Hemispheric Nationalism, 1857-1893 -- Epilogue: Undoings Redux -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z.

     
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  3. Dislocating race & nation
    episodes in nineteenth-century American literary nationalism
    Autor*in: Levine, Robert S., (Robert Steven)
    Erschienen: ©2008
    Verlag:  University of North Carolina Press, Chapel Hill

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 080783226X; 0807859036; 0807887889; 1469605651; 9780807832264; 9780807859032; 9780807887882; 9781469605654
    Schlagworte: American literature; LITERARY CRITICISM / American / General; American literature; Black nationalism in literature; Literature and history; Literature and society; National characteristics, American, in literature; Nationalism and literature; Race relations in literature; Geschichte; American literature; National characteristics, American, in literature; Literature and history; Nationalism and literature; American literature; Literature and society; Race relations in literature; Black nationalism in literature; Nationalismus; Literatur; Nationalbewusstsein; Ethnische Beziehungen <Motiv>
    Umfang: 1 Online-Ressource (x, 322 pages)
    Bemerkung(en):

    Includes bibliographical references and index

    Undoings -- Charles Brockden Brown, Louisiana, and the contingencies of empire -- Circulating the nation: David Walker, the Missouri Compromise, and the appeals of black literary nationalism -- Genealogical fictions: Melville and Hannah crafts in Hawthorne's house -- Frederick Douglass's hemispheric nationalism, 1857-1893 -- Undoings redux

    American literary nationalism is traditionally understood as a cohesive literary tradition developed in the newly independent United States that emphasized the unique features of America and consciously differentiated American literature from British literature. Robert S. Levine challenges this assessment by exploring the conflicted, multiracial, and contingent dimensions present in the works of late eighteenth- and nineteenth-century American and African American writers. Conflict and uncertainty, not consensus, Levine argues, helped define American literary nationalism during this period
  4. Dislocating race & nation
    episodes in nineteenth-century American literary nationalism
    Erschienen: c2008
    Verlag:  University of North Carolina Press, Chapel Hill

    American literary nationalism is traditionally understood as a cohesive literary tradition developed in the newly independent United States that emphasized the unique features of America and consciously differentiated American literature from British... mehr

    Zugang:
    Aggregator (lizenzpflichtig)

    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    American literary nationalism is traditionally understood as a cohesive literary tradition developed in the newly independent United States that emphasized the unique features of America and consciously differentiated American literature from British literature. Robert S. Levine challenges this assessment by exploring the conflicted, multiracial, and contingent dimensions present in the works of late eighteenth- and nineteenth-century American and African American writers. Conflict and uncertainty, not consensus, Levine argues, helped define American literary nationalism during this period. Le

     
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  5. Dislocating race & nation
    episodes in nineteenth-century American literary nationalism
    Autor*in: Levine, Robert S.
    Erschienen: 2008
    Verlag:  University of North Carolina Press, Chapel Hill ; EBSCO Industries, Inc., Birmingham, AL, USA

    American literary nationalism is traditionally understood as a cohesive literary tradition developed in the newly independent United States that emphasized the unique features of America and consciously differentiated American literature from British... mehr

    Standort:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Fernleihe:
    keine Fernleihe

     

    American literary nationalism is traditionally understood as a cohesive literary tradition developed in the newly independent United States that emphasized the unique features of America and consciously differentiated American literature from British literature. Robert S. Levine challenges this assessment by exploring the conflicted, multiracial, and contingent dimensions present in the works of late eighteenth- and nineteenth-century American and African American writers. Conflict and uncertainty, not consensus, Levine argues, helped define American literary nationalism during this period.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780807887882; 0807887889; 9781469605654; 1469605651
    RVK Klassifikation: HT 1520
    Schlagworte: Literatur; Nationalismus; Ethnische Beziehungen <Motiv>; Nationalbewusstsein
    Umfang: 1 Online-Ressource (x, 322 pages)
    Bemerkung(en):

    Includes bibliographical references and index