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  1. Staging modern American life
    popular culture in the experimental theatre of Millay, Cummings, and Dos Passos
    Autor*in: Fahy, Thomas
    Erschienen: 2011
    Verlag:  Palgrave Macmillan, New York, NY [u.a.]

    Standort:
    Universität Mainz, Zentralbibliothek
    Signatur:
    258.427
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780230115958; 0230115950
    Auflage/Ausgabe: 1. ed.
    Schriftenreihe: What is theatre?
    Schlagworte: Drama; Pop-Kultur <Motiv>
    Weitere Schlagworte: Millay, Edna St. Vincent (1892-1950); Cummings, Edward E. (1894-1962); Dos Passos, John (1896-1970)
    Umfang: 183 S., Ill., 22x14x2 cm
    Bemerkung(en):

    Literaturverz. S. [165] - 174
  2. Staging modern American life
    popular culture in the experimental theatre of Millay, Cummings, and Dos Passos
    Autor*in: Fahy, Thomas Richard
    Erschienen: 2011
    Verlag:  Palgrave Macmillan, New York

    Thomas Fahy examines the integration of and challenges to popular culture found in the theatrical works of Millay, Cummings, and Dos Passos, which have largely been marginalized in discussions of theatre history and literary studies, despite offering... mehr

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule für Wirtschaft und Umwelt Nürtingen-Geislingen, Bibliothek Nürtingen
    Signatur:
    eBook ProQuest
    Fernleihe:
    keine Fernleihe

     

    Thomas Fahy examines the integration of and challenges to popular culture found in the theatrical works of Millay, Cummings, and Dos Passos, which have largely been marginalized in discussions of theatre history and literary studies, despite offering a hybrid theatre that integrates popular with formal, and mainstream with experimental The theatrical works of Millay, Cummings, and Dos Passos, which have largely been marginalized in discussions of theatre history and literary scholarship, offer a hybrid theatre that integrates the popular with the formal, the mainstream with the experimental. Fahy examines the integration of and challenges to popular culture found in their works and offers new readings with an eye to American cultural studies

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780230115958; 1283380986; 9781283380980
    Schriftenreihe: What is theatre?
    What Is Theatre? Ser.
    Schlagworte: American drama; Experimental drama, American; Popular culture; Popular culture in literature; Experimental theater; Theater; Electronic books
    Weitere Schlagworte: Cummings, E. E (1894-1962); Dos Passos, John (1896-1970); Millay, Edna St. Vincent (1892-1950)
    Umfang: Online-Ressource (183 p.), ill
    Bemerkung(en):

    Includes bibliographical references

    Electronic reproduction; Available via World Wide Web

    Cover; Half-Title; Title; Copyright; Dedication; Contents; List of Figures; Acknowledgments; Introduction; 1. "I Cannot Live without a Macaroon!": Food, Hunger, and the Dangers of Modern American Culture in Edna St. Vincent Millay's Aria da Capo and Other Plays; 2. "Damn Everything But the Circus!": The Ambiguous Place of Popular Culture in E. E. Cummings' Him; 3. Planes, Trains, and Automobiles: Technology and the Suburban Nightmare in the Plays of John Dos Passos; Conclusion; Notes; Bibliography; Index
  3. Staging modern American life
    popular culture in the experimental theatre of Millay, Cummings, and Dos Passos
    Autor*in: Fahy, Thomas
    Erschienen: 2011
    Verlag:  Palgrave Macmillan, New York, NY [u.a.]

    "The theatrical works of Millay, Cummings, and Dos Passos, which have largely been marginalized in discussions of theater history and literary scholarship, offer a hybrid theater that integrates the popular with the formal, the mainstream with the... mehr

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2012 A 20954
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    A 2011/11361
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    Signatur:
    EV/590/688
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Signatur:
    Bp 9042
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "The theatrical works of Millay, Cummings, and Dos Passos, which have largely been marginalized in discussions of theater history and literary scholarship, offer a hybrid theater that integrates the popular with the formal, the mainstream with the experimental. Fahy examines the integration of and challenges to popular culture found in their works and offers new readings with an eye to American cultural studies and the impact of mass entertainment on modern life"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780230115958; 9781349297092
    Auflage/Ausgabe: 1. ed.
    Schriftenreihe: What is theatre?
    Schlagworte: Popular culture in literature; American drama; Experimental drama, American; Popular culture; Experimental theater
    Weitere Schlagworte: Millay, Edna St. Vincent (1892-1950); Cummings, E. E (1894-1962); Dos Passos, John (1896-1970)
    Umfang: XI, 183 S., Ill.
    Bemerkung(en):

    Includes bibliographical references and index

    Introduction -- "I cannot live without a macaroon!" : food, hunger, and the dangers of modern American culture in Edna St. Vincent Millay's Aria da Capo and other plays -- "Damn everything but the circus!" : the ambiguous place of popular culture in E. E. Cummings' Him -- Planes, trains, and automobiles : technology and the suburban nightmare in the plays of John Dos Passos -- Conclusion.