Verlag:
Oxford University Press, Oxford
;
ProQuest, Ann Arbor, Michigan
The Poem as Icon resolves long-standing questions of poetic function from a cognitive perspective. Margaret Freeman shows how poetry, as one expression of the aesthetic faculty, enables us to iconically access and experience the "being" of reality.
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Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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The Poem as Icon resolves long-standing questions of poetic function from a cognitive perspective. Margaret Freeman shows how poetry, as one expression of the aesthetic faculty, enables us to iconically access and experience the "being" of reality.
The Poem as Icon resolves long-standing questions of poetic function from a cognitive perspective. Margaret Freeman shows how poetry, as one expression of the aesthetic faculty, enables us to iconically access and experience the "being" of reality....
mehr
Universitätsbibliothek der Eberhard Karls Universität
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keine Ausleihe von Bänden, nur Papierkopien werden versandt
The Poem as Icon resolves long-standing questions of poetic function from a cognitive perspective. Margaret Freeman shows how poetry, as one expression of the aesthetic faculty, enables us to iconically access and experience the "being" of reality. cover -- Half title -- Series -- The Poem as Icon -- Copyright -- Dedication -- Contents -- Preface -- Acknowledgments -- 1. Poetic Cognition -- 1.1. Iconicity and the Being of Reality -- 1.2. Toward a Theory of Aesthetic Cognition -- 1.3. Developing a Multidisciplinary Terminology -- 1.4. Overview of Chapters -- 2. Icon -- 2.1. What Is an Icon? -- 2.1.1. The Semiotic Icon -- 2.1.2. The Religious Icon -- 2.1.3. The Linguistic Icon -- 2.1.4. The Popular Icon -- 2.2. The Slippery Slopes of Meaning -- 2.2.1. Reification as Cognitive Economy -- 2.2.2. The Form-Content Dichotomy -- 2.3. Iconicity in the Arts -- 2.4. Iconicity in Literary Criticism -- 3. Semblance -- 3.1. Beyond Mimesis -- 3.2. Manifestation -- 3.3. The In-visibility of Being -- 3.4. The Ontology of Poetic Cognition as Iconic of Reality -- 3.4.1. Prosodic Structure -- 3.4.2. Prepositional Use -- 3.4.3. Concealed Images -- 3.4.4. Sound Patterning -- 4. Metaphor -- 4.1. Metaphor as Model -- 4.2. Poetic Metaphor as Literal -- 4.3. Metaphor in the Literary Arts -- 4.4. The Semeiosis of Poetic Metaphor -- 4.5. Metaphoring as Cognitive Processing -- 4.6. The Hierarchy of Cognitive Metaphoring -- 4.7. The Ontology of Poetic Metaphor -- 4.8. The Role of Metaphor in Poetic Iconicity -- 5. Schema -- 5.1. Probing Sensate Cognition -- 5.2. Schema as Correlation of Self and World -- 5.3. Schema as Constraint on Experience -- 5.4. The Role of Schemata in Imagination and Language -- 5.5. Schema as Internalizing Sensate Structure in Poetry -- 5.6. path and verticality Schemata in Li Bai's Shudaonan -- 5.7. The Poetic Use of Schema -- 5.8. Schema as Defining a Poetics -- 6. Affect -- 6.1. The Synesthetics of Affect -- 6.2. Sonic and Structural Prosodies -- 6.3. The Import of Affect -- 6.4. Schema Theory and the Structure of Affects -- 6.5. The Force Dynamics of Affective Schemata.