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  1. Court poetry in late medieval England and Scotland
    allegories of authority
    Autor*in: Hasler, Antony J.
    Erschienen: 2011
    Verlag:  Cambridge University Press, Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo ; Delhi ; Tokyo ; Mexiko City

    This book explores the anxious and unstable relationship between court poetry and various forms of authority, political and cultural, in England and Scotland at the beginning of the sixteenth century. Through poems by Skelton, Dunbar, Douglas, Hawes,... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book explores the anxious and unstable relationship between court poetry and various forms of authority, political and cultural, in England and Scotland at the beginning of the sixteenth century. Through poems by Skelton, Dunbar, Douglas, Hawes, Lyndsay and Barclay, it examines the paths by which court poetry and its narrators seek multiple forms of legitimation: from royal and institutional sources, but also in the media of script and print. The book is the first for some time to treat English and Scottish material of its period together, and responds to European literary contexts, the dialogue between vernacular and Latin matter, and current critical theory. In so doing it claims that public and occasional writing evokes a counter-discourse in the secrecies and subversions of medieval love-fictions. The result is a poetry that queries and at times cancels the very authority to speak that it so proudly promotes

     
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    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511780158
    Weitere Identifier:
    RVK Klassifikation: HH 4111 ; HI 1233
    Schriftenreihe: Cambridge studies in medieval literature ; 80
    Schlagworte: Geschichte; English poetry / Early modern, 1500-1700 / History and criticism; Authority in literature; Political poetry, English / History and criticism; Politics and literature / England / History / 16th century; Politics and literature / Scotland / History / 16th century; Courts and courtiers in literature; Authors and patrons / England / History / 16th century; Englisch; Höfische Literatur; Autorität <Motiv>
    Weitere Schlagworte: Skelton, John / 1460?-1529 / Criticism and interpretation; Dunbar, William / 1460?-1520? / Criticism and interpretation
    Umfang: 1 Online-Ressource (x, 253 Seiten)
    Bemerkung(en):

    Beginnings: André's Vita Henrici Septimi and Dunbar's aureate allegories -- The Bowge of Courte and the birth of the paranoid subject -- "My panefull purs so priclis me": the rhetoric of the self in Dunbar's petitionary poems -- Translative senses: Alexander Barclay's eclogues and Gavin Douglas's Palice of Honour -- Mémoires d'outre-tombe: love, rhetoric and the poems of Stephen Hawes -- Mapping Skelton: "Esebon, Marybon, Wheston next Barnet."
  2. Court poetry in late medieval England and Scotland
    allegories of authority
    Autor*in: Hasler, Antony J.
    Erschienen: 2011
    Verlag:  Cambridge University Press, Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo ; Delhi ; Tokyo ; Mexiko City

    This book explores the anxious and unstable relationship between court poetry and various forms of authority, political and cultural, in England and Scotland at the beginning of the sixteenth century. Through poems by Skelton, Dunbar, Douglas, Hawes,... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book explores the anxious and unstable relationship between court poetry and various forms of authority, political and cultural, in England and Scotland at the beginning of the sixteenth century. Through poems by Skelton, Dunbar, Douglas, Hawes, Lyndsay and Barclay, it examines the paths by which court poetry and its narrators seek multiple forms of legitimation: from royal and institutional sources, but also in the media of script and print. The book is the first for some time to treat English and Scottish material of its period together, and responds to European literary contexts, the dialogue between vernacular and Latin matter, and current critical theory. In so doing it claims that public and occasional writing evokes a counter-discourse in the secrecies and subversions of medieval love-fictions. The result is a poetry that queries and at times cancels the very authority to speak that it so proudly promotes

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511780158
    Weitere Identifier:
    RVK Klassifikation: HH 4111 ; HI 1233
    Schriftenreihe: Cambridge studies in medieval literature ; 80
    Schlagworte: Geschichte; English poetry / Early modern, 1500-1700 / History and criticism; Authority in literature; Political poetry, English / History and criticism; Politics and literature / England / History / 16th century; Politics and literature / Scotland / History / 16th century; Courts and courtiers in literature; Authors and patrons / England / History / 16th century; Englisch; Höfische Literatur; Autorität <Motiv>
    Weitere Schlagworte: Skelton, John / 1460?-1529 / Criticism and interpretation; Dunbar, William / 1460?-1520? / Criticism and interpretation
    Umfang: 1 Online-Ressource (x, 253 Seiten)
    Bemerkung(en):

    Beginnings: André's Vita Henrici Septimi and Dunbar's aureate allegories -- The Bowge of Courte and the birth of the paranoid subject -- "My panefull purs so priclis me": the rhetoric of the self in Dunbar's petitionary poems -- Translative senses: Alexander Barclay's eclogues and Gavin Douglas's Palice of Honour -- Mémoires d'outre-tombe: love, rhetoric and the poems of Stephen Hawes -- Mapping Skelton: "Esebon, Marybon, Wheston next Barnet."
  3. Court poetry in late medieval England and Scotland
    allegories of authority
    Autor*in: Hasler, Antony
    Erschienen: 2011
    Verlag:  Cambridge University Press, Cambridge

    This book explores the anxious and unstable relationship between court poetry and various forms of authority, political and cultural, in England and Scotland at the beginning of the sixteenth century. Through poems by Skelton, Dunbar, Douglas, Hawes,... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book explores the anxious and unstable relationship between court poetry and various forms of authority, political and cultural, in England and Scotland at the beginning of the sixteenth century. Through poems by Skelton, Dunbar, Douglas, Hawes, Lyndsay and Barclay, it examines the paths by which court poetry and its narrators seek multiple forms of legitimation: from royal and institutional sources, but also in the media of script and print. The book is the first for some time to treat English and Scottish material of its period together, and responds to European literary contexts, the dialogue between vernacular and Latin matter, and current critical theory. In so doing it claims that public and occasional writing evokes a counter-discourse in the secrecies and subversions of medieval love-fictions. The result is a poetry that queries and at times cancels the very authority to speak that it so proudly promotes Beginnings: André's Vita Henrici Septimi and Dunbar's aureate allegories -- The Bowge of Courte and the birth of the paranoid subject -- "My panefull purs so priclis me": the rhetoric of the self in Dunbar's petitionary poems -- Translative senses: Alexander Barclay's eclogues and Gavin Douglas's Palice of Honour -- Mémoires d'outre-tombe: love, rhetoric and the poems of Stephen Hawes -- Mapping Skelton: "Esebon, Marybon, Wheston next Barnet

     
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  4. Court poetry in late medieval England and Scotland
    allegories of authority
    Autor*in: Hasler, Antony
    Erschienen: 2011
    Verlag:  Cambridge University Press, Cambridge

    This book explores the anxious and unstable relationship between court poetry and various forms of authority, political and cultural, in England and Scotland at the beginning of the sixteenth century. Through poems by Skelton, Dunbar, Douglas, Hawes,... mehr

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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    This book explores the anxious and unstable relationship between court poetry and various forms of authority, political and cultural, in England and Scotland at the beginning of the sixteenth century. Through poems by Skelton, Dunbar, Douglas, Hawes, Lyndsay and Barclay, it examines the paths by which court poetry and its narrators seek multiple forms of legitimation: from royal and institutional sources, but also in the media of script and print. The book is the first for some time to treat English and Scottish material of its period together, and responds to European literary contexts, the dialogue between vernacular and Latin matter, and current critical theory. In so doing it claims that public and occasional writing evokes a counter-discourse in the secrecies and subversions of medieval love-fictions. The result is a poetry that queries and at times cancels the very authority to speak that it so proudly promotes.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511780158
    RVK Klassifikation: HI 1233 ; HH 4111 ; HI 1249 ; HI 1427 ; HI 1955 ; HI 2075 ; HI 2435 ; HI 3675
    Schriftenreihe: Cambridge studies in medieval literature ; 80
    Schlagworte: Englisch; Höfische Literatur; Autorität <Motiv>
    Umfang: 1 Online-Ressource (x, 253 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  5. Court poetry in late medieval England and Scotland
    allegories of authority
    Autor*in: Hasler, Antony
    Erschienen: 2011
    Verlag:  Cambridge University Press, Cambridge

    This book explores the anxious and unstable relationship between court poetry and various forms of authority, political and cultural, in England and Scotland at the beginning of the sixteenth century. Through poems by Skelton, Dunbar, Douglas, Hawes,... mehr

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    This book explores the anxious and unstable relationship between court poetry and various forms of authority, political and cultural, in England and Scotland at the beginning of the sixteenth century. Through poems by Skelton, Dunbar, Douglas, Hawes, Lyndsay and Barclay, it examines the paths by which court poetry and its narrators seek multiple forms of legitimation: from royal and institutional sources, but also in the media of script and print. The book is the first for some time to treat English and Scottish material of its period together, and responds to European literary contexts, the dialogue between vernacular and Latin matter, and current critical theory. In so doing it claims that public and occasional writing evokes a counter-discourse in the secrecies and subversions of medieval love-fictions. The result is a poetry that queries and at times cancels the very authority to speak that it so proudly promotes Beginnings: André's Vita Henrici Septimi and Dunbar's aureate allegories -- The Bowge of Courte and the birth of the paranoid subject -- "My panefull purs so priclis me": the rhetoric of the self in Dunbar's petitionary poems -- Translative senses: Alexander Barclay's eclogues and Gavin Douglas's Palice of Honour -- Mémoires d'outre-tombe: love, rhetoric and the poems of Stephen Hawes -- Mapping Skelton: "Esebon, Marybon, Wheston next Barnet

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)