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  1. The Captive Woman's Lament in Greek Tragedy
    Autor*in: Dué, Casey
    Erschienen: [2021]; © 2006
    Verlag:  University of Texas Press, Austin

    The laments of captive women found in extant Athenian tragedy constitute a fundamentally subversive aspect of Greek drama. In performances supported by and intended for the male citizens of Athens, the songs of the captive women at the Dionysia gave... mehr

    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    The laments of captive women found in extant Athenian tragedy constitute a fundamentally subversive aspect of Greek drama. In performances supported by and intended for the male citizens of Athens, the songs of the captive women at the Dionysia gave a voice to classes who otherwise would have been marginalized and silenced in Athenian society: women, foreigners, and the enslaved. The Captive Woman's Lament in Greek Tragedy addresses the possible meanings ancient audiences might have attached to these songs. Casey Dué challenges long-held assumptions about the opposition between Greeks and barbarians in Greek thought by suggesting that, in viewing the plight of the captive women, Athenian audiences extended pity to those least like themselves. Dué asserts that tragic playwrights often used the lament to create an empathetic link that blurred the line between Greek and barbarian. After a brief overview of the role of lamentation in both modern and classical traditions, Dué focuses on the dramatic portrayal of women captured in the Trojan War, tracing their portrayal through time from the Homeric epics to Euripides' Athenian stage. The author shows how these laments evolved in their significance with the growth of the Athenian Empire. She concludes that while the Athenian polis may have created a merciless empire outside the theater, inside the theater they found themselves confronted by the essential similarities between themselves and those they sought to conquer

     

    Export in Literaturverwaltung   RIS-Format
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780292796119
    Weitere Identifier:
    Schlagworte: LITERARY CRITICISM / General; Greek drama (Tragedy); Laments; Prisoners of war in literature; Revenge in literature; Slavery in literature; Women and literature; Women in literature; Women prisoners in literature
    Umfang: 1 Online-Ressource (199 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021)

  2. The Captive Woman's Lament in Greek Tragedy
    Autor*in: Dué, Casey
    Erschienen: [2021]
    Verlag:  University of Texas Press, Austin

    Frontmatter -- Contents -- Acknowledgments -- Introduction -- Chapter 1 Men’s Songs and Women’s Songs -- Chapter 2 Identifying with the Enemy: -- Chapter 3 Athenians and Trojans -- Chapter 4 The Captive Woman’s Lament and Her Revenge in Euripides’... mehr

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    Frontmatter -- Contents -- Acknowledgments -- Introduction -- Chapter 1 Men’s Songs and Women’s Songs -- Chapter 2 Identifying with the Enemy: -- Chapter 3 Athenians and Trojans -- Chapter 4 The Captive Woman’s Lament and Her Revenge in Euripides’ Hecuba -- Chapter 5 A River Shouting with Tears: Euripides’ Trojan Women -- Chapter 6 The Captive Woman in the House: -- Conclusion: The Tears of Pity -- Bibliography -- Index The laments of captive women found in extant Athenian tragedy constitute a fundamentally subversive aspect of Greek drama. In performances supported by and intended for the male citizens of Athens, the songs of the captive women at the Dionysia gave a voice to classes who otherwise would have been marginalized and silenced in Athenian society: women, foreigners, and the enslaved. The Captive Woman's Lament in Greek Tragedy addresses the possible meanings ancient audiences might have attached to these songs. Casey Dué challenges long-held assumptions about the opposition between Greeks and barbarians in Greek thought by suggesting that, in viewing the plight of the captive women, Athenian audiences extended pity to those least like themselves. Dué asserts that tragic playwrights often used the lament to create an empathetic link that blurred the line between Greek and barbarian. After a brief overview of the role of lamentation in both modern and classical traditions, Dué focuses on the dramatic portrayal of women captured in the Trojan War, tracing their portrayal through time from the Homeric epics to Euripides' Athenian stage. The author shows how these laments evolved in their significance with the growth of the Athenian Empire. She concludes that while the Athenian polis may have created a merciless empire outside the theater, inside the theater they found themselves confronted by the essential similarities between themselves and those they sought to conquer

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780292796119
    Weitere Identifier:
    Schlagworte: Greek drama (Tragedy); Laments; Prisoners of war in literature; Revenge in literature; Slavery in literature; Women and literature; Women in literature; Women prisoners in literature; LITERARY CRITICISM / General
    Umfang: 1 Online-Ressource (199 p)
  3. The Captive Woman's Lament in Greek Tragedy
    Autor*in: Dué, Casey
    Erschienen: [2021]; © 2006
    Verlag:  University of Texas Press, Austin

    The laments of captive women found in extant Athenian tragedy constitute a fundamentally subversive aspect of Greek drama. In performances supported by and intended for the male citizens of Athens, the songs of the captive women at the Dionysia gave... mehr

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    The laments of captive women found in extant Athenian tragedy constitute a fundamentally subversive aspect of Greek drama. In performances supported by and intended for the male citizens of Athens, the songs of the captive women at the Dionysia gave a voice to classes who otherwise would have been marginalized and silenced in Athenian society: women, foreigners, and the enslaved. The Captive Woman's Lament in Greek Tragedy addresses the possible meanings ancient audiences might have attached to these songs. Casey Dué challenges long-held assumptions about the opposition between Greeks and barbarians in Greek thought by suggesting that, in viewing the plight of the captive women, Athenian audiences extended pity to those least like themselves. Dué asserts that tragic playwrights often used the lament to create an empathetic link that blurred the line between Greek and barbarian. After a brief overview of the role of lamentation in both modern and classical traditions, Dué focuses on the dramatic portrayal of women captured in the Trojan War, tracing their portrayal through time from the Homeric epics to Euripides' Athenian stage. The author shows how these laments evolved in their significance with the growth of the Athenian Empire. She concludes that while the Athenian polis may have created a merciless empire outside the theater, inside the theater they found themselves confronted by the essential similarities between themselves and those they sought to conquer

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780292796119
    Weitere Identifier:
    Schlagworte: LITERARY CRITICISM / General; Greek drama (Tragedy); Laments; Prisoners of war in literature; Revenge in literature; Slavery in literature; Women and literature; Women in literature; Women prisoners in literature
    Umfang: 1 Online-Ressource (199 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021)