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  1. Race, nationalism and the state in British and American modernism
    Erschienen: 2006
    Verlag:  Cambridge University Press, Cambridge

    Twentieth-century authors were profoundly influenced by changes in the way nations and states governed their citizens. The development of state administrative technologies allowed Western states to identify, track and regulate their populations in... mehr

    Universitätsbibliothek Bamberg
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    Twentieth-century authors were profoundly influenced by changes in the way nations and states governed their citizens. The development of state administrative technologies allowed Western states to identify, track and regulate their populations in unprecedented ways. Patricia E. Chu argues that innovations of form and style developed by Anglo-American modernist writers chart anxieties about personal freedom in the face of increasing governmental controls. Chu examines a diverse set of texts and films, including works by T. S. Eliot, Katherine Mansfield, Zora Neale Hurston and others, to explore how modernists perceived their work and their identities in relation to state power. Additionally, she sheds light on modernists' ideas about race, colonialism and the postcolonial, as race came increasingly to be seen as a political and governmental construct. This book offers a powerful critique of key themes for scholars of modernism, American literature and twentieth-century literature

     

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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511485039
    Weitere Identifier:
    RVK Klassifikation: HG 435 ; HM 1101 ; HU 1075 ; HU 1691
    Schlagworte: Modernism (Literature) / Great Britain; English literature / 20th century / History and criticism; Modernism (Literature) / United States; American literature / 20th century / History and criticism; Race in literature; Nationalism in literature; State, The, in literature; Literatur; Englisch; Nationalismus <Motiv>; Rasse <Motiv>; Staatsgewalt
    Umfang: 1 online resource (xi, 196 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction; 1. White zombies in the state machinery; 2. Set in authority: white rulers and white settlers; 3. Soldiers and traitors: Rebecca West, the World Wars and state subjects; 4. White turkeys, white weddings: the state and the South; 5. Modernist (pre)occupations: modernism, primitivism, and anti-colonial nationalism; Afterword: myths, monsters, modernization, modernism

  2. Race, nationalism and the state in British and American modernism
    Erschienen: 2006
    Verlag:  Cambridge University Press, Cambridge

    Twentieth-century authors were profoundly influenced by changes in the way nations and states governed their citizens. The development of state administrative technologies allowed Western states to identify, track and regulate their populations in... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Twentieth-century authors were profoundly influenced by changes in the way nations and states governed their citizens. The development of state administrative technologies allowed Western states to identify, track and regulate their populations in unprecedented ways. Patricia E. Chu argues that innovations of form and style developed by Anglo-American modernist writers chart anxieties about personal freedom in the face of increasing governmental controls. Chu examines a diverse set of texts and films, including works by T. S. Eliot, Katherine Mansfield, Zora Neale Hurston and others, to explore how modernists perceived their work and their identities in relation to state power. Additionally, she sheds light on modernists' ideas about race, colonialism and the postcolonial, as race came increasingly to be seen as a political and governmental construct. This book offers a powerful critique of key themes for scholars of modernism, American literature and twentieth-century literature Introduction; 1. White zombies in the state machinery; 2. Set in authority: white rulers and white settlers; 3. Soldiers and traitors: Rebecca West, the World Wars and state subjects; 4. White turkeys, white weddings: the state and the South; 5. Modernist (pre)occupations: modernism, primitivism, and anti-colonial nationalism; Afterword: myths, monsters, modernization, modernism

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511485039
    Weitere Identifier:
    RVK Klassifikation: EC 5410
    Schlagworte: Modernism (Literature); American literature; Race in literature; Nationalism in literature; State, The, in literature; English literature; Modernism (Literature); Modernism (Literature) ; Great Britain; English literature ; 20th century ; History and criticism; Modernism (Literature) ; United States; American literature ; 20th century ; History and criticism; Race in literature; Nationalism in literature; State, The, in literature
    Umfang: 1 Online-Ressource (xi, 196 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  3. Race, nationalism and the state in British and American modernism
    Erschienen: 2006
    Verlag:  Cambridge University Press, Cambridge

    Twentieth-century authors were profoundly influenced by changes in the way nations and states governed their citizens. The development of state administrative technologies allowed Western states to identify, track and regulate their populations in... mehr

    Universität Frankfurt, Elektronische Ressourcen
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    Twentieth-century authors were profoundly influenced by changes in the way nations and states governed their citizens. The development of state administrative technologies allowed Western states to identify, track and regulate their populations in unprecedented ways. Patricia E. Chu argues that innovations of form and style developed by Anglo-American modernist writers chart anxieties about personal freedom in the face of increasing governmental controls. Chu examines a diverse set of texts and films, including works by T. S. Eliot, Katherine Mansfield, Zora Neale Hurston and others, to explore how modernists perceived their work and their identities in relation to state power. Additionally, she sheds light on modernists' ideas about race, colonialism and the postcolonial, as race came increasingly to be seen as a political and governmental construct. This book offers a powerful critique of key themes for scholars of modernism, American literature and twentieth-century literature.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511485039
    Umfang: 1 Online-Ressource (xi, 196 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  4. Race, nationalism and the state in British and American modernism
    Erschienen: 2006
    Verlag:  Cambridge University Press, Cambridge

    Twentieth-century authors were profoundly influenced by changes in the way nations and states governed their citizens. The development of state administrative technologies allowed Western states to identify, track and regulate their populations in... mehr

    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    Twentieth-century authors were profoundly influenced by changes in the way nations and states governed their citizens. The development of state administrative technologies allowed Western states to identify, track and regulate their populations in unprecedented ways. Patricia E. Chu argues that innovations of form and style developed by Anglo-American modernist writers chart anxieties about personal freedom in the face of increasing governmental controls. Chu examines a diverse set of texts and films, including works by T. S. Eliot, Katherine Mansfield, Zora Neale Hurston and others, to explore how modernists perceived their work and their identities in relation to state power. Additionally, she sheds light on modernists' ideas about race, colonialism and the postcolonial, as race came increasingly to be seen as a political and governmental construct. This book offers a powerful critique of key themes for scholars of modernism, American literature and twentieth-century literature Introduction; 1. White zombies in the state machinery; 2. Set in authority: white rulers and white settlers; 3. Soldiers and traitors: Rebecca West, the World Wars and state subjects; 4. White turkeys, white weddings: the state and the South; 5. Modernist (pre)occupations: modernism, primitivism, and anti-colonial nationalism; Afterword: myths, monsters, modernization, modernism

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511485039
    Weitere Identifier:
    RVK Klassifikation: EC 5410
    Schlagworte: Modernism (Literature); American literature; Race in literature; Nationalism in literature; State, The, in literature; English literature; Modernism (Literature); Modernism (Literature) ; Great Britain; English literature ; 20th century ; History and criticism; Modernism (Literature) ; United States; American literature ; 20th century ; History and criticism; Race in literature; Nationalism in literature; State, The, in literature
    Umfang: 1 Online-Ressource (xi, 196 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)