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  1. Petronius and the anatomy of fiction
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge, U.K.

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0511042612; 0511045832; 0511482353; 052181586X; 9780511042614; 9780511045837; 9780511482359; 9780521815864
    Schlagworte: Satire latine / Histoire et critique; Roman / Technique; Narration; Rome dans la littérature; TRAVEL / Special Interest / Literary; LITERARY CRITICISM / General; Satyricon (Petronius); Literatura latina (crítica e interpretação); Satyricon (Petronius Arbiter); Fiction / Technique; Literature; Narration (Rhetoric); Satire, Latin; Technique; Literatur; Satire, Latin; Fiction; Narration (Rhetoric)
    Weitere Schlagworte: Petronius Arbiter / -66 / Satyricon; Pétrone / Satyricon; Pétrone / Technique; Petronius Arbiter; Petronius Arbiter: Satyricon; Petronius Arbiter; Petronius Arbiter (-66): Satyrica
    Umfang: 1 Online-Ressource (x, 239 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 210-226) and indexes

    Cover; Half-title; Title; Copyright; Contents; Acknowledgments; Abbreviations; Introduction Corporealities; CHAPTER 1 Rhetorical red herrings; CHAPTER 2 Behind the scenes; CHAPTER 3 The beast within; CHAPTER 4 From the horse's mouth; CHAPTER 5 Bella intestina; CHAPTER 6 Regurgitating Polyphemus; CHAPTER 7 Scars of knowledge; CHAPTER 8 How to eat Virgil; CHAPTER 9 Ghost stories; CHAPTER 10 Decomposing rhythms; Conclusion Licence and labyrinths; APPENDIX 1 The use of fundere and cognates in the Satyricon; APPENDIX II The occurrence of fortuna or Fortuna in the Satyricon

    Usually seen just as an index of the 'low' genre of Petronius' Satyricon, corporeality is here for the first time explored as a metaphor and it is argued that, on the level of imagery, the text can be read as a unified whole rather than as an episodic jumble