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  1. Alternative scriptwriting
    successfully breaking the rules
    Autor*in: Dancyger, Ken
    Erschienen: 2007
    Verlag:  Elsevier/Focal Press, Amsterdam

    Alternative Scriptwriting 4E is an insightful and inspiring book on screenwriting concerned with challenging you to take creative risks with genre, tone, character, and structure. Concerned with exploring alternative approaches beyond the traditional... mehr

    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Fernleihe:
    keine Fernleihe
    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Fernleihe:
    keine Fernleihe

     

    Alternative Scriptwriting 4E is an insightful and inspiring book on screenwriting concerned with challenging you to take creative risks with genre, tone, character, and structure. Concerned with exploring alternative approaches beyond the traditional three-act structure, Alternative Scriptwriting first defines conventional approach, suggests alternatives, then provides case studies. These contemporary examples and case studies demonstrate what works, what doesn't, and why. Because the film industry as well as the public demand greater and greater creativity, one must go beyond the traditional three-act restorative and predictable plot to test your limits and break new creative ground. Rather than teaching writing in a tired formulaic manner, this book elevates the subject and provides inspiration to reach new creative heights. Alternative Scriptwriting 4E covers: * The melodrama and the thriller * Adaptations from contemporary literature * Writing non-fictional narratives for the feature documentary * An in-depth exploration of point-of-view and perspective as expressive of the film writer's voice * Voice-oriented genres--docudrama, the fable and experimental narrative * Non-linear storytelling-the narrative strategies that are necessary to make an open-architecture story work * Considerations for writing for DV that speak to the flexibility and improvisation this medium allows

     
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    Hinweise zum Inhalt
    Volltext (An electronic book accessible through the World Wide Web; click for information)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780240808499; 0080475221; 9780080475226
    RVK Klassifikation: AP 50600
    Auflage/Ausgabe: 4. ed
    Schlagworte: Motion picture authorship; Motion picture plays; Creative writing
    Umfang: Online-Ressource (XIV, 409 S)
    Bemerkung(en):

    Includes bibliographical references and index

    Electronic reproduction; Mode of access: World Wide Web

    Cover; Alternative Scriptwriting: Successfully Breaking the Rules; Copyright; Contents; Preface; Acknowledgments for the Fourth Edition; Acknowledgments; 1 Beyond the Rules; 2 Structure; 3 Critique of Restorative Three-Act Form; 4 Counter-Structure; 5 More Thoughts on Three Acts: Fifteen Years Later; 6 Narrative and Anti-Narrative: The Case of the Two Stevens: The Work of Steven Spielberg and Steven Soderbergh; 7 Working with Genre I; 8 Working with Genre II: The Melodrama and the Thriller; 9 Working Against Genre; 10 Genres of Voice; 11 The Non-Linear Film

    12 Reframing the Active/Passive Character Distinction13 Stretching the Limits of Character Identification; 14 Main and Secondary Characters; 15 Subtext, Action, and Character; 16 The Primacy of Character Over Action: The Non-American Screenplay; 17 The Subtleties and Implications of Screenplay Form; 18 Agency and the Other; 19 Character, History, and Politics; 20 Tone: The Inescapability of Irony; 21 Dramatic Voice/Narrative Voice; 22 Digital Features; 23 Writing the Narrative Voice; 24 Rewriting; 25 Adaptations from Contemporary Literature; 26 Personal Scriptwriting: The Edge

    27 Personal Scriptwriting: Beyond the EdgeIndex
  2. Alternative Scriptwriting
    Successfully Breaking the Rules
    Autor*in: Dancyger, Ken
    Erschienen: 2014
    Verlag:  Taylor and Francis, Hoboken

    Alternative Scriptwriting 4E is an insightful and inspiring book on screenwriting concerned with challenging you to take creative risks with genre, tone, character, and structure. Concerned with exploring alternative approaches beyond the traditional... mehr

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    Alternative Scriptwriting 4E is an insightful and inspiring book on screenwriting concerned with challenging you to take creative risks with genre, tone, character, and structure. Concerned with exploring alternative approaches beyond the traditional three-act structure, Alternative Scriptwriting first defines conventional approach, suggests alternatives, then provides case studies. These contemporary examples and case studies demonstrate what works, what doesn't, and why. Because the film industry as well as the public demand greater and greater creativity, one must go beyond the traditional

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780240808499
    Auflage/Ausgabe: 4th ed
    Umfang: Online-Ressource (424 p)
    Bemerkung(en):

    Description based upon print version of record

    Cover; Alternative Scriptwriting: Successfully Breaking the Rules; Copyright; Contents; Preface; Acknowledgments for the Fourth Edition; Acknowledgments; 1 Beyond the Rules; 2 Structure; 3 Critique of Restorative Three-Act Form; 4 Counter-Structure; 5 More Thoughts on Three Acts: Fifteen Years Later; 6 Narrative and Anti-Narrative: The Case of the Two Stevens: The Work of Steven Spielberg and Steven Soderbergh; 7 Working with Genre I; 8 Working with Genre II: The Melodrama and the Thriller; 9 Working Against Genre; 10 Genres of Voice; 11 The Non-Linear Film

    12 Reframing the Active/Passive Character Distinction13 Stretching the Limits of Character Identification; 14 Main and Secondary Characters; 15 Subtext, Action, and Character; 16 The Primacy of Character Over Action: The Non-American Screenplay; 17 The Subtleties and Implications of Screenplay Form; 18 Agency and the Other; 19 Character, History, and Politics; 20 Tone: The Inescapability of Irony; 21 Dramatic Voice/Narrative Voice; 22 Digital Features; 23 Writing the Narrative Voice; 24 Rewriting; 25 Adaptations from Contemporary Literature; 26 Personal Scriptwriting: The Edge

    27 Personal Scriptwriting: Beyond the EdgeIndex
  3. Alternative scriptwriting
    successfully breaking the rules
    Autor*in: Dancyger, Ken; Rush, Jeff
    Erschienen: 2007
    Verlag:  Elsevier/Focal Press, Amsterdam

    Alternative Scriptwriting 4E is an insightful and inspiring book on screenwriting concerned with challenging you to take creative risks with genre, tone, character, and structure. Concerned with exploring alternative approaches beyond the traditional... mehr

     

    Alternative Scriptwriting 4E is an insightful and inspiring book on screenwriting concerned with challenging you to take creative risks with genre, tone, character, and structure. Concerned with exploring alternative approaches beyond the traditional three-act structure, Alternative Scriptwriting first defines conventional approach, suggests alternatives, then provides case studies. These contemporary examples and case studies demonstrate what works, what doesn't, and why. Because the film industry as well as the public demand greater and greater creativity, one must go beyond the traditional three-act restorative and predictable plot to test your limits and break new creative ground. Rather than teaching writing in a tired formulaic manner, this book elevates the subject and provides inspiration to reach new creative heights. Alternative Scriptwriting 4E covers: * The melodrama and the thriller * Adaptations from contemporary literature * Writing non-fictional narratives for the feature documentary * An in-depth exploration of point-of-view and perspective as expressive of the film writer's voice * Voice-oriented genres--docudrama, the fable and experimental narrative * Non-linear storytelling-the narrative strategies that are necessary to make an open-architecture story work * Considerations for writing for DV that speak to the flexibility and improvisation this medium allows

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780240808499; 0240808495
    Auflage/Ausgabe: 4th ed.
    Schlagworte: Motion picture authorship; Motion picture plays / Technique; Creative writing
    Umfang: XIV, 409 S., Ill.
    Bemerkung(en):

    The Edge; Beyond the Edge

    Includes bibliographical references and index
  4. Alternative scriptwriting
    Successfully Breaking the Rules
    Autor*in: Dancyger, Ken; Rush, Jeff
    Erschienen: 2007
    Verlag:  Elsevier/Focal Press, Amsterdam

    Beyond the Rules; Structure; Critique of Restorative Three-Act Form; Counter Structure; Narrative and Anti-Narrative; Working with Genre 1; Working with Genre 2; Working Against Genre; Reframing the Active/Passive Character Distinction; Stretching... mehr

    Standort:
    Technische Universität Chemnitz, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

     

    Beyond the Rules; Structure; Critique of Restorative Three-Act Form; Counter Structure; Narrative and Anti-Narrative; Working with Genre 1; Working with Genre 2; Working Against Genre; Reframing the Active/Passive Character Distinction; Stretching the Limits of Character Identification; Main and Secondary Characters; Subtext, Action and Character; The Primacy of Character Over Action; The Subtleties and Implications of Screenplay Form; Character, History and Politics; Tone; Dramatic Voice/Narrative Voice; Digital Features; Writing the Narrative Voice; Rewriting; Adaptations from Contemporary Literature; Personal Scriptwriting: The Edge; Beyond the Edge Alternative Scriptwriting 4E is an insightful and inspiring book on screenwriting concerned with challenging you to take creative risks with genre, tone, character, and structure. Concerned with exploring alternative approaches beyond the traditional three-act structure, Alternative Scriptwriting first defines conventional approach, suggests alternatives, then provides case studies. These contemporary examples and case studies demonstrate what works, what doesn't, and why. Because the film industry as well as the public demand greater and greater creativity, one must go beyond the traditional three-act restorative and predictable plot to test your limits and break new creative ground. Rather than teaching writing in a tired formulaic manner, this book elevates the subject and provides inspiration to reach new creative heights. Alternative Scriptwriting 4E covers: * The melodrama and the thriller * Adaptations from contemporary literature * Writing non-fictional narratives for the feature documentary * An in-depth exploration of point-of-view and perspective as expressive of the film writer's voice * Voice-oriented genres--docudrama, the fable and experimental narrative * Non-linear storytelling-the narrative strategies that are necessary to make an open-architecture story work * Considerations for writing for DV that speak to the flexibility and improvisation this medium allows

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780240808499; 0240808495
    Auflage/Ausgabe: 4. ed.
    Schlagworte: Motion picture authorship; Motion picture plays; Creative writing; PERFORMING ARTS
    Umfang: XIV, 409 S.
    Bemerkung(en):

    Includes bibliographical references and index. - Description based on print version record