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  1. Ruptures and continuities in Soviet/Russian cinema
    styles, characters and genres before and after the collapse of the USSR
    Beteiligt: Beumers, Birgit (HerausgeberIn); Zvonkine, Eugénie (HerausgeberIn)
    Erschienen: 2018
    Verlag:  Routledge, London

    "This book, based on extensive original research, examines how far the collapse of the Soviet Union represented a threshold that initiated change or whether there are continuities which gradually reshaped cinema in the new Russia. The book considers... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This book, based on extensive original research, examines how far the collapse of the Soviet Union represented a threshold that initiated change or whether there are continuities which gradually reshaped cinema in the new Russia. The book considers a wide range of films and film-makers and explores their attitudes to genre, character and aesthetic style. The individual chapters demonstrate that, whereas genres shifted and characters developed, stylistic choices remained largely unaffected"-- Re-construction, or Perestroika: re-visioning, re-making, re-framing -- Perestroika and parallel cinema -- Soviet comedies for our time: cinematic remaking in 21st-century Russia -- The journey of a film: Aleksei Gherman's Hard to be a God, 1968-2013 -- Waiting for change: Sergei Solovev and the dreams of the young generation -- The prostitute as everywoman: the role and evolution of the sex worker in Russian cinema -- Thank God we're not alive: the rock star in Soviet and post-Soviet cinema -- Neither here, nor there: the trickster in the cinema of Perestroika and the early 1990s -- We'll meet in Tahiti: the traveller between East and West in Russian films of the 1990s -- Reality excess: Chernukha cinema in the late 1990s -- A genre in crisis? Satirical comedy during Perestroika -- Articulating dissonance between man and the cosmos: Soviet scientific fantasy in the 1980s and its legacy -- Revising history, remaking heroes: Soviet-Russian cinema and the Civil War

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Beumers, Birgit (HerausgeberIn); Zvonkine, Eugénie (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780367876579; 9781138675773
    RVK Klassifikation: AP 44957 ; AP 59757 ; KK 1035
    Schriftenreihe: Routledge contemporary Russia and Eastern Europe series ; 79
    Schlagworte: Motion pictures; Motion pictures; Motion pictures; Motion pictures; Motion pictures; Russia (Federation); Soviet Union; History
    Umfang: xiii, 226 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  2. Ruptures and continuities in Soviet/Russian cinema
    styles, characters and genres before and after the collapse of the USSR
    Beteiligt: Beumers, Birgit (Hrsg.); Zvonkine, Eugénie (Hrsg.)
    Erschienen: [2018]
    Verlag:  Routledge Taylor & Francis Group, London ; New York

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule für Fernsehen und Film, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Beumers, Birgit (Hrsg.); Zvonkine, Eugénie (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781138675773; 9780367876579
    RVK Klassifikation: KK 1035 ; AP 44957 ; AP 59757
    Auflage/Ausgabe: First published
    Schriftenreihe: Routledge Contemporary Russia and Eastern Europe series ; 79
    Schlagworte: Film; Sozialer Wandel <Motiv>
    Weitere Schlagworte: Motion pictures / Russia (Federation) / History; Motion pictures / Soviet Union / History; Motion pictures; Russia (Federation); Soviet Union; History
    Umfang: xiii, 226 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

    First issued in paperback 2019
  3. Ruptures and continuities in Soviet/Russian cinema
    styles, characters and genres before and after the collapse of the USSR
    Beteiligt: Beumers, Birgit (Hrsg.); Zvonkine, Eugénie (Hrsg.)
    Erschienen: [2018]
    Verlag:  Routledge Taylor & Francis Group, London ; New York

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Beumers, Birgit (Hrsg.); Zvonkine, Eugénie (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781138675773; 9780367876579
    RVK Klassifikation: KK 1035 ; AP 44957 ; AP 59757
    Auflage/Ausgabe: First published
    Schriftenreihe: Routledge Contemporary Russia and Eastern Europe series ; 79
    Schlagworte: Film; Sozialer Wandel <Motiv>
    Weitere Schlagworte: Motion pictures / Russia (Federation) / History; Motion pictures / Soviet Union / History; Motion pictures; Russia (Federation); Soviet Union; History
    Umfang: xiii, 226 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

    First issued in paperback 2019
  4. Ruptures and continuities in Soviet/Russian cinema
    styles, characters and genres before and after the collapse of the USSR
    Beteiligt: Beumers, Birgit (HerausgeberIn); Zvonkine, Eugénie (HerausgeberIn)
    Erschienen: 2018
    Verlag:  Routledge, London

    "This book, based on extensive original research, examines how far the collapse of the Soviet Union represented a threshold that initiated change or whether there are continuities which gradually reshaped cinema in the new Russia. The book considers... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    10 A 25726
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staats- und Universitätsbibliothek Bremen
    Signatur:
    a tea 776 4rd/462
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Signatur:
    59 A 2993
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This book, based on extensive original research, examines how far the collapse of the Soviet Union represented a threshold that initiated change or whether there are continuities which gradually reshaped cinema in the new Russia. The book considers a wide range of films and film-makers and explores their attitudes to genre, character and aesthetic style. The individual chapters demonstrate that, whereas genres shifted and characters developed, stylistic choices remained largely unaffected"-- Re-construction, or Perestroika: re-visioning, re-making, re-framing -- Perestroika and parallel cinema -- Soviet comedies for our time: cinematic remaking in 21st-century Russia -- The journey of a film: Aleksei Gherman's Hard to be a God, 1968-2013 -- Waiting for change: Sergei Solovev and the dreams of the young generation -- The prostitute as everywoman: the role and evolution of the sex worker in Russian cinema -- Thank God we're not alive: the rock star in Soviet and post-Soviet cinema -- Neither here, nor there: the trickster in the cinema of Perestroika and the early 1990s -- We'll meet in Tahiti: the traveller between East and West in Russian films of the 1990s -- Reality excess: Chernukha cinema in the late 1990s -- A genre in crisis? Satirical comedy during Perestroika -- Articulating dissonance between man and the cosmos: Soviet scientific fantasy in the 1980s and its legacy -- Revising history, remaking heroes: Soviet-Russian cinema and the Civil War

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Beumers, Birgit (HerausgeberIn); Zvonkine, Eugénie (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780367876579; 9781138675773
    RVK Klassifikation: AP 44957 ; AP 59757 ; KK 1035
    Schriftenreihe: Routledge contemporary Russia and Eastern Europe series ; 79
    Schlagworte: Motion pictures; Motion pictures; Motion pictures; Motion pictures; Motion pictures; Russia (Federation); Soviet Union; History
    Umfang: xiii, 226 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  5. Ruptures and continuities in Soviet/Russian cinema
    styles, characters and genres before and after the collapse of the USSR
    Beteiligt: Beumers, Birgit (HerausgeberIn); Zvonkine, Eugénie (HerausgeberIn)
    Erschienen: 2019
    Verlag:  Routledge, London

    "This book, based on extensive original research, examines how far the collapse of the Soviet Union represented a threshold that initiated change or whether there are continuities which gradually reshaped cinema in the new Russia. The book considers... mehr

    Standort:
    Universitätsbibliothek Leipzig
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This book, based on extensive original research, examines how far the collapse of the Soviet Union represented a threshold that initiated change or whether there are continuities which gradually reshaped cinema in the new Russia. The book considers a wide range of films and film-makers and explores their attitudes to genre, character and aesthetic style. The individual chapters demonstrate that, whereas genres shifted and characters developed, stylistic choices remained largely unaffected"-- Re-construction, or Perestroika: re-visioning, re-making, re-framing -- Perestroika and parallel cinema -- Soviet comedies for our time: cinematic remaking in 21st-century Russia -- The journey of a film: Aleksei Gherman's Hard to be a God, 1968-2013 -- Waiting for change: Sergei Solovev and the dreams of the young generation -- The prostitute as everywoman: the role and evolution of the sex worker in Russian cinema -- Thank God we're not alive: the rock star in Soviet and post-Soviet cinema -- Neither here, nor there: the trickster in the cinema of Perestroika and the early 1990s -- We'll meet in Tahiti: the traveller between East and West in Russian films of the 1990s -- Reality excess: Chernukha cinema in the late 1990s -- A genre in crisis? Satirical comedy during Perestroika -- Articulating dissonance between man and the cosmos: Soviet scientific fantasy in the 1980s and its legacy -- Revising history, remaking heroes: Soviet-Russian cinema and the Civil War

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Beumers, Birgit (HerausgeberIn); Zvonkine, Eugénie (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780367876579; 9781138675773
    RVK Klassifikation: AP 44957 ; AP 59757 ; KK 1035
    Auflage/Ausgabe: First issued in paperback
    Schriftenreihe: Routledge contemporary Russia and Eastern Europe series ; [79]
    Schlagworte: Sowjetunion; Russland; Film; Sozialer Wandel <Motiv>;
    Umfang: xiii, 226 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index