|
This selection of Gertrude Stein's work is taken from the period between 1905 and 1936, when the iconic modernist poet was engaged in an astounding number of still-surprising literary experiments, whose innovations continue to influence all the arts. Editor Joan Retallack has chosen complete texts or selections that lend themselves to a clarified vision of Stein's oeuvre. In her brilliant introduction, Retallack provides the historical and biographical context for Stein's lifelong project of composing a "continuous present," an effort which parallels many of the most important technological and scientific developments of her era--from moving pictures to Einstein's revision of our understanding of space and time. Retallack also addresses persistent questions about Stein's work and the best way to read it in our contemporary moment. In suggesting a performative "reading poesis" for these works, Retallack follows Stein's dictum by arguing that to actively experience the work is to enjoy it, and to enjoy it is to understand it. Cover -- Contents -- List of Abbreviations -- Introduction -- TEXTS -- Melanctha (excerpt, from Three Lives, 1905) -- The Making of Americans (excerpt, 1911) -- Picasso (1911) -- Flirting at the Bon Marche (1911) -- Bon Marche Weather (1911) -- Orta or One Dancing (excerpt, 1912) -- Susie Asado (1912) -- Tender Buttons: Objects, Food (1913) -- Scenes from the Door (from Useful Knowledge, 1918) -- Photograph (1920) -- A Movie (1920) -- An Elucidation (1923) -- If I Told Him, A Completed Portrait of Picasso (1923) -- Fourteen Anonymous Portraits (1923) -- Are There Arithmetics (1923) -- Business in Baltimore (1925) -- Composition as Explanation (1926) -- Patriarchal Poetry (excerpt, 1927) -- Sentences and Paragraphs (from How to Write, 1930) -- History or Messages from History (1930) -- We Came. A History (1930) -- Stanzas in Meditation (excerpt, 1932) -- Lecture I (from Narration, 1934) -- Identity a Poem (1935) -- What Are Master-pieces and Why Are There So Few of Them (1936) -- DOCUMENTS -- "With Apologies to Gertrude Stein," newspaper advertisement (n.d.) -- Two love notes from Stein to Toklas (n.d.): "Dear dainty delicious darling" and "Ir/Re/Sis/Ti/Belle" -- Letter to Gertrude Stein (May 30, 1933) -- "Stein Opera Sung by All-Negro Cast," New York Times (February 9, 1934) -- Introduction to Narration (1935) -- Selected Bibliography -- Acknowledgments of Permissions.
|
