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  1. Black modernisms in the transatlantic world
    Beteiligt: Nelson, Steven (Hrsg.); Copeland, Huey (Hrsg.)
    Erschienen: [2023]
    Verlag:  National Gallery of Art, Washington ; Yale University Press, New Haven ; London

    Illustrated essays that broaden our understanding of modernism by centering Black artists and experiences, with a contribution featuring the work of Venice Biennale Golden Lion winner Simone Leigh. In this volume, ten leading scholars examine the... mehr

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsgemäldesammlungen, Bibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    Illustrated essays that broaden our understanding of modernism by centering Black artists and experiences, with a contribution featuring the work of Venice Biennale Golden Lion winner Simone Leigh. In this volume, ten leading scholars examine the contradictions of modernity and Black agency that continue to define the Western art world. Illustrated essays explore the work of artists such as Roy DeCarava, Ben Enwonwu, James Hampton, Norman Lewis, Nancy Elizabeth Prophet, Augusta Savage, and Carrie Mae Weems, always with an eye toward reframing our understanding of Black artistic producers. The interdisciplinary avenues of inquiry remake the boundaries of modernist art - its notions time and again focused on the singular white male European or American artist - with another set of imperatives, ethics, and histories, broadening our understanding of the past and present of modernism. -- Yale UP website

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Nelson, Steven (Hrsg.); Copeland, Huey (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780300269772
    Schriftenreihe: Seminar Papers / Center for Advanced Study in the Visual Arts ; 4
    Schlagworte: Postkolonialismus; Künstlerin; Schwarze; Afrikaner; Person of Color; Kunst; Kunstgeschichtsschreibung; Künstler; Moderne; Geschichte
    Weitere Schlagworte: Savage, Augusta (1892-1962); Leigh, Simone (1968-); De Carava, Roy (1919-2009); Enwonwu, Ben (1921-1994); Prophet, Nancy Elizabeth (1890-1960); Lewis, Norman (1909-1979); Weems, Carrie Mae (1953-); Hampton, James (1909-1964); Artists, Black / Congresses; Artists, Black / Themes, motives / Congresses; African American artists / Congresses; Black people in art / Congresses; Art, Modern / Themes, motives / Congresses
    Umfang: vii, 255 Seiten, Illustrationen
    Bemerkung(en):

    Notes on pages 228-247.- Studies in the history of art Symposiums 2018 and 2019, Washington, D.C.

    Introduction: a troubled conjuncture / Huey Copeland and Steven Nelson -- Simone Leigh: acts of transformation / Steven Nelson -- Leave no mark: Blackness and inscription in the inquisitorial archive / Matthew Francis Rarey -- Bare feet, or, the ambivalence of emancipation: Camille Pissarro and the Caribbean / C. C. Mckee -- On European modernism and Black being / Simon Gikandi -- Nancy Elizabeth Prophet and Augusta Savage: Sculptural habits of Black modernism / Kellie Jones -- Numinous affect in Black Atlantic modernisms / Sylvester Okwunodu Ogbechie -- Darkness and the unvisible: Norman Lewis, Roy Decarava, and postwar abstraction / Kobena Mercer -- At the threshold of withholding: Stanley Brouwn's modernist repetitions / Adrienne Edwards -- Spaces in the shadows: archives and architectures in the work of Carrie Mae Weems / Mabel O. Wilson
  2. Black modernisms in the transatlantic world
    Beteiligt: Nelson, Steven (Hrsg.); Copeland, Huey (Hrsg.)
    Erschienen: [2023]
    Verlag:  National Gallery of Art, Washington ; Yale University Press, New Haven ; London

    Illustrated essays that broaden our understanding of modernism by centering Black artists and experiences, with a contribution featuring the work of Venice Biennale Golden Lion winner Simone Leigh. In this volume, ten leading scholars examine the... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität der Künste Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Illustrated essays that broaden our understanding of modernism by centering Black artists and experiences, with a contribution featuring the work of Venice Biennale Golden Lion winner Simone Leigh. In this volume, ten leading scholars examine the contradictions of modernity and Black agency that continue to define the Western art world. Illustrated essays explore the work of artists such as Roy DeCarava, Ben Enwonwu, James Hampton, Norman Lewis, Nancy Elizabeth Prophet, Augusta Savage, and Carrie Mae Weems, always with an eye toward reframing our understanding of Black artistic producers. The interdisciplinary avenues of inquiry remake the boundaries of modernist art - its notions time and again focused on the singular white male European or American artist - with another set of imperatives, ethics, and histories, broadening our understanding of the past and present of modernism. -- Yale UP website

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Philologische Bibliothek, FU Berlin
    Beteiligt: Nelson, Steven (Hrsg.); Copeland, Huey (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780300269772
    Schriftenreihe: Seminar Papers / Center for Advanced Study in the Visual Arts ; 4
    Schlagworte: Postkolonialismus; Künstlerin; Schwarze; Afrikaner; Person of Color; Kunst; Kunstgeschichtsschreibung; Künstler; Moderne; Geschichte
    Weitere Schlagworte: Savage, Augusta (1892-1962); Leigh, Simone (1968-); De Carava, Roy (1919-2009); Enwonwu, Ben (1921-1994); Prophet, Nancy Elizabeth (1890-1960); Lewis, Norman (1909-1979); Weems, Carrie Mae (1953-); Hampton, James (1909-1964); Artists, Black / Congresses; Artists, Black / Themes, motives / Congresses; African American artists / Congresses; Black people in art / Congresses; Art, Modern / Themes, motives / Congresses
    Umfang: vii, 255 Seiten, Illustrationen
    Bemerkung(en):

    Notes on pages 228-247.- Studies in the history of art Symposiums 2018 and 2019, Washington, D.C.

    Introduction: a troubled conjuncture / Huey Copeland and Steven Nelson -- Simone Leigh: acts of transformation / Steven Nelson -- Leave no mark: Blackness and inscription in the inquisitorial archive / Matthew Francis Rarey -- Bare feet, or, the ambivalence of emancipation: Camille Pissarro and the Caribbean / C. C. Mckee -- On European modernism and Black being / Simon Gikandi -- Nancy Elizabeth Prophet and Augusta Savage: Sculptural habits of Black modernism / Kellie Jones -- Numinous affect in Black Atlantic modernisms / Sylvester Okwunodu Ogbechie -- Darkness and the unvisible: Norman Lewis, Roy Decarava, and postwar abstraction / Kobena Mercer -- At the threshold of withholding: Stanley Brouwn's modernist repetitions / Adrienne Edwards -- Spaces in the shadows: archives and architectures in the work of Carrie Mae Weems / Mabel O. Wilson