Dividing her essays into worlds, women, psychoanalysis, religion, portraits, and writing, Julia Kristeva explores the phenomenon of hate (and our attempts to subvert, sublimate, and otherwise process the emotion) through a number of key texts and...
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Dividing her essays into worlds, women, psychoanalysis, religion, portraits, and writing, Julia Kristeva explores the phenomenon of hate (and our attempts to subvert, sublimate, and otherwise process the emotion) through a number of key texts and contexts. Her inquiry spans the themes, topics, and figures that have been central to her writing over the past three decades, and her paths of discovery advance the theoretical innovations that are so characteristic of her thought. Kristeva rearticulates and extends her analysis of language, abjection, idealization, female sexuality, love, and forg
C O N T E N T S; Foreword; Translator's Acknowledgments; Part 1 WORLD (S); 1. Thinking About Liberty in Dark Times; 2. Secularism; 3. Liberty, Equality, Fraternity and. . . Vulnerability; Part 2 WOMEN; 4. On Parity, Again; Or, Women and the Sacred; 5. From Madonnas to Nudes; 6. The Passion According to Motherhood; 7. The War of the Sexes Since Antiquity; 8. Beauvoir, Presently; 9. Fatigure in the Feminine; Part 3 PSYCHOANALYZING; 10. The Sobbing Girl; Or, On Hysterical Time; 11. Healing, A Psychical Rebirth; 12. From Object Love to Objectless Love; 13. Desire for Law
14. Language, Sublimation, Women15. Hatred and Foregiveness; Or, From Abjection to Paranoia; 16. Three Essays; Or, the Victory of Polymorphous Perversion; Part 4 RELIGION; 17. Atheism; 18. The Triple Uprooting of Israel; 19. What is Left of Our Loves?; Part 5 PORTRAITS; 20. The Inevitable Form; 21. A Stranger; 22. Writing as Strangeness and Jouissance; Part 6 WRITING; 23. The "True-Lie," Our Unassailable Contemporary; 24. Murder in Byzantium, or Why I "Ship Myself on a Voyage" in a Novel; Notes; Notes on the Origins of the Texts; Bibliography; Index;
