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  1. Bestsellers
    popular fiction of the 1970s
    Autor*in: Sutherland, John
    Erschienen: 2011
    Verlag:  Routledge, London [u.a.]

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780415611244
    RVK Klassifikation: HN 1493
    Schriftenreihe: Routledge revivals
    Schlagworte: Trivialliteratur; Englisch; Epik; Literatur; Bestseller; Interpretation
    Umfang: XII, 268 S.
  2. Bestsellers (Routledge Revivals)
    Popular Fiction of the 1970s
    Autor*in: Sutherland, John
    Erschienen: 2010
    Verlag:  Taylor and Francis, Hoboken

    First published in 1981, this book offers a study of British and American popular fiction in the 1970s, a decade in which the quest for the superseller came to dominate the lives of publishers on both sides of the Atlantic mehr

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    First published in 1981, this book offers a study of British and American popular fiction in the 1970s, a decade in which the quest for the superseller came to dominate the lives of publishers on both sides of the Atlantic

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780415611244
    Schriftenreihe: Routledge Revivals
    Umfang: Online-Ressource (190 p)
    Bemerkung(en):

    Description based upon print version of record

    Book Cover; Title; Copyright; Contents; Acknowledgments; Preface; Introduction; Chapter One: An American kind of book?; Chapter Two: The bestseller machine and its diverse products; Chapter Three: The Godfather; Chapter Four: The novels of Arthur Hailey; Chapter Five: Frighteners of the 1970s: Children of the Dark; Chapter Six: Women's fiction I: The Thorn Birds; Chapter Seven: Women's fiction II: Liberation and female masochism-Erica Jong and the 'bodice rippers'; Chapter Eight: Star Wars; Chapter Nine: Alistair MacLean and James Clavell; Chapter Ten: Jaws

    Chapter Eleven: Harold Robbins: The roman à clef IChapter Twelve: The roman à clef II; Chapter Thirteen: Full disclosure: Research and insider novels; Chapter Fourteen: Death Wish: From stetson to hard hat; Chapter Fifteen: The 'new western' and the middle-aged reader; Chapter Sixteen: Images of war I: Secret histories; Chapter Seventeen: Images of war II: The nightmare that wouldn't die; Chapter Eighteen: Fashionable crime I: Hijack; Chapter Nineteen: Fashionable crime II: Embezzlement-the man with the briefcase; Chapter Twenty: QB VII and the bestselling novel after Auschwitz

    Chapter Twenty-one: Nightmare and medicare: ComaChapter Twenty-two: Documentary, superdocumentary and technology; Chapter Twenty-three: Disaster; Chapter Twenty-four: British pessimism: The 'as if' narratives; Epilogue; Checklist of fiction; Bibliography of non-fiction; Index