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  1. Romanticism and the Gothic
    genre, reception, and canon formation
    Autor*in: Gamer, Michael
    Erschienen: 2000
    Verlag:  Cambridge University Press, Cambridge [England]

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0511010087; 0511034636; 0511118481; 0511484216; 0521773288; 9780511010088; 9780511034633; 9780511118487; 9780511484216; 9780521773287
    Schriftenreihe: Cambridge studies in Romanticism ; 40
    Schlagworte: Littérature anglaise / 18e siècle / Histoire et critique; Littérature frénétique / Grande Bretagne; Littérature anglaise / 19e siècle / Histoire et critique; Romantisme / Grande-Bretagne; Chefs-d'œuvre (Littérature); Genres littéraires; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Lyrical ballads (Wordsworth, William); Canon (Literature); English literature; Gothic revival (Literature); Literary form; Romanticism; Gothic novel; Romantiek; Engels; Letterkunde; Gothic; Romanticism / Gothic revival; English literature / 18th-19th century; Littérature anglaise / 18e siècle / Histoire et critique; Littérature anglaise / 19e siècle / Histoire et critique; Roman gothique / Grande-Bretagne; Romantisme (littérature) / Grande-Bretagne; Romantik; Gothic novel; Englisch; Geschichte; Literatur; English literature; Gothic revival (Literature); English literature; Literary form; Literary form; Romanticism; Canon (Literature); Englisch; Schauerliteratur; Romantik
    Weitere Schlagworte: Baillie, Joanna / Criticism and interpretation; Wordsworth, William / 1770-1850; Wordsworth, William / 1770-1850 / Lyrical ballads; Baillie, Joanna / 1762-1851 / Critique et interprétation; Scott, Walter / Sir / 1771-1832 / Critique et interprétation; Baillie, Joanna / 1762-1851; Scott, Walter / 1771-1832; Wordsworth, William / 1770-1850 / Lyrical ballads; Baillie, Joanna / 1762-1851; Scott, Walter Sir / 1771-1832; Wordsworth, William (1770-1850) / Lyrical ballads; Baillie, Joanna / (1762-1851) / Critique et interprétation; Scott, Walter / (1771-1832) / Critique et interprétation; Wordsworth, William (1770-1850): Lyrical ballads; Baillie, Joanna (1762-1851); Scott, Walter (1771-1832); Wordsworth, William (1770-1850): Lyrical ballads; Scott, Walter (1771-1832); Baillie, Joanna (1762-1851)
    Umfang: 1 Online-Ressource (xiii, 255 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 201-245) and index

    Introduction: Romanticism's "pageantry of fear" -- Gothic, reception, and production -- Gothic and its contexts -- "Gross and violent stimulants": producing Lyrical ballads 1798 and 1800 -- National supernaturalism: Joanna Baillie, Germany, and the gothic drama -- "To foist thy stale romance": Scott, antiquarianism, and authorship

    "Michael Gamer offers a sharply focused analysis of how and why romantic writers drew on gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of gothic writing, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of romanticism as an ideology. In doing so he examines the early history of the romantic movement and its assumptions about literary value, and the politics of reading, writing, and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing, and audience on its formation."--Jacket
  2. Romanticism and the gothic
    genre, reception, and canon formation
    Autor*in: Gamer, Michael
    Erschienen: 2000
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    "Michael Gamer offers a sharply focused analysis of how and why romantic writers drew on gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of gothic writing,... mehr

    Standort:
    Universitätsbibliothek Bamberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Würzburg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Michael Gamer offers a sharply focused analysis of how and why romantic writers drew on gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of gothic writing, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of romanticism as an ideology. In doing so he examines the early history of the romantic movement and its assumptions about literary value, and the politics of reading, writing, and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing, and audience on its formation."--BOOK JACKET.

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0521773288; 9780511484216; 9780521026932; 9780521773287
    Weitere Identifier:
    RVK Klassifikation: HL 1131
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Cambridge studies in romanticism ; 40
    Schlagworte: Chefs-d'œuvre (Littérature); Engels; Genres littéraires; Gothic novel; Letterkunde; Littérature anglaise - 18e siècle - Histoire et critique; Littérature anglaise - 19e siècle - Histoire et critique; Littérature frénétique - Grande Bretagne; Romantiek; Romantisme - Grande-Bretagne; Englisch; Geschichte; Literatur; English literature -- 18th century -- History and criticism; Gothic revival (Literature) -- Great Britain; English literature -- 19th century -- History and criticism; Literary form -- History -- 18th century; Literary form -- History -- 19th century; Romanticism -- Great Britain; Canon (Literature); Englisch; Schauerliteratur; Romantik
    Weitere Schlagworte: Baillie, Joanna - Criticism and interpretation; Baillie, Joanna <1762-1851> - Critique et interprétation; Scott, Walter <Sir, 1771-1832> - Criticism and interpretation; Scott, Walter <Sir, 1771-1832> - Critique et interprétation; Wordsworth, William <1770-1850>; Wordsworth, William <1770-1850> / Lyrical ballads; Wordsworth, William, 1770-1850; Baillie, Joanna, 1762-1851 -- Criticism and interpretation; Scott, Walter, Sir, 1771-1832 -- Criticism and interpretation; Wordsworth, William <1770-1850>: Lyrical ballads; Scott, Walter (1771-1832); Wordsworth, William (1770-1850): Lyrical ballads; Baillie, Joanna (1762-1851)
    Umfang: 1 Online-Ressource (XIII, 255 S.)
  3. Romanticism and the Gothic
    genre, reception, and canon formation
    Erschienen: 2000
    Verlag:  Cambridge University Press, Cambridge [England]

    "Michael Gamer offers a sharply focused analysis of how and why romantic writers drew on gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of gothic writing,... mehr

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    Standort:
    Hochschule Aalen, Bibliothek
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    E-Book EBSCO
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    Hochschule Esslingen, Bibliothek
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    Saarländische Universitäts- und Landesbibliothek
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    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
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    keine Fernleihe

     

    "Michael Gamer offers a sharply focused analysis of how and why romantic writers drew on gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of gothic writing, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of romanticism as an ideology. In doing so he examines the early history of the romantic movement and its assumptions about literary value, and the politics of reading, writing, and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing, and audience on its formation."--Jacket

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780521773287; 0521773288; 0511010087; 0511484216; 9780511010088; 0511034636; 9780511034633; 0511118481; 9780511118487; 9780511484216
    RVK Klassifikation: HL 1131
    Schriftenreihe: Cambridge studies in Romanticism ; 40
    Schlagworte: English literature; Gothic revival (Literature); English literature; Literary form; Literary form; Romanticism; Littérature anglaise; Littérature frénétique; Littérature anglaise; Romantisme; Chefs-d'œuvre (Littérature); Genres littéraires; Canon (Literature); Gothic revival (Literature); English literature; Literary form; Literary form; Romanticism; English literature; English literature; Gothic revival (Literature); English literature; Literary form; Literary form; Romanticism; Canon (Literature); LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh; Canon (Literature); English literature; Gothic revival (Literature); Literary form; Romanticism; Romantik; Gothic novel; Gothic novel; Romantiek; Engels; Letterkunde; Gothic; Romanticism ; Gothic revival; English literature ; 18th-19th century; Littérature anglaise ; 18e siècle ; Histoire et critique; Littérature anglaise ; 19e siècle ; Histoire et critique; Roman gothique ; Grande-Bretagne; Romantisme (littérature) ; Grande-Bretagne; Criticism, interpretation, etc; History
    Weitere Schlagworte: Wordsworth, William 1770-1850; Baillie, Joanna 1762-1851; Scott, Walter 1771-1832; Wordsworth, William 1770-1850; Baillie, Joanna 1762-1851; Scott, Walter 1771-1832; Baillie, Joanna (1762-1851); Scott, Walter (1771-1832); Wordsworth, William (1770-1850): Lyrical ballads; Scott, Walter (1771-1832); Baillie, Joanna (1762-1851); Wordsworth, William (1770-1850): Lyrical ballads; Baillie, Joanna; Wordsworth, William 1770-1850; Baillie, Joanna ; Critique et interprétation; Scott, Walter ; Critique et interprétation; Baillie, Joanna; Scott, Walter; Wordsworth, William; Baillie, Joanna; Scott, Walter Sir
    Umfang: Online Ressource (xiii, 255 p.)
    Bemerkung(en):

    Includes bibliographical references (p. 201-245) and index. - Description based on print version record

    Introduction: Romanticism's "pageantry of fear"Gothic, reception, and production -- Gothic and its contexts -- "Gross and violent stimulants": producing Lyrical ballads 1798 and 1800 -- National supernaturalism: Joanna Baillie, Germany, and the gothic drama -- "To foist thy stale romance": Scott, antiquarianism, and authorship.
  4. Romanticism and the Gothic
    genre, reception, and canon formation
    Autor*in: Gamer, Michael
    Erschienen: 2000
    Verlag:  Cambridge University Press, Cambridge

    This is the first full-length study to examine the links between high Romantic literature and what has often been thought of as a merely popular genre - the Gothic. Michael Gamer offers a sharply focused analysis of how and why Romantic writers drew... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This is the first full-length study to examine the links between high Romantic literature and what has often been thought of as a merely popular genre - the Gothic. Michael Gamer offers a sharply focused analysis of how and why Romantic writers drew on Gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of Gothic literature, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of Romanticism as an ideology. In doing so he examines the early history of the Romantic movement and its assumptions about literary value, and the politics of reading, writing and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing and audience on its formation Introduction: Romanticism's "pageantry of fear" -- Gothic, reception, and production -- Gothic and its contexts -- "Gross and violent stimulants": producing Lyrical ballads 1798 and 1800 -- National supernaturalism: Joanna Baillie, Germany, and the gothic drama -- "To foist thy stale romance": Scott, antiquarianism, and authorship

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
  5. Romanticism and the Gothic
    genre, reception, and canon formation
    Autor*in: Gamer, Michael
    Erschienen: 2000
    Verlag:  Cambridge University Press, Cambridge

    This is the first full-length study to examine the links between high Romantic literature and what has often been thought of as a merely popular genre - the Gothic. Michael Gamer offers a sharply focused analysis of how and why Romantic writers drew... mehr

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    Standort:
    Universität Frankfurt, Elektronische Ressourcen
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    /
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    keine Fernleihe

    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

     

    This is the first full-length study to examine the links between high Romantic literature and what has often been thought of as a merely popular genre - the Gothic. Michael Gamer offers a sharply focused analysis of how and why Romantic writers drew on Gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of Gothic literature, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of Romanticism as an ideology. In doing so he examines the early history of the Romantic movement and its assumptions about literary value, and the politics of reading, writing and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing and audience on its formation.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511484216
    Schriftenreihe: Cambridge studies in Romanticism ; 40
    Umfang: 1 Online-Ressource (xiii, 255 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  6. Romanticism and the Gothic
    genre, reception, and canon formation
    Autor*in: Gamer, Michael
    Erschienen: 2000
    Verlag:  Cambridge University Press, Cambridge [England] [u.a.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    "Michael Gamer offers a sharply focused analysis of how and why romantic writers drew on gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of gothic writing,... mehr

    Standort:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Fernleihe:
    keine Fernleihe

     

    "Michael Gamer offers a sharply focused analysis of how and why romantic writers drew on gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of gothic writing, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of romanticism as an ideology. In doing so he examines the early history of the romantic movement and its assumptions about literary value, and the politics of reading, writing, and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing, and audience on its formation."--Jacket.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0511010087; 9780511010088; 0511034636; 9780511034633; 0511118481; 9780511118487; 9780521773287; 0521773288; 9780511484216; 0511484216; 9780511049880; 0511049889; 0511151047; 9780511151040; 1280154713; 9781280154713
    Schriftenreihe: Cambridge studies in Romanticism ; 40
    Umfang: 1 Online-Ressource (xiii, 255 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 201-245) and index
  7. Romanticism and the Gothic
    genre, reception, and canon formation
    Autor*in: Gamer, Michael
    Erschienen: 2000
    Verlag:  Cambridge University Press, Cambridge

    This is the first full-length study to examine the links between high Romantic literature and what has often been thought of as a merely popular genre - the Gothic. Michael Gamer offers a sharply focused analysis of how and why Romantic writers drew... mehr

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    This is the first full-length study to examine the links between high Romantic literature and what has often been thought of as a merely popular genre - the Gothic. Michael Gamer offers a sharply focused analysis of how and why Romantic writers drew on Gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of Gothic literature, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of Romanticism as an ideology. In doing so he examines the early history of the Romantic movement and its assumptions about literary value, and the politics of reading, writing and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing and audience on its formation Introduction: Romanticism's "pageantry of fear" -- Gothic, reception, and production -- Gothic and its contexts -- "Gross and violent stimulants": producing Lyrical ballads 1798 and 1800 -- National supernaturalism: Joanna Baillie, Germany, and the gothic drama -- "To foist thy stale romance": Scott, antiquarianism, and authorship

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)