Verlag:
The Johns Hopkins University Press, Baltimore
Intro -- CONTENTS -- ACKNOWLEDGMENTS -- Introduction -- Part I Negotiating the Literary Marketplace -- Writing a Public Self -- Towards a New "Colored" Consciousness -- The Authority of Experience -- "This Other Eden" -- The Heir Unapparent -- Part...
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Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Intro -- CONTENTS -- ACKNOWLEDGMENTS -- Introduction -- Part I Negotiating the Literary Marketplace -- Writing a Public Self -- Towards a New "Colored" Consciousness -- The Authority of Experience -- "This Other Eden" -- The Heir Unapparent -- Part II Outside the Metropolis -- In-Between Modernity -- New Negro Modernity -- Olive Schreiner, South Africa, and the Costs of Modernity -- "Tropical Ovaries" -- Two Talks with Khun Fa -- "Stage Business" as Citizenship -- Phenomena in Flux -- Part III The Shifting Terrain of Public Life -- The New Woman's Appetite for "Riotous Living" -- Djuna Barnes Makes a Specialty of Crime -- In Pursuit of an Erogamic Life -- Shift Work -- Afterword -- NOTES ON CONTRIBUTORS -- INDEX.
""CONTENTS""; ""ACKNOWLEDGMENTS""; ""Introduction""; ""Part I Negotiating the Literary Marketplace""; ""Writing a Public Self""; ""Towards a New “Colored� Consciousness""; ""The Authority of Experience""; ""“This Other Eden�""; ""The Heir Unapparent""; ""Part II Outside the Metropolis""; ""In-Between Modernity""; ""New Negro Modernity""; ""Olive Schreiner, South Africa, and the Costs of Modernity""; ""“Tropical Ovaries�""; ""Two Talks with Khun Fa""; ""“Stage Business� as Citizenship""; ""Phenomena in Flux""; ""Part III The Shifting Terrain of Public Life""
""The New Woman�s Appetite for “Riotous Living�""""Djuna Barnes Makes a Specialty of Crime""; ""In Pursuit of an Erogamic Life""; ""Shift Work""; ""Afterword""; ""NOTES ON CONTRIBUTORS""; ""INDEX""
Verlag:
The Johns Hopkins University Press, Baltimore
Intro -- CONTENTS -- ACKNOWLEDGMENTS -- Introduction -- Part I Negotiating the Literary Marketplace -- Writing a Public Self -- Towards a New "Colored" Consciousness -- The Authority of Experience -- "This Other Eden" -- The Heir Unapparent -- Part...
mehr
Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
Fernleihe:
keine Ausleihe von Bänden, nur Papierkopien werden versandt
Intro -- CONTENTS -- ACKNOWLEDGMENTS -- Introduction -- Part I Negotiating the Literary Marketplace -- Writing a Public Self -- Towards a New "Colored" Consciousness -- The Authority of Experience -- "This Other Eden" -- The Heir Unapparent -- Part II Outside the Metropolis -- In-Between Modernity -- New Negro Modernity -- Olive Schreiner, South Africa, and the Costs of Modernity -- "Tropical Ovaries" -- Two Talks with Khun Fa -- "Stage Business" as Citizenship -- Phenomena in Flux -- Part III The Shifting Terrain of Public Life -- The New Woman's Appetite for "Riotous Living" -- Djuna Barnes Makes a Specialty of Crime -- In Pursuit of an Erogamic Life -- Shift Work -- Afterword -- NOTES ON CONTRIBUTORS -- INDEX.
""CONTENTS""; ""ACKNOWLEDGMENTS""; ""Introduction""; ""Part I Negotiating the Literary Marketplace""; ""Writing a Public Self""; ""Towards a New “Colored� Consciousness""; ""The Authority of Experience""; ""“This Other Eden�""; ""The Heir Unapparent""; ""Part II Outside the Metropolis""; ""In-Between Modernity""; ""New Negro Modernity""; ""Olive Schreiner, South Africa, and the Costs of Modernity""; ""“Tropical Ovaries�""; ""Two Talks with Khun Fa""; ""“Stage Business� as Citizenship""; ""Phenomena in Flux""; ""Part III The Shifting Terrain of Public Life""
""The New Woman�s Appetite for “Riotous Living�""""Djuna Barnes Makes a Specialty of Crime""; ""In Pursuit of an Erogamic Life""; ""Shift Work""; ""Afterword""; ""NOTES ON CONTRIBUTORS""; ""INDEX""