Stoddard uses the Anglophone Caribbean and Ireland to examine the complex inflections of women and race as articulated in-between the colonial discursive and material formations of the eighteenth century and those of the (post)colonial twentieth...
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Hochschule für Wirtschaft und Umwelt Nürtingen-Geislingen, Bibliothek Nürtingen
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Stoddard uses the Anglophone Caribbean and Ireland to examine the complex inflections of women and race as articulated in-between the colonial discursive and material formations of the eighteenth century and those of the (post)colonial twentieth century, as structured by the defined spaces of the colonizers' estates
Cover; Title; Copyright; Dedication; Previous Publication; Contents; Figures; Acknowledgments; Introduction: Retracing Transatlantic Networks; Chapter 1 "Making Power Visible": Palladian Architecture as Colonial Icon; Chapter 2 Transnational Flows/Intertextuality: The Big House as Feminine Prison; Belvedere House, Castle Rackrent, Jane Eyre, Wide Sargasso Sea; Chapter 3 Reinscribing St. Kitts's History: Caryl Phillips's Cambridge and the Plantation as Crucible
Chapter 4 Revising Historical Revisionism: Exploding Mother Ireland and the Big House in Edna O'Brien's The House of Splendid IsolationChapter 5 Plantation Geography, Gender, and Agency in Austin Clarke's The Polished Hoe; Chapter 6 "The Colonization of Psychic Space ":Nuala O'Faolain's My Dream of You and Ireland's Great Hunger; Afterword: Plantation Heritage in the (Post)colonial Nation; Notes; Works Cited; Index
