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  1. New Playwriting Strategies
    Language and Media in the 21st Century
    Erschienen: 2011
    Verlag:  Taylor & Francis, Hoboken

    New Playwriting Strategies has become a canonical text in the study and teaching of playwriting, offering a fresh and dynamic insight into the subject. This thoroughly revised and expanded second edition explores and highlights the wide spread of new... mehr

    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    keine Fernleihe
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    keine Fernleihe
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    keine Fernleihe
    Universitätsbibliothek Kiel, Zentralbibliothek
    keine Fernleihe
    Hochschulbibliothek Friedensau
    Online-Ressource
    keine Fernleihe

     

    New Playwriting Strategies has become a canonical text in the study and teaching of playwriting, offering a fresh and dynamic insight into the subject. This thoroughly revised and expanded second edition explores and highlights the wide spread of new techniques that form contemporary theatre writing, as well as their influence on other dramatic forms. Paul Castagno builds on the innovative plays of Len Jenkin, Mac Wellman, and the theories of Mikhail Bakhtin to investigate groundbreaking new techniques from a broad range of contemporary dramatists, including Sarah Ruhl, Suzan Lori-Parks and Yo

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780415491471
    Umfang: Online-Ressource (266 p)
    Bemerkung(en):

    Description based upon print version of record

    Front Cover; New Playwriting Strategies; Copyright Page; Contents; Tables; Preface; Acknowledgments; Introduction: Beyond the tipping point; 1. New Playwriting Strategies: Overview and terms; Part I: Strategies of Language and Character; 2. On multivocality and speech genres; 3. Polyvocality and the ascendancy of the hybrid play; 4.The theatricality of character; 5. The transformation of character; 6. Len Jenkin's dramaturgy of character: from stage figures to archetypes; 7. Mac Wellman: language-based character; 8. Crossover poetics: Sarah Ruhl and Suzan-Lori Parks

    Part II: Strategies of Structure and Form9. Units and building blocks; 10. Scenes, acts, and revisions; 11. Foundations of contemporary monologue; 12. Dialogic monologue: from structure to antistructure; Works consulted; Index;

  2. New playwriting strategies
    language and media in the 21st century
    Erschienen: 2011
    Verlag:  Routledge, London [u.a.]

    Introduction: beyond the tipping point -- Strategies of language and character. On multivocality and speech genres -- Polyvocality and the ascendancy of the hybrid play -- The theatricality of character -- The transformation of character -- Len... mehr

    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2012 A 20925
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction: beyond the tipping point -- Strategies of language and character. On multivocality and speech genres -- Polyvocality and the ascendancy of the hybrid play -- The theatricality of character -- The transformation of character -- Len Jenkin's dramaturgy of character: from stage figures to archetypes -- Mac Wellman: language-based character -- Crossover poetics: Sarah Ruhl and Suzan Lori-Parks -- Strategies of structure and form. Units and building blocks -- Scenes, acts, and revisions -- Foundations of contemporary monologue -- Dialogic monologue: from structure to antistructure

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780415491471; 9780415491488
    RVK Klassifikation: EC 4700
    Auflage/Ausgabe: 2. ed.
    Schlagworte: Playwriting
    Umfang: XIV, 258 S.
    Bemerkung(en):

    Includes bibliographical references (S. [241] - 245) and index

    Introduction: beyond the tipping point -- Strategies of language and character. On multivocality and speech genres -- Polyvocality and the ascendancy of the hybrid play -- The theatricality of character -- The transformation of character -- Len Jenkin's dramaturgy of character: from stage figures to archetypes -- Mac Wellman: language-based character -- Crossover poetics: Sarah Ruhl and Suzan Lori-Parks -- Strategies of structure and form. Units and building blocks -- Scenes, acts, and revisions -- Foundations of contemporary monologue -- Dialogic monologue: from structure to antistructure.