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  1. Mute Speech
    Literature, Critical Theory, and Politics
    Erschienen: 2011
    Verlag:  Columbia University Press, New York

    Throughout his career, shaped by a notable collaboration with Louis Althusser, Jacques Rancière has continually unsettled political discourse, particularly by examining its relationship to aesthetics. Like Michel Foucault, he broke with his many of... mehr

    Hochschulbibliothek Friedensau
    Online-Ressource
    keine Fernleihe

     

    Throughout his career, shaped by a notable collaboration with Louis Althusser, Jacques Rancière has continually unsettled political discourse, particularly by examining its relationship to aesthetics. Like Michel Foucault, he broke with his many of his predecessors to upend dominant twentieth-century historical narratives and critical theories. Often overlooked in the canon of his works, Mute Speech contains the critical seeds of Rancière's most provocative assertions, challenging the intellectual orthodoxy that had come to define the nature of art and representation.Arguing that art is neithe

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780231151023
    Schriftenreihe: New directions in critical theory
    Schlagworte: French literature - 19th century - History and criticism
    Umfang: Online-Ressource (209 p)
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    Description based upon print version of record

    Contents; Introduction: Through the Looking Glass; Introduction: From One Literature to An Other; PART 1: From Restricted to General Poetics; Chapter 1: From Representation to Expression; Chapter 2: From the Book of Stone to the Book of Life; Chapter 3: The Book of Life and the Expression of Society; PART 2: From Generalized to the Mute Letter; Chapter 4: From the Poetry of the Future to the Poetry of the Past; Chapter 5: The Book in Pieces; Chapter 6: The Fable of the Letter; Chapter 7: Writing at War; PART 3: The Contradictions of the Work of Literature; Chapter 8: The Book in Style

    Chapter 9: The Writing of the IdeaChapter 10: Artifice, Madness, the Work; Conclusion: A Skeptical Art; Notes;