Introduction: The filmicSerious immobilities: Andy Warhol, Erik Satie, and the furniture film -- Stasis in fluxus: disappearing music for face and protracted cinema -- Boundless ontologies: Michael Snow, Wittgenstein, and the textual film -- Colored blindness: Derek Jarman's blue and the monochrome film -- Conclusion: Static cinema in the digital age -- Appendix 1. The cinema of stasis -- Appendix 2. Films relevant to understanding the cinema of stasis.
Introduction: The filmicSerious immobilities: Andy Warhol, Erik Satie, and the furniture film -- Stasis in fluxus: disappearing music for face and protracted cinema -- Boundless ontologies: Michael Snow, Wittgenstein, and the textual film -- Colored blindness: Derek Jarman's blue and the monochrome film -- Conclusion: Static cinema in the digital age -- Appendix 1. The cinema of stasis -- Appendix 2. Films relevant to understanding the cinema of stasis.
