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  1. Creolized aurality
    Guadeloupean gwoka and postcolonial politics
    Autor*in: Camal, Jerome
    Erschienen: [2019]
    Verlag:  University of Chicago Press, Chicago

    In the Caribbean island of Guadeloupe, the complex interplay between anticolonial resistance and accommodation resounds in its music. Guadeloupean gwoka music—a secular, drum-based tradition—captures the entangled histories of French colonization,... mehr

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    Verlag (lizenzpflichtig)

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

     

    In the Caribbean island of Guadeloupe, the complex interplay between anticolonial resistance and accommodation resounds in its music. Guadeloupean gwoka music—a secular, drum-based tradition—captures the entangled histories of French colonization, movements against it, and the uneasy process of the island’s decolonization as an overseas territory of France. In Creolized Aurality, Jérôme Camal demonstrates that musical sounds and practices express the multiple—and often seemingly contradictory—cultural belongings and political longings that characterize postcoloniality. While gwoka has been associated with anti-colonial activism since the 1960s, in more recent years it has provided a platform for a cohort of younger musicians to express pan-Caribbean and diasporic solidarities. This generation of musicians even worked through the French state to gain UNESCO heritage status for their art. These gwoka practices, Camal argues, are “creolized auralities”—expressions of a culture both of and against French coloniality and postcoloniality Frontmatter -- Contents -- List of Online Resources -- Introduction / Listening for (Post)colonial Entanglements -- One / The Poetics of Colonial Aurality -- Two / Building an Anticolonial Aurality: Gwoka modènn as Counterpoetics -- Three / Discrepant Creolizations: Music and the Limits of Hospitality -- Four / Diasporic or Creole Aurality? Aesthetics and Politics across the Abyss -- Five / Postnational Aurality: Institutional Detour and the Creolization of Sovereignty -- Coda / Bigidi -- Acknowledgments -- Basic Gwoka Rhythms -- Notes -- Discography -- Bibliography -- Index

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780226631806
    Weitere Identifier:
    Schriftenreihe: Chicago studies in ethnomusicology
    Schlagworte: Popular music; Popular music; Postcolonialism and music; MUSIC / General
    Umfang: 1 Online-Ressource (x, 234 Seiten), Illustrationen, Noten
    Bemerkung(en):

    restricted access online access with authorization star
  2. Creolized aurality
    Guadeloupean gwoka and postcolonial politics
    Autor*in: Camal, Jerome
    Erschienen: [2019]
    Verlag:  University of Chicago Press, Chicago

    In the Caribbean island of Guadeloupe, the complex interplay between anticolonial resistance and accommodation resounds in its music. Guadeloupean gwoka music—a secular, drum-based tradition—captures the entangled histories of French colonization,... mehr

    Zugang:
    Verlag (lizenzpflichtig)

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In the Caribbean island of Guadeloupe, the complex interplay between anticolonial resistance and accommodation resounds in its music. Guadeloupean gwoka music—a secular, drum-based tradition—captures the entangled histories of French colonization, movements against it, and the uneasy process of the island’s decolonization as an overseas territory of France. In Creolized Aurality, Jérôme Camal demonstrates that musical sounds and practices express the multiple—and often seemingly contradictory—cultural belongings and political longings that characterize postcoloniality. While gwoka has been associated with anti-colonial activism since the 1960s, in more recent years it has provided a platform for a cohort of younger musicians to express pan-Caribbean and diasporic solidarities. This generation of musicians even worked through the French state to gain UNESCO heritage status for their art. These gwoka practices, Camal argues, are “creolized auralities”—expressions of a culture both of and against French coloniality and postcoloniality Frontmatter -- Contents -- List of Online Resources -- Introduction / Listening for (Post)colonial Entanglements -- One / The Poetics of Colonial Aurality -- Two / Building an Anticolonial Aurality: Gwoka modènn as Counterpoetics -- Three / Discrepant Creolizations: Music and the Limits of Hospitality -- Four / Diasporic or Creole Aurality? Aesthetics and Politics across the Abyss -- Five / Postnational Aurality: Institutional Detour and the Creolization of Sovereignty -- Coda / Bigidi -- Acknowledgments -- Basic Gwoka Rhythms -- Notes -- Discography -- Bibliography -- Index

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780226631806
    Weitere Identifier:
    Schriftenreihe: Chicago studies in ethnomusicology
    Schlagworte: Popular music; Popular music; Postcolonialism and music; MUSIC / General
    Umfang: 1 Online-Ressource (x, 234 Seiten), Illustrationen, Noten
    Bemerkung(en):

    restricted access online access with authorization star
  3. Creolized aurality
    Guadeloupean gwoka and postcolonial politics
    Autor*in: Camal, Jerome
    Erschienen: [2019]; © 2019
    Verlag:  The University of Chicago Press, Chicago ; Walter de Gruyter GmbH, London

    Zugang:

    Standort:
    Universität Frankfurt, Elektronische Ressourcen
    Signatur:
    /
    Fernleihe:
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780226631806
    Weitere Identifier:
    RVK Klassifikation: LC 87640 ; LS 48700
    DDC Klassifikation: Musik (780)
    Schriftenreihe: Chicago studies in ethnomusicology
    Schlagworte: Antikolonialismus; Postkolonialismus; Volksmusik; Gwoka
    Umfang: 1 Online-Ressource